设计师 Tihana Miksa 的作品 Past at Last 可持续时尚荣获了极具声望的 2021 A' Design Award 银奖，竞赛类别为时装、服饰与服装设计。

银时装· 2021

Past at Last 可持续时尚

设计师： Tihana Miksa

客户: Tihana Mikša

时装类别A' Design Award 银奖获奖者

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色彩

设计作品

关于 Past at Last 可持续时尚

服装构成的重点在于丰富而趣味盎然的质感和不均匀的色彩呈现。因此，服装本身采用对称、简洁的完整形式，无需对结构进行复杂的干预。这些设计作品审视了纺织品的视觉效果、触感、材质性、动态美感以及建筑性。整体色彩强度较低并呈无彩色系，唯有红色在这苍白的色谱中律动。

荣誉认可

关于A' Design Award 银奖

Past at Last 可持续时尚是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Past at Last 可持续时尚将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Past at Last 可持续时尚是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: The emphasis in the clothing compositions is on rich, playful textures and uneven coloration. As a consequence, the garments themselves are symmetrical, simple and closed forms without any demanding interventions to the structure. These objects examine the visual aspect, tactility, materiality, living motion and the architectonics of textiles.
The colours are low in intensity and achromatic, except reds that pulsate within this pale spectrum.
标签: basketry,wool,mould,seamless,textile,handpainted,handmade, handpleating, sashiko, nuno felting,aperture, finishes
生产技术: The textile is structured through various pleating techniques, improper and proper stitching, hand tinting to achieve noble tones, treatment with acids, wax, burning, patching, sandpapering, drilling, basket-making and finishes.
设计挑战: Perhaps this no longer matters, but we still care about values, about something that goes beyond our mere existence in the here and now, even when it comes to dressing. What we use to shroud our body, how we seem and appear in front of others, and what we communicate and convey in this manner, this will continue to matter about as long as we share this world with others.
Tihana Mikša Perković is aware of this, and in her quest for clothing worthy of man she intervenes in history as well as in modernity, in the continuity of life finding the only real source of inspiration. Her inspiration are folk costumes from Croatian regions which she interprets in a contemporary key, by applying contemporary textile processing techniques.
灵感: The man of tradition is closely linked to the rural way of life, as can be seen from the regional diversity that result from geographical location and the set of natural givens.
It was my intention to follow in the footsteps of our ancestors and to commit myself in a contemplative and repetitive, as well as time-consuming manner to the overall creation of each costume. In actual fact, my intention was to slow down, to be part of the process, and not just a consumer of finished impersonal and alienated clothing.
项目周期: 10.03.-26.03.2016., Zagreb, Ulupuh Gallery
图片版权: Photo Vanja Šolin
Hairdress and make up Dalibor Šakić
Model Hana F.M.