The Bird from Paradise Ere Igi láti ọwọ́ Mohamadali Vadood

The Bird from Paradise Ere Igi láti ọwọ́ Mohamadali Vadood jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2019 Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Àṣà Ìbílẹ̀ àti Ilé-iṣẹ́ Àṣà.

IdẹÀṣà Ìbílẹ̀· 2019

The Bird from Paradise Ere Igi

látọ̀wọ́ Mohamadali Vadood

Aṣẹ́gun Àmì-ẹ̀yẹ Idẹ A' Design Award nínú Ẹ̀ka Àṣà Ìbílẹ̀

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #62217

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa The Bird from Paradise Ere Igi

Ẹyẹ lati Párádísè jẹ apẹrẹ apẹrẹ ti Peacock kan ati pe o gbiyanju lati tọju fọọmu rẹ ko dabi idiwọn jiometirika fun adaṣe oriṣiriṣi oriṣiriṣi awọn iṣẹ ọnà papọ. Lati ṣe eyi, Mo ṣe papọ mọ awọn ọgbọn ara ilu 7 ti Iran gẹgẹbi Muqarnas, Marquetry (Moaraq), Munabat, ati bẹbẹ lọ laarin eyiti o san akiyesi kan pato si Muqarnas nipasẹ dida ọna tuntun ti a pe ni "Leveled Muqarnas". Muqarnas wa ni ọna lati parun nitori lilo rẹ pato fun awọn apẹrẹ ti ẹsin ati pe Mo nireti pe ọna yii ṣe iranlọwọ lati sọji.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Idẹ A' Design Award

The Bird from Paradise Ere Igi jẹ́ olùborí Àmì-ẹ̀yẹ Idẹ A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó tayọ tí wọ́n yàtọ̀ nípasẹ̀ ìṣẹ̀dá, àrékérekè àti ọgbọ́n inú. Àwọn olùborí Idẹ jẹ́ àwọn ohun èlò tó ní ìjáfáfá gan-an tí wọ́n sì ní ìṣẹ̀dá tó yani lẹ́nu tí wọ́n ń ṣe ẹ̀rí ìrírí gbígbòòrò, ìrònú àti ọgbọ́n àwọn olùṣàwòṣe wọn. A retí pé The Bird from Paradise Ere Igi yóò jẹ́ ohun tí a kà sí gidigidi, tí a gbóríyìn fún tí a sì nífẹ̀ẹ́, tó jẹ́ ti ọ̀jáfáfá lọ́nà tó ṣe pàtàkì tó sì ní ìmúṣẹ̀dá tuntun. Àwòṣe tó borí Àmì-ẹ̀yẹ Idẹ A' Design Award yìí ń kó àwọn ọ̀nà tó dára jùlọ nínú iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ jọ, ó sì tayọ nítorí àfiyèsí rẹ̀ sí àwọn àlàyé kékeré. The Bird from Paradise Ere Igi ń tẹ́ àwọn ohun tí a nílò lọ́rùn lọ́nà àgbàyanu, ó ń fọwọ́ kan àwọn ìfẹ́ inú, ó ń gbà ọkàn ó sì ń fa ìfẹ́ láti mọ̀ mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Among the all the arts, a specific attention is paid to Muqarnas. This amazingly beautiful art was mostly used for the architectural designs and is being created by putting together repetitive and arranged pieces to create geometric designs. Due to difficulty in application and limitation in design, which caused repetitive forms, Muqarnas is being extinct.
To create a new application for Muqarnas, an innovative method was required to exploit Muqarnas out of the symmetry and repetition of geometric limitation. For this purpose I invented a innovative method that I call “Leveling Muqarnas”. Unlike the traditional method, which was creating a Muqarnas by putting small pieces side by side or just as a one big piece, I put them in different layer and based on the form and design divide them into thick or thin layers and then carved the Muqarnas designs into them.
The lower body of “The Bird from Heaven” is made by the leveling Muqarnas and the crown is designed by the traditional method, to make the comparison simpler and show the capabilities of this beautiful art.
During the work, tried to ensure real colors of woods are being used instead of coloring them. For example the light and darker color of the neck is for one piece of Jujube wood and all the colors on the heard are the real colors of the woods.
The eyes are the shell from the Persian Gulf and they have been cut in a way that pupils are actually the sediments inside the shell and its only one piece.
Ìwọ̀n àti Àpò: 90*40*40
30*30*120
Àwọn Àkọlé: Art,Traditional art,sculpture,design, Artistic woodwn work,wooden art,woodwn work,Muqarnas,Wood craving,
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: Muqarnas, wood carving, traditional Iranian wood carving-grating, Iranian marquetry, wood turning, sculpting, and Iranian marquetry-carving are the arts which came together for performing this work so that the basic idea could be better visualised as a design.
Materials: Various woods, including Jujube, Millettia laurentii, Buxus, Rosewood, Haloxylon and Robinia plus the natural seashells from Persian Gulf.
Ìwádìí: All the steps have been taken with the benefit of the members' artistic knowledge and experience.
Ìmísí: God resurrected 3 chopped and mixed birds, which were located on the summit of 3 different mountains, so Abraham can witness the resurrection.
The story of Abraham inspired me to believe, art as a divine phenomenon can recreate by putting together pieces of dead wood via different arts.
To make this happen, I put together 7 different arts like sculpturing, Muqarnas, Marquetry (Moaraq), Munabat, etc. along with wood from Jujube, Haloxylon, boxwood, Robinia, rosewood, etc.
Àkókò Iṣẹ́ Àkànṣe: The project started
Ìlànà Ìṣiṣẹ́: This design is basically a still sculpture and can not be transformed into anything else.
First, the idea for designing this piece is based on the best bird figure that can face the constraints of performing while doing all muqarnas, sculptures, decorations and other works on it. So, this work is more or less based on the capabilities of the fields of art which were used to perform it and could all together come next to each other. In order to separate different fields in the performance, the components are carrying various natural colours of different woods as if they reflect a rainbow of colours which have been assembled as the parts of the bird's body.
Àwọn Ọmọ Ẹgbẹ́: Mr Mohamadali Vadood
Ms Shadi Habib