Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀ láti ọwọ́ Tonerico:Inc. jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
FàdákàInú Ilé· 2026
Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀
látọ̀wọ́ Tonerico:Inc.
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #174328Àpẹrẹ Náà
Nípa Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀
Shibuya Tsutaya jẹ́ ilé ìṣòwò alápapọ̀ tí ó wà ní Shibuya Crossing ní Tokyo. Wọ́n tú ilé náà padà sí egungun ìpìlẹ̀ rẹ̀, wọ́n sì so àwọn àyè lásán náà pọ̀ nípa lílo àwọn ohun èlò aláwọ̀ eérú láti dá kanfáàsì aláìdásí sílẹ̀. Ọ̀kọ̀ọ̀kan àwọn ilẹ̀ méjì tí ó wà nísàlẹ̀ àti àwọn ilẹ̀ méje tí ó wà lókè ní ìwà tirẹ̀, síbẹ̀ gbogbo agbègbè ni wọ́n mọ̀ọ́mọ̀ fi sílẹ̀ láìparí kí ó lè gba àyípadà ọjọ́ iwájú láàyè. Wọ́n yọ àwọn nǹkan tí kò ṣe pàtàkì kúrò láti dá ojú ìríran tí ó ṣe kedere àti ọ̀nà ìrìnkiri tí ó rọrùn sílẹ̀. Nǹkan bí ìjókòó ẹ̀ẹ́dẹ́gbẹ̀ta àti àwọn atọ́nà oní-díjítà ń sin àwọn àlejò, tòrí náà, ìbòjú ńlá kan tí ó wà ní iwájú ilé náà ń fi ìròyìn àti ìsọfúnni ìṣẹ̀lẹ̀ hàn.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀ jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀ yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Shibuya Tsutaya Ilé Ìṣòwò Alápapọ̀ jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Shibuya TSUTAYA was stripped down to its structural skeleton, with the raw space unified in gray materials to create contrast with later-added elements and to preserve an “unfinished” canvas throughout the building.
While each floor maintains its unique character, no area is ever fully designed—each is intentionally left open-ended. This deliberate unfinished incompleteness suggests the potential for future transformation. - Ìwọ̀n àti Àpò
- On the first floor, the entrance was widened by adjusting the angle of the sash doors, and a secondary entrance was added on the Center-Gai shopping street side along the diagonal axis.
To accommodate the building's complex layout, comprising two basement levels and seven floors above ground, and its reliance on escalators for vertical circulation, all non-essential elements beyond regulatory requirements were removed to create a clear, connected spatial flow with uninterrupted sightlines. - Àwọn Àkọlé
- Shibuya, TSUTAYA, Renewal, Unfinished Space, Skeletonization, Flexible Space, Commercial Facility, Visual Connectivity, Dynamic Design, Evolving City
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- To maximize the floor area on every level, the core zones—including back-of-house spaces—were organized so that, even in their bare state, they serve as a neutral spatial backdrop.
Alongside this structural skeletonization, the bare spaces were unified with gray materials to distinguish them from the elements inserted later, intentionally leaving a gray “canvas” throughout the space. - Ìpèníjà Àpèsè
- Since visitors come from diverse countries and regions, the circulation plan needed to be intuitive and encourage proactive movement.
Additionally, to facilitate information access within the facility, strategically placed digital directories provide updates using minimal text and strong visuals—benefiting users while also easing operational demands. - Ìwádìí
- Shibuya is a town where people from many different countries, regions, and generations come and go. Therefore, we conducted thorough research on the surrounding area. We surveyed people in the town to learn what they currently need and what is lacking, and we reflected these findings in the floor layout. For example, many respondents noted a lack of places to rest, so we decided to include approximately 500 seats in the facility.
- Ìmísí
- Shibuya is a hub of creative energy—constantly evolving, and defined by its openness to change and its allure as an unfinished city. This nature inspired the project’s core concept: “leaving space unfinished.”
The concept took years to develop, beginning with a full structural reset to explore the site's potential. Located directly at Shibuya Crossing, the design reimagines how the space can respond to the present moment and act as a new cultural platform. - Àkókò Iṣẹ́ Àkànṣe
- The project was launched in Tokyo on March 5, 2021, and opened in Shibuya, Tokyo on April 25, 2024.
- Ìlànà Ìṣiṣẹ́
- Situated at the iconic Shibuya Crossing—where approximately 500,000 people pass daily—the building’s façade features a large LED screen designed for visibility from multiple angles.
This screen continually broadcasts not only in-house event updates but also news and timely advertisements, transforming the architecture into a dynamic hub that connects the city, its people, and businesses. - Àwọn Ọmọ Ẹgbẹ́
- Hiroshi Yoneya
Ken Kimizuka
Kai Kitahara
Momo Suzuki - Ìfọwọ́sí Àwòrán
- Main Image: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #1: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #2: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #3: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
Image #4: Photographer Nacása & Partners Inc., SHIBUYA TSUTAYA, 2024.
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