Ataraxia Gbigba Ohun Ọṣọ láti ọwọ́ Yilan Liu

Ataraxia Gbigba Ohun Ọṣọ láti ọwọ́ Yilan Liu jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

WúràOhun Ọ̀ṣọ́ Ara· 2020

Ataraxia Gbigba Ohun Ọṣọ

látọ̀wọ́ Yilan Liu

Oníbàárà: Yilan Jewelry

Aṣẹ́gun Àmì-ẹ̀yẹ Wúrà A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #90013

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Ataraxia Gbigba Ohun Ọṣọ

Ni idapọ pẹlu njagun ati imọ-ẹrọ ti ilọsiwaju, agbese na ni ero lati ṣẹda awọn ege ohun-ọṣọ eyiti o le ṣe awọn eroja Gotik atijọ sinu aṣa tuntun, ijiroro agbara ti aṣa ni ipo imusin. Pẹlu iwulo ni ọna bii Gotik ṣe n ipa awọn olugbo ni ipa, iṣẹ na n gbiyanju lati mu iriri alailẹgbẹ alailẹgbẹ nipasẹ ibaraenisọrọ ibaramu, ṣawari ibasepọ laarin apẹrẹ ati awọn oluta. Awọn okuta iyebiye sintetiki, bi ohun elo ikọwe kekere, ni a ge si ni awọn oju ilẹ alailẹgbẹ lati sọ awọn awọ wọn si awọ ara lati jẹki ajọṣepọ.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Wúrà A' Design Award

Ataraxia Gbigba Ohun Ọṣọ jẹ́ olùborí Àmì-ẹ̀yẹ Wúrà A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe ìpele àkọ́kọ́, tó jẹ́ ìyanu tó sì yàtọ̀. Àwọn olùborí Wúrà jẹ́ àwọn ẹ̀dá tó ní ìmúṣẹ̀dá tuntun gidigidi, tó ní ojú-ìwòye tó jìnnà tó sì ń tàn yòò tí wọ́n ń ṣàfihàn ọgbọ́n, òye àti ìjáfáfá àwọn olùṣàwòṣe wọn. A retí pé Ataraxia Gbigba Ohun Ọṣọ yóò jẹ́ ohun ìmúṣẹ̀dá tí a yìn gidigidi, tó ń gbé ìtẹ̀sí kalẹ̀ tó sì jẹ́ ìrántí tó ń mú iye tí a kò rí rí wá. Àwòṣe tó borí Àmì-ẹ̀yẹ Wúrà A' Design Award yìí jẹ́ iṣẹ́ àkànṣe tó yani lẹ́nu tí a bọ̀wọ̀ fún tó ṣe anfàní gidigidi tó sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Ataraxia Gbigba Ohun Ọṣọ ń dá ìmọ̀lára ìfẹ́ tó lágbára sílẹ̀, ń jí ìtara, ń gbé ìṣẹ̀dá lárugẹ tó sì ń fà wá mọ́ra.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: Inspired by Gothic architecture, the collection encapsulates the sublime internal atmosphere, exploiting Gothic structural details to stimulate the particular feelings and explore emotional experience. Synthetic gemstones, as a lower eco-imprint material, were cut into unusually flat surfaces to cast their colors onto the skin to enhance the vibe. Immersive exploration of the precious culture is encouraged by the collection. The jewelry acts as a media to provoke unique individual experience. The design challenged the production to realize all the details to achieve the final result.
Ìwọ̀n àti Àpò: Ring No.1: 41mm x 18mm x 30mm;
Ring No.2: 28mm x 28mm x 36mm;
Bangle: 75mm x 75mm x 22mm;
Earring: 21mm x 59mm x 8mm
Àwọn Àkọlé: jewelry, ring, bangle, earring, Gothic architecture, culture, emotional experience, eco-friendly, interaction, synthetic gemstones
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: The production lasted about one month including wax curving, casting, stone cutting, model modification, stone setting, metal finishing and gold plating. Some design details were adjusted during this process. The materials are synthetic gemstones including cubic zirconia, synthetic spinel and synthetic ruby which were cut into usually flat surfaces. For the metal part, the material is goldplated silver.
Ìpèníjà Àpèsè: The challenge was to realize all the design details to achieve the best result. There were many details in the design which made it difficult to well polish all the corners without damaging. After several experiments, I finally chose sand blasting as the main metal finishing which combined with full polish of the top faces of the settings, ensuring all the details as well as giving the collection a feel of flexibility. Also, the stone cutting process went through a lot of experiments to decide the thickness to gain the best effect.
Ìwádìí: The research concentrated on Gothic culture and the purchasing behavior of customers towards contemporary jewelry from books, journals, online articles and relevant market data. The research showed the potential of making the old into the new in the perspectives of market and technology. Besides, the case studies were given on market, trend and manufacture with online research and interviews, as first-hand investigations underscoring the value of the project. All the research promoted the development of the project and completed the project in the academic way.
Ìmísí: The collection was inspired by ancient Gothic architecture. This traditional style is fading with time, but it can be reborn in a new way with jewelry. Combining with fashion and advanced technology, the project aims to create jewelry pieces which can make the old into a new style, discussing the potential of the traditional in the contemporary context. With the interest in the way how the Gothic vibe influences audience and based on the vast research on Gothic culture, the project also tries to provoke unique individual experience through playful interaction, exploring the relationship between design and wearers.
Àkókò Iṣẹ́ Àkànṣe: The project started in October 2017 in London and finished in May 2019 in London, and was exhibited in Central Saint Martins Degree Show in June 2019 and was awarded as Distinction. The production was finished in China.
Ìlànà Ìṣiṣẹ́: The designs were inspired from Gothic architecture. Wearers will be easily attracted by its amazing appearance with elegant details. The pieces combine the old with the new, explaining the traditional culture with contemporary fashion language. When wearing the jewelry, the beautiful lines flow with the body, the bright colors cast onto the skin, creating a poetic experience for individuals. It is jewelry, but more than jewelry. It is a combination of culture, aesthetic, fashion and emotion.
Ìfọwọ́sí Àwòrán: #1, 2, 3, 4, 5: Photographer Xiaowu Yu, 2019