Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò láti ọwọ́ Mto & Hwcd jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.
WúràInú Ilé· 2026
Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò
látọ̀wọ́ Mto & Hwcd
Oníbàárà: Mto & Hwcd
Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #177038Àpẹrẹ Náà
Nípa Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò
Cest Lavie Gallery jẹ́ àwòṣe inú ilé fún ilé ìgbafẹ́ àti iṣẹ́ ọnà ní Chengdu, orílẹ̀-èdè Ṣáínà. Àyè náà gba mítà onígun mẹ́rin 3,800, ó sì tẹ̀lé ọ̀nà ìgbadùn aládàáni tí ó ní ẹwà ìgbẹ́. Pípín àyè ní ìbámu pẹ̀lú iṣẹ́ dá àwọn agbègbè ìjíròrò ní ọ̀nà Faransé, àwọn agbègbè ìfihàn iṣẹ́ ọnà Áfíríkà, àti àwọn agbègbè ìsinmi sílẹ̀, èyí tí ó jẹ́ kí ìrìn láàrin àwọn àyè aládàáni àti ti gbogbogbò rọrùn. Àwọn ohun èlò tí wọ́n lò ní pákó tín-ínrín, òkúta, dígí aláwòṣe ọnà, irin, àti aṣọ tí a kó wọlé láti òkèèrè. Àwọn bíríkì pupa tí kò ní ewu fún àyíká tí a ṣe ní pàtàkì àti irun àdàkọ fi oríṣiríṣi ìmọ̀lára kún un. Àwọn àwòrán àdánidá àti ìmọ́lẹ̀ ni ó ń darí ọ̀nà àwọn àlejò.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award
Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Cest Lavie Gallery Àwòṣe Inú Ilé fún Iṣẹ́ Òwò ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- Compared with similar commercial space designs, this project offers unique features and a fresh brand image. Crafted in a wild luxury style, it uses elegant eco-friendly materials to evoke a natural ambiance. Through functional zoning, it incorporates French-style artistic negotiation areas and African wild art exhibition areas, creating a stylish, understated luxury art club that fully embodies the spirit of wild luxury.
- Ìwọ̀n àti Àpò
- The project covers an interior space of 3,800 square meters in Chengdu. Functional zoning includes French-style negotiation areas and African wild art exhibition areas. Main materials include wood veneer, luxury stone, artistic glass, metal, imported fabrics, and customized eco-friendly red bricks and artificial fur, ensuring both durability and alignment with the wild luxury style.
- Àwọn Àkọlé
- Wild Luxury, Chengdu Culture, French-Style Negotiation, African Art Exhibition, Eco-Friendly Design, Recycled Materials, Luxury Stone, Artistic Glass, Contemporary Lifestyle, Sustainable Interior
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- The project primarily utilizes materials such as wood veneer, luxury stone, artistic glass, metal, and imported fabrics, while also incorporating customized eco-friendly red bricks and customized artificial fur materials. The selection and application of these various materials align with the project's overall style and functional requirements.
- Ìpèníjà Àpèsè
- The hardest challenge was developing customized eco-friendly red bricks and artificial fur, requiring R&D from production to on-site installation. A tight four-month schedule added pressure across building optimization, construction, and customization. Internally, balancing international aesthetics with Chengdu's cultural identity posed creative risks; externally, limited time and technical constraints demanded close collaboration and process refinement.
- Ìwádìí
- This research was design-oriented, aiming to merge fashion, art, and commerce in Chengdu. Methods included cultural analysis, material research, and prototyping. Data were gathered through market studies, local cultural references, and material testing, with input from design teams, craftsmen, and clients. Results showed strong user resonance with wild luxury aesthetics. Insights reveal that eco-conscious material innovation can elevate commercial branding while enriching lifestyle experiences.
- Ìmísí
- The design inspiration of this project stems from three aspects: first, Chengdu's abundant natural resources and the surrounding environment of the project that is surrounded by mountains and waters; second, the new-type commercial lifestyle format presented by the project's name "Baiyu Ming" and its French counterpart "Cest lavie"; third, the current popular trend of wild luxury style and the project's demand for the expression of artistic life.
- Àkókò Iṣẹ́ Àkànṣe
- The project started in May 2025 and finished in August 2025 in China.
- Ìlànà Ìṣiṣẹ́
- The gallery operates as a lifestyle and art club where visitors move through zones of negotiation, exhibition, and leisure. Natural textures and light guide interaction, while functional layouts allow seamless transitions between private and public areas. Customized materials enhance tactile experience, and the immersive atmosphere integrates art, nature, and commerce to deliver a refined, user-centered journey.
- Ìfọwọ́sí Àwòrán
- Image #1: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #2: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #3: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #4: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
Image #5: Photographer 4U Studio-Zou Fenghan, Cest Lavie Gallery, 2025.
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