设计师 Takuma Yamazaki 的作品 Anima Code 个人印章荣获了极具声望的 2021 A' Design Award 铜奖，竞赛类别为创意与概念设计。

铜创意· 2021

Anima Code 个人印章

设计师： Takuma Yamazaki

客户: Takuma Yamazaki

创意类别A' Design Award 铜奖获奖者

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验证 #111284 的获奖状态

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设计作品

关于 Anima Code 个人印章

Anima Code 是一款刻有二维码的个人印章。该二维码承载着通往个人线上数字数据的访问密钥。许多人在社交媒体上记录自己的生活，然而这些存档往往在逝者离世后便无法再被访问。Anima Code 让遗属得以扫描生前预先钤盖的印记，进而抵达逝者的数字档案。印章采用透明亚克力制成，以激光雕刻实现精确尺寸，规格为10毫米见方、长62毫米。包装则选用桐木，这是日本长久以来用于收纳保存的材料。

荣誉认可

关于A' Design Award 铜奖

Anima Code 个人印章是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Anima Code 个人印章将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Anima Code 个人印章出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Anima Code is a Hanko (Japanese personal seal) with an engraved QR code. The unique code contains a key to a person's online digital data, and after his or her death, the bereaved ones can reach the person's digital archives by scanning the code stamped beforehand. Through the physical interaction of stamping a seal, this project explores the secure yet intimate approach for inheritance in the digital era.
尺寸与包装: The dimensions of the stamp are 10mm square and 62mm long; the proportions complement the delicacy and precision of the QR code engraving. The packaging is made of paulownia wood, a material that is highly airtight and suitable for storage to maintain proper internal humidity. The box made of paulownia wood has been used in Japan since ancient times to store and preserve porcelain and art objects, and also means "inheritance".
标签: Hanko, Seal, Digital, Inheritance, QR Code, Analogue, Social Media, Die, Graves, Tomb
生产技术: This product adopts acrylic as a major material for its highly weather-resistant and processability. This transparent material is also a metaphor for the intangibility and ambiguity of digital data and its anti-ageing property. In cooperation with a technical manufacturer, it will be laser-engraved to cut out highly precise dimensions. The engraved surface will also be hydrophilic coated for sharp-edge printing so that a camera can read at 10mm square QR code.
设计挑战: In terms of the attempt to bridge the present world to afterlife, this product exists between the real and unreal worlds. Because of its unique characteristic of the project, the biggest challenge was how I could design ambiguity without ruining the function as a stamp. For proceeding the project, deliberation and respect for various cultures and religions are also required, reconciling diverse views on life and death with the universality of the event of passing away.
研究: In addition to the digital data after one’s death, the shortage of land for cemeteries and their management has become a social issue in recent times. In a complex age that is technology-driven but still largely material, this project examines the end of life from both digital and analogue perspectives. Through the miniaturization of graves and the harmonization of data and physicality, this product is intended to be an alternative solution to these problems.
灵感: Since the rise and domination of social media, many of us continue to leave a trace of our life online with texts, photos and videos. While that uploaded media collective has the potential to projects a multifaceted view of an individual's life, however, once the contributor dies, such digital archives are forgotten and not accessible to even our loved ones. I found the possibility of a physical and emotional act of stamping as a solution to this ongoing social issue.
项目周期: Began in Japan in 2019 and is underway for official launch in 2021.
操作流程: Users register their social media accounts with the product through a dedicated service before their death. A stamp is produced with an imprinted QR code that serves as an access key to those online services. People who are given the seal will be able to read it with a camera and access the archived data of the deceased.
团队成员: Takuma Yamazaki
图片版权: Photo:Takuma Yamazaki
Design: Takuma Yamazaki