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Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí láti ọwọ́ Adam Bezzina

Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí láti ọwọ́ Adam Bezzina jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.


FàdákàOhun-èlò Ilé· 2026

Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí

látọ̀wọ́ Adam Bezzina

Oníbàárà: Pompous Fox Wood Co.

Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #176140

Àwọ̀

Àpẹrẹ Náà

Nípa Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí

Ọ̀rọ̀ Ìwé: Whorl jẹ́ tábìlì kọfí aláwòrán tí a ṣe láti inú igi ash tí a rí gbà lọ́nà tí ó ń tọ́jú àyíká, nípasẹ̀ ọ̀nà ìdìpọ̀-àtẹ̀gùn tí ó ní ìlọsíwájú. Àwọn ẹsẹ̀ rẹ̀ tí ó ń ṣàn bí okùn rìbanì ń dìde láti orí òkè tí ó lágbára tí a ṣe ní ìrísí ẹ̀gún tí a ṣe àṣàrò rẹ̀ pàtàkì àti àwọn àpótí ìtẹ̀wọ́n. Àpẹẹrẹ náà ń kó ìdúróṣinṣin ìtòlẹ́sẹẹsẹ àti ìṣíkiri àbínibí papọ̀, ó ń yí igi líle padà sí ìrísí tí ó ń ṣàn tí ó dàbí ẹni tí ó wà láàyè. Nípa dídọ́gba ìmọ̀ tuntun, iṣẹ́-ọnà, àti òtítọ́ ohun èlò, Whorl ń tako àpẹẹrẹ ohun ọ̀ṣọ́ ilé ìbílẹ̀ nígbà tí ó ń ṣayẹyẹ ẹwà atẹ́nudẹ́nu ti igi àdánidá.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award

Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Whorl Iṣẹ́ Àkọ́kọ́: Tábìlì Kọfí jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
This sculptural coffee table is designed and crafted from sustainably sourced ash, combining a finely tapered solid top with complex bent-laminated legs formed in custom vacuum molds. Unlike conventional tables, its flowing, ribbon-like curves blur the line between furniture and art. Precision joinery seamlessly integrates the base, creating strength within an organic, fluid form. Designed as a conversation piece, it showcases technical innovation and the expressive potential of wood.
Ìwọ̀n àti Àpò
Width 1220 mm x Depth 508 mm x Height 356 mm
Àwọn Àkọlé
coffee table, bent furniture, ash furniture, solid wood furniture, wooden table, handmade furniture, organic furniture design, sculptural furniture, wood furniture
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
Constructed from locally sourced ash, the table combines advanced machining with bent lamination. The top was machined to taper from a knife-edge profile to a reinforced center, while the legs were formed from hand-laid veneer strips shaped in custom jigs and vacuum bags. Mortises in the underside receive the laminated legs, achieving seamless structural integration. Finished with eco-friendly hardwax oil to enhance grain and durability.
Ìpèníjà Àpèsè
The greatest challenge was achieving the fluid curves of the bent-laminated legs. Bent wood furniture is rare in North America, with limited reference and precedent, requiring extensive self-directed experimentation. Adam built scale models, tested lamination thickness, and developed custom jigs and vacuum molds to push the material to its limits. Integrating these forms seamlessly into a machine-milled top demanded precision, innovation, and persistence to overcome both technical and creative obstacles.
Ìwádìí
This project centered on material and form research, exploring methods of bending wood and studying organic shapes. The objective was to showcase the untapped potential of bent wood furniture in North America. Using a scale model, veneer experiments, precision machining, and custom vacuum jigs, these tests refined lamination thickness and showed the limitations when bending wood. Conducted by the designer with support in fabrication, the research revealed new structural and aesthetic possibilities, inspiring future clients and broadening design practice.
Ìmísí
The inspiration for this table came from a desire to create an organic form guided by the natural possibilities of wood rather than digital modeling. By exploring the limits of bent lamination, the design transforms rigid ash into fluid, ribbon-like curves. The motivation was to craft a functional coffee table that feels sculptural, inviting curiosity and awe at how traditional materials can be reimagined through modern techniques.
Àkókò Iṣẹ́ Àkànṣe
Adam began imagining and designing the piece in the Spring of 2024, in Barrie, Ontario, Canada. The finished piece was complete in the Fall of 2024 and was exhibited at the Toronto Interior Design Show in January 2025.
Ìlànà Ìṣiṣẹ́
Whorl is designed to be lived with and admired. Its smooth curves invite touch, while the solid ash top provides a practical surface scaled for smaller spaces. Though sculptural in form, it functions seamlessly as a coffee table, offering stability and balance in everyday use. The interaction lies in its presence: a functional object that sparks conversation and wonder by transforming wood into a fluid, unexpected shape.
Ìfọwọ́sí Àwòrán
Image #1: Photographer Ethicious.com, Whorl, 2025
Image #2: Photographer Ethicious.com, Whorl, 2025
Image #3: Photographer Ethicious.com, Whorl, 2025
Image #4: Photographer Ethicious.com, Whorl, 2025
Image #5: Photographer Ethicious.com, Whorl, 2025
Video Credits: Videographer: Ethicious.com, Whorl, 2025

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