Soo No. 2 Àga láti ọwọ́ Sangin Park jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2026 Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun-èlò Ilé.
FàdákàOhun-èlò Ilé· 2026
Soo No. 2 Àga
látọ̀wọ́ Sangin Park
Aṣẹ́gun Àmì-ẹ̀yẹ Fàdákà A' Design Award nínú Ẹ̀ka Ohun-èlò Ilé
Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí
Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #179701Àpẹrẹ Náà
Nípa Soo No. 2 Àga
Soo No. 2 jẹ́ àga onígi tí a ṣe fún ìjókòó ojoojúmọ́. Nínú ọ̀pọ̀lọpọ̀ àga, àwọn ẹsẹ̀ ẹ̀yìn ń tẹ̀síwájú sókè láti gbé ibi ìfẹ̀yìntì ró. Nínú Soo No. 2, àwọn ẹsẹ̀ ẹ̀yìn àti àwọn òpó ìfẹ̀yìntì ni a yà sọ́tọ̀ gẹ́gẹ́ bí àwọn ẹ̀yà olómìnira. Ìyàsọ́tọ̀ yìí mú kí ìdúróṣinṣin ìhun àga náà dára sí i, ó sì dá ìwọ̀ntúnwọ̀nsì tó ṣe kedere fún ojú sílẹ̀. Àwọn ẹsẹ̀ rẹ̀ jẹ́ aláwọ̀-ọ̀pá yíká, a sì fi okùn Danish hun ibi ìjókòó rẹ̀. Gbogbo àwọn ìsopọ̀ ìhun ló ń lo ọgbọ́n ìsopọ̀ mortise àti tenon, àwọn ìsopọ̀ tó gba inú kọjá sì ń dá àwọn ohun ọ̀ṣọ́ kéékèèké oníhà mẹ́rin bí dáyámọ́ndì sílẹ̀ ní ẹ̀gbẹ́ férémù náà. A fi àwọn èèkàn idẹ tí kò hàn kedere so àwọn ibi ìgbọ́wọ́lé àti àwọn òpó ìfẹ̀yìntì mọ́ra.
Ìdánimọ̀ Náà
Nípa Àmì-ẹ̀yẹ Fàdákà A' Design Award
Soo No. 2 Àga jẹ́ olùborí Àmì-ẹ̀yẹ Fàdákà A' Design Award, ìdánimọ̀ onípọ̀nlé lọ́nà àrà ọ̀tọ̀ tí a fún àwọn àwòṣe ìpele gíga jùlọ tó dára tó sì ń kan ọkàn. Àwọn olùborí Fàdákà jẹ́ àwọn iṣẹ́ tó ń tàn yòò gidigidi tó sì ní ìṣẹ̀dá púpọ̀ tí wọ́n ń ṣàfihàn ìmọ̀ ìjìnlẹ̀, ẹ̀bùn àti ìmọ̀ràn àwọn olùṣàwòṣe wọn. A retí pé Soo No. 2 Àga yóò jẹ́ iṣẹ́ àgbàyanu, àpẹẹrẹ rere, ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun jinlẹ̀. Àwòṣe tó borí Àmì-ẹ̀yẹ Fàdákà A' Design Award yìí jẹ́ ohun ìmúṣẹ̀dá tó hàn gbangba gidigidi tí a mọrírì tó ń ṣe anfàní tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Soo No. 2 Àga jẹ́ ẹ̀dá tí ọ̀pọ̀lọpọ̀ ń ṣe ìlara, tó ń jí ìfẹ́ inú, tó ń mú ìmọ̀lára rere wá tó sì ń jí ìyàlẹ́nu àti ìyanu.
Lẹ́yìn Àpẹrẹ Náà
Àkójọ Ìròyìn
Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.
- Àwọn Ohun Àkànṣe
- The most distinctive feature of this chair is the design of its rear legs. While conventional chairs extend the rear legs upward to support the backrest as two vertical columns, this approach was reconsidered in terms of structural stability. By separating the rear legs from the backrest support as independent elements, the design achieves both enhanced structural integrity and a clear sense of visual balance.
- Ìwọ̀n àti Àpò
- Width 580mm x Depth 640mm x Height 770mm
- Àwọn Àkọlé
- chair, chair design, woodworking
- Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
- In realizing this chair, certain elements were intentionally kept traditional, including the cylindrical legs and a seat woven with Danish cord. Special attention was required where the squared frame members meet the round legs. All Structural joints are crafted using mortise and tenon joinery, with through mortise and tenon joints forming subtle diamond-shaped details along the frame sides. The armrests and back rest supports are fixed with discreet brass pins, preserving the clarity and simplicity of the overall shape.
- Ìpèníjà Àpèsè
- Design is shaped by the social and cultural context in which it is produced. Working within the Korean cultural context, where floor-based living has historically shaped furniture traditions, forms such as chests and low tables developed more clearly than chairs. This absence can create uncertainty for contemporary woodworkers, who often reference traditional architecture when designing chairs. This project began by questioning whether traditional forms were created primarily for aesthetic expression or as practical responses to life and the human body. Rather than replicating inherited forms, the focus shifted toward designing a chair that responds to bodily experience and everyday use.
- Ìwádìí
- Type of Research :
Practice-based design research.
Research Objective :
To explore how visual stability and comfort interact in chair design.
Methodology :
Full-scale making and iterative adjustment of structure and angles.
Data Collection and Research Tools Used :
Physical prototypes, sitting tests, and dimensional comparison.
Participants or Experiments :
Separating rear legs from backrest support to resolve structural conflict.
Results :
Greater formal freedom and improved balance.
Insights :
Because rear legs and backrest supports perform different roles and absorb forces differently when seated, separating them—beyond concerns of material efficiency—allows chair design to become more flexible and expressive.
Impacts :
The study contributes to furniture design by demonstrating how structural separation can expand formal possibilities while improving everyday seating comfort. - Ìmísí
- The chair was inspired by 12 months of building 12 different chairs, during which the relationship between the rear legs and the backrest support became a recurring concern. In conventional designs, rear leg placement that improves stability often compromises posture, while configurations that support proper seating increase the risk of tipping, with angled legs further distorting the overall form. These tensions led to the decision to separate the two functions into distinct structural elements
- Àkókò Iṣẹ́ Àkànṣe
- This chair is the final outcome of a personal project involving the creation of 12 different chairs over a 12 month period. The making of this chair itself, including the final wax finish, took approximately twenty days. However, the process of determining the appropriate shapes and compositions for each part took place almost a year. The chair was crafted in December 2025 in Go-yang City, on the outskirts of Seoul, South Korea.
- Ìlànà Ìṣiṣẹ́
- A chair is the piece of furniture that comes into closest contact with the human body. Beyond visual appeal, it must satisfy the highly subjective requirement of comfort. As the position and proportion of each element strongly shape the user’s experience, several dimensions were referenced from a classic chair by Hans J. Wegner, known for its balanced and familiar comfort. Interestingly, adopting only selected measurements leads to a distinctly new experience, revealing the unique and subtle nature of how a chair interacts with the human body.
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