Keun Young Shim 的作品 A House in the Landscape 私人住宅

设计师 Keun Young Shim 的作品 A House in the Landscape 私人住宅荣获了极具声望的 2020 A' Design Award 铜奖，竞赛类别为建筑与结构设计。

铜建筑· 2020

A House in the Landscape 私人住宅

设计师： Keun Young Shim

客户: Architects601

建筑类别A' Design Award 铜奖获奖者

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关于 A House in the Landscape 私人住宅

《景观中的住宅》是一座位于韩国板桥的独栋私人住宅。该住宅的设计旨在与其不规则的场地形成平衡，而非与周边建筑刻意区隔。大面积的连续窗洞将周围自然景色纳入画框之中，延续了韩国传统的"借景"理念。走廊作为过渡空间，营造出层层变化的视觉序列。建筑采用钢筋混凝土结构，外立面以old white brick（旧白砖）、锌板、西部红雪松与碎石饰面收尾。回收再利用的砖材赋予建筑沉静而自然的质感。

荣誉认可

关于A' Design Award 铜奖

A House in the Landscape 私人住宅是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计A House in the Landscape 私人住宅将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。A House in the Landscape 私人住宅出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Appropriative Scenery Sequence

Ancestors kept the natural scenery near them in hanok (Korean house) through the window by regarding it as the picture frame showing the live scenery of nature instead of leaving it as a simple window. The appropriative scenery in the space where they enjoyed the change of seasons by opening and closing windows and doors is about borrowing the scenery as it literally means.
尺寸与包装: Site area: 282.70 m² (85.6py)
Building area:141.14 m² (42.7y)
Gross floor area: 327.55 m² (99.2py)
Building scope: B1, 2F above ground
Height: 10.4m
Parking: Two parking
Building to land ratio: 49.93% (Legal50%)
Floor area ratio: 93.78% (Legal80%, 100% or less when implementing the recommendation)
Structure: Reinforced concrete
Exterior finish: White brick,Zinc, Western Red Cedar,Broken stone
Interior finish: Unsawn timberfloor,unsawn timber, Eco-friendly painting onplaster board(Benjaminmoore),Imported tiles
Insulator: outside/T120, XPS(Extruded Polystyrene Sheet),inside/ T30,180 XPS(Extruded Polystyrene Sheet)
Window material: Gonggan system window Co., Ltd.
Metal hardware: DOMUS METAL Inc.
Structural Engineer& Supervision (advice):Hyun and Jeon Architectural Office
Mechanical engineer: BGS Consulting Co., Ltd
Electrical engineer: Geumjeong Engineering Co., Ltd.
Design period: 2017.06~2017.09
Construction period: 2017.11~2018.06
Photographer: Young-Chae Park
Construction: Construct ownerdirect management
Architectural design, interior design and construction: Architects601 (www.architects601.com)
标签: Earth, adaptation, light, opening, natural, differential, Korean, Harmony, balance, totality, naturalness, timeliness, sequence, experience, world view, purity, geometry, variations,
生产技术: Brick House – Made with Warm and Solid Earth.

The housing site in Pangyo shows strong characteristics of the planned housing complex and the sharing space unique to the housing, the yard, is not sufficiently playing its role in most of the buildings in it due to theses characteristics such as floor area ratio and land area.
Another peculiar scenery of this area is that there is no harmony between the buildings as if the ‘housing exhibits’ created by architects are boasting of their own respective appearances due to the floor area ratio that exceeds half of the narrow land.
We considered the context with neighboring buildings while thinking about which house with which scenery should fit into this environment, and our solution was to build a ‘house that forms a balance with the land in the most natural way.’
This meant a house that is not too strong but also not too weak to maintain its presence, and it was also about the form as well as the material.
We imagined the image of ‘earth’ which means the land and approached the sensitivity of the material, and the bricks baked with earth was close to the solution we were looking for. Also, the old white bricks were the regenerated and preserved bricks from actual buildings in China that were dismantled (removed) and their unique milky earth texture give the calm impression alongside the material’s unique naturalness and history, differentiating them from other brick constructions.
The old white brick constructions will manifest greater values with time for they maintained their first appearance without being washed by the uselessness through time by enduring the weight of time.
设计挑战: The atypical land close to the trapezoid was enough to give us a new creative form and a design approach. The form of architecture naturally varies along the nature of the earth, showing colorful facades.
However, atypical moonshine land required workers to conduct high-level due diligence and construction methods in order to elicit precision and thus could not prevent the occurrence of invisible incidental costs. Of course, the economy for timeliness has not declined.
研究: We wanted to fuse landscape with architecture. It may seem as if it is a direct display of the architectural manifestation open to nature as modern architecture talks. There's a big window, so if you open it wide in the afternoon or in the summer and fall, the whole room will become a courtyard and wind, touching something deep in your mind. While there is an open feeling due to the overall continuous windowing, the way the sequence is given through the corridor, which is a transitive space, is sufficient to give a variety of empirical benefits.
I wanted to convey the value not as the greatness of architecture born with the concept of architect or the concentration of capital, but as a human being who resembles human warmth and experiences the timeliness of trees in a simple way.
It was hoped to be expressed not as dealing with the world seen by the eyes, but as the essence of human spirituality, and, furthermore, indulgence in the infinite spiritual world of architecture, as its essence.
In addition, space and furniture were combined organically to be delivered in a single atmosphere to become a very human architecture with use and emotional joy.
I don't think it's much of an architecture that doesn't connect with our values, because there are all the details that our way of life, our sensibility, and our values want.
Our journey toward a pure language toward nature, the most natural state to ourselves, is only the beginning.
灵感: Read the earth
Architecture resembles the earth. It means that the architecture is compatible with the environment in harmony with the land.
A design that takes into account the best flooring rate and building area for a moan site resembling a triangle looks like a ground.
Fassard was born with the free exterior of architecture.It's as if, like, a variation of music, the rhythm under a free-spir
The shape of the cladding that feels rhythmical harmonizes.
项目周期: Design period: 2017.06~2017.09
Construction period: 2017.11~2018.12
LOCATION : Pangyo-dong, Republic of Korea
操作流程: It is an inspirational residential space that brings out something from within a human being in a universal experience. The nature of architecture will deepen with new experiences, with space time and light.
团队成员: keun young Shim, Dong Won Chung
图片版权: Photographer is Young chea, Park