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Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ láti ọwọ́ Prism Design

Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ láti ọwọ́ Prism Design jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2017 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àyà Inú Ilé àti Ibi Àfihàn.


WúràInú Ilé· 2017

Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ

látọ̀wọ́ Prism Design

Oníbàárà: Prism Design

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Inú Ilé

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #50833

Àwọ̀

Àpẹrẹ Náà

Nípa Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ

Ilé oúnjẹ Japanese Suigetsu jẹ́ inú ilé oúnjẹ tí ó ní ìwọ̀n 370 mítà oníge mẹ́rin ní Chongqing, orílẹ̀-èdè China. Àpèrò yìí ṣàkópọ̀ àwọn ìtọ́kasí àṣà Chongqing àti ti Japanese. Ìpele ilẹ̀ ń yí padà ní gíga láti ṣèrántí àyíká àdúgbò náà. Àpèrò náà tẹ̀lé àwọn ọ̀nà ìpàdé odò Yangtze àti Jialing, ó sì tún tọ́ka sí àwọn ìlànà Feng Shui. Òrùlé náà ní ìrísí abẹ̀bẹ̀ tí a ṣépọ̀, pẹ̀lú fírémù aluminium alloy àti orí ilẹ̀ tí ó ní àwòrán igi. Àwọn àpótí ìmọ́lẹ̀ acrylic tí ó wà lórí ojú gíláàsì ń ṣèrántí àwọn fìtílà bébà, wọ́n sì ń tàn ní alẹ́.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Suigetsu Japanese Restaurant Primary Function: Àpèrò Àtúnṣe Inú Ilé Oúnjẹ ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe
1. We combined both ChongQing and Japanese culture in this restaurant. Some of the features were coming from ChongQing's traditional culture. While Japanese culture also play an important role in it.
2. You can feel the varies changes of ChongQing's landscape by all the hight differences of the floor.
3. The plan arrangements combined Chinese Fengshui culture.
4. This restaurant can not be defined as a Japanese restaurant, nor a Chongqing restaurant. It absorbed the similar features of these two place.
Ìwọ̀n àti Àpò
Total area:370 square meters
Àwọn Àkọlé
Combination, Transforming, Nature-related
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀
1. The shape of the ceiling were inspired by traditional folded fan. It used aluminum alloy as bones, with wood textures on the surface. 2.The connected points were used traditional Chinese Sun Mou technology, in a simplified way.
3.Different angles of the ceiling indicated the traditional Chinese umbrella bones.
4. All the blowing boxes on the facade actually coming from the traditional lamp festival in Chongqing. However, Japanese people also have this tradition. Considering about the semi-transparency of the paper surface of lamp, we used acrylic as a modern metaphor. When the night comes, all the light on the facade can always remind people of the flying lamps shining on the lamp festival day.
Ìpèníjà Àpèsè
Two sides of the walls were glass facade. This limitation contributed to huge light differences of the restaurant during the day and on the night. So that we refined the appearance of the acrylic light box. During day time, customers can appreciate the compound of the structure. While on the night, those light provide both light and visual attractiveness.
Ìwádìí
The research included natural landscapes, Japanese and Chinese cultures' similarities and differences, traditional carpenter technology and Chinese unique Feng Shui culture.
We've done those research by reading books, studying geometry knowledges, interviewing residents and traveling around ChongQing to collect images.
Ìmísí
Chongqing is located right at the crosspoint of Yang Zi and Jia Ling River. This crosspoint inspired us to make a confusion of nature landscape features and restaurant interior design together.
Àkókò Iṣẹ́ Àkànṣe
The project was located in 3rd Floor, tower A, Crystal Palace, Xin nan Road No160, Yuzhong District, Chongqing, China. It was started in January 2016 and finished in August 2016. The opening time was in September 2016.
Ìlànà Ìṣiṣẹ́
The arrangement of the restaurant's plan was referred to the flowing path of Yang Zi and Jia Ling River. People's walking path can be regarded as the trends of water.
Àwọn Ọmọ Ẹgbẹ́
Designer Name:TOMOHIRO KATSUKI
Designer Name:MASANORI KOBAYASHI
Ìfọwọ́sí Àwòrán
Studio W / Wataru Ishida

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