Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́ láti ọwọ́ Ksenia Zagaynova

Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́ láti ọwọ́ Ksenia Zagaynova jẹ́ aṣẹ́gun olókìkí púpọ̀ ti 2020 Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ìdíje Àpẹẹrẹ Ohun Ọ̀ṣọ́ Ara.

Pílátínọ́mùOhun Ọ̀ṣọ́ Ara· 2020

Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́

látọ̀wọ́ Ksenia Zagaynova

Oníbàárà: Xenia Gai

Aṣẹ́gun Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award nínú Ẹ̀ka Ohun Ọ̀ṣọ́ Ara

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Aṣẹ́gun Àmì Ẹ̀yẹ Tí a Jẹ́rìísí

Jẹ́rìísí Ipò Àmì Ẹ̀yẹ fún #92713

Ṣàbẹ̀wò Ojú Òpó Wo ní A' Design Award Ìwé Ìròyìn Àmì Ẹ̀yẹ

Àwọ̀

Àpẹrẹ Náà

Nípa Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́

Dance Anatomy jẹ́ àkójọpọ̀ ohun ọ̀ṣọ́ tí ijó ìgbàlódé ṣe ìmísí rẹ̀. Àwọn ohun mẹ́ta náà, tí a ṣe ní àwọ̀ méjì, tún ara ènìyàn túmọ̀ ní ọ̀nà tuntun nípasẹ̀ àwọn ìlà àti àwọn ìrísí bíóníkì. A ṣe ìwádìí lórí àwọn ipò ijó tí ó dúró ṣinṣin, a sì túmọ̀ ìfàsókè iṣan, ìsinmi àti ìnara sí èdè àwòrán tí a mú rọrùn. A tẹ àwọn ìrísí náà pẹ̀lú ìtẹ̀wé 3D nínú náílọ́nù, èyí tí ó mú kí àwọn ẹ̀yà náà rọ̀ kí wọ́n sì lè kojú ìbàjẹ́. Méjì nínú àwọn ohun mẹ́ta náà ni a lè wọ̀ gẹ́gẹ́ bí yẹtí tàbí gẹ́gẹ́ bí ohun ìdérùbọ̀rùn, nítorí pé a lè fi okùn tàbí ẹ̀wọ̀n rọ́pò waya etí fàdákà náà.

Ìdánimọ̀ Náà

Nípa Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award

Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́ jẹ́ olùborí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award, ìdánimọ̀ olókìkí gan-an tí a fún àwọn àwòṣe tó jẹ́ àrà ọ̀tọ̀ nítòótọ́, tó dára tó sì lọ́lá. Àwọn olùborí Pílátínọ́mù jẹ́ ìyanu ẹ̀dá, ẹ̀rí ààlà ìmọ̀ ẹ̀dá ọgbọ́n orí, wọ́n sì ń fi ìjáfáfá àti ọgbọ́n àìlẹ́gbẹ́ àwọn olùṣàwòṣe wọn hàn. A retí pé àwọn àwòṣe wọ̀nyí yóò jẹ́ àwọn iṣẹ́ tó lókìkí jùlọ tó ń ṣàlàyé ẹwà àkókò, tó ń ṣe àfikún sí ìlera àwùjọ tí wọ́n sì ń tì ààlà iṣẹ́ ọnà, sáyẹ́ǹsì, àwòṣe àti ìmọ̀-ẹ̀rọ síwájú. Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́ ń fi ìpele ìjáfáfá tó kọjá ààlà hàn, ó sì ń sọ ayé di ibi tó dára jù láìsí iyèméjì nípasẹ̀ àwọn ànímọ́ rẹ̀ tó ṣàǹfààní tó sì ṣeyebíye. Dance Anatomy Àkójọpọ̀ Ohun Ọ̀ṣọ́ jẹ́ iṣẹ́ tó borí Àmì-ẹ̀yẹ Pílátínọ́mù A' Design Award tó ń jí ìfẹ́ inú, tó ń fún ní ìmísí, tó ń mú láyọ̀ tó sì ń bí ayọ̀ ńlá.

Lẹ́yìn Àpẹrẹ Náà

Àkójọ Ìròyìn

Àwọn ẹ̀tọ́, àwọn ọmọ ẹgbẹ́ àti àlàyé ìmọ̀ ẹ̀rọ tí olùṣàpẹrẹ pèsè.

Àwọn Ohun Àkànṣe: The Dance Anatomy collection represents a reinterpretation of the human body. The lines and shapes look bionic and could remind any other organic creatures. They are 3D-printed in nylon which makes them flexible and damage-resistant. 2 objects can be worn as earrings or pendants after simple replacement of the earwire with a lace or chain.
Ìwọ̀n àti Àpò: Object 1: H - 10 cm W - 5 cm D - 1.5 cm
Object 2: H - 10 cm W - 4.3 cm D - 1.5 cm
Object 3: H - 4 cm W - 7.2 cm D - 1.5 cm
Àwọn Àkọlé: jewelry, design, pendants, earrings, rings, dance
Ìmọ̀-ẹ̀rọ Ìṣelọ́pọ̀: 3D-modelling, 3D printing in nylon (polyamide). Silver earwire, textile lace.
The design was visualized in Rhinoceros, using Tsplines plugin.
Ìpèníjà Àpèsè: The hardest part of the research lied in the detection of the right principle that would allow transferring a dancer position into graphic language. The author studied different aspects of dancing, namely the geometry of different dance positions, the cinesphere of a dancing person but these principles did not lead to a necessary esthetic result. In the end the research of the muscles behavior allowed to achieve the right result.
Secondly, it was hard to create the 3D models of the objects as they consist of many lines that could not intersect.
Ìwádìí: The objective of the research was to analyze the processes occurring in the body of a dancer and to choose a principle that would allow translating them into graphic language and into real objects. The designer took pictures of dancers in captured dance positions and analyzed muscle tension and stretching in different parts of their bodies. In order to detect the state of muscles the author consulted the anatomy book and a former dancer. The designer used a solid color for those muscles that were keeping balance and were the most tense, the waved lines - for muscles being more relaxed and straight lines - in order to show the stretched parts.
Ìmísí: The Dance Anatomy collection was inspired by contemporary dance. In this work I studied the fixed positions of dancers and the processes existing in their bodies. For example, some muscles are tense and some are relaxed, others are stretched. I have translated these processes into the simplified graphic language and came up with the forms and silhouettes that further became wearable objects (earrings, pendants, rings).
Àkókò Iṣẹ́ Àkànṣe: The project started in April 2019 in Moscow and finished in the end of June 2019 in Moscow. It was exhibited in Zveno jewelry shop and gallery.
Ìlànà Ìṣiṣẹ́: There are 3 objects in this collection, represented in 2 colors. The 2 of 3 can be worn as earrings or pendants. The leather lace or silver ear fixture can be easily inserted and removed when needed.