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Tianjin Zarsion 展示中心 by RUF Architects
Tianjin Zarsion 展示中心 by RUF Architects
Tianjin Zarsion 展示中心 by RUF Architects
Tianjin Zarsion 展示中心 by RUF Architects
Tianjin Zarsion 展示中心 by RUF Architects

铂金 建筑 · 2021

Tianjin Zarsion 展示中心

by RUF Architects

  • A' Design Award 铂金奖 2021 in 建筑
  • CLIENT: RUF Architects
  • Estimated Number of Design Views: 221,114
  • Verification code 3CFCF78C07 · Verify this award
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About Tianjin Zarsion 展示中心

天津泽信是一座位于中国天津永定河支流之畔的展示中心。平面采用水滴形态,并以斜向姿态置于场地之中,由此延长了从城市边缘通向入口的行进路径。深远的出檐与大面积玻璃界面共同塑造出轻盈的屋面,宛若漂浮其上。建筑以木结构为主、钢结构为辅,68根呈放射状布置的红松梁构成伞状拱形骨架。室内仅设八根木柱,从而形成开阔的无柱大厅。叶片形天窗的尺度经过精心推敲,使室内光线柔和而静谧。

About the A' Design Award 铂金奖

Tianjin Zarsion 展示中心是 A' Design Award 铂金奖得主,这是授予真正卓越、优雅和宏伟设计的极具声望的认可。铂金奖得主是创造的奇迹,是智力创造力极限的见证,展现出其设计师无与伦比的专业精神和天才。这些设计被期待成为定义一个时代的美学、造福社会、并拓展艺术、科学、设计和技术边界的最负盛名的作品。Tianjin Zarsion 展示中心展现出超凡脱俗的卓越水准,以其有益而宝贵的特质毫无疑问地让世界变得更美好。Tianjin Zarsion 展示中心是一件赢得 A' Design Award 铂金奖的作品,它唤起欲望,启发人心,令人愉悦,并迸发出巨大的喜悦。

Press Kit

Unique Properties
Architects initially tried to use symbolic architectural language to establish a connection with the historical environment.

As to layout, water drop shape is placed diagonally into the site, which not only elongates the moving line from the city interface to the entrance, but also makes the shape more intuitive. The profound eaves overhang and large area glass applications create a directionless floating roof, which presents a charming tranquility with the swaying shadows of the trees.
Dimensions & Packaging
The interior 8 wooden columns and the 3 diagonal wooden columns at the front make the structure realize the 34.0mx14.5m indoor column-free space and the 3.7m outdoor cantilever.

The smoke-gray aluminum-magnesium plates, ultra-white tempered glass, small faceted spruce suspended ceiling and leaf-shaped exterior outline create an honest expression of microscopic stress.
Tags
Innovative, New Experience, Polysemy, Community, Commercial, Dynamic, Architecture, Interaction
Production Technology
The project’s structure went through three rounds of schemes, and final scheme is dominated by wood structure and supplemented by steel structure.

The concept of three rings is adopted. The roof uses the skylight and the beam columns to realize force conversion. The cornice is made of steel structure and the rest is made of wood structure to achieve perfect radiating effect.
Design Challenge
The project was completed in the form of wooden structure. The biggest challenge in the process of project implementation is the large span and overhang in the structure. After several rounds of structural tests, the final shape is umbrella-shaped spoke-type arched architecture scheme, which is formed by inner, middle and outer circular steel beams and 68 radial red pine beams.
Research
At the initial design stage, the external place is not clearly defined, and the relationship between the building and the place presents a sense of spontaneous floating. Along with the design development forwarded, metaphorical polysemy emerges. Architects use the cavities of roof sheathing and inclined beams as well as the cavities of main ring beams to hide all pipelines involving water, electricity, air conditioning and so on.
Inspiration
The project locates next to a meandering tributary of the Yongding River. In this vast expanse of grass, the external place is not clearly defined.

The design started with the roof, architects initially tried to use symbolic architectural language to establish a connection with the historical environment. This is like a crystal clear water drop quietly dissolves into the endless winding river. However, with the gradual development of the narrative, metaphorical polysemy emerges.
Project Duration
The project started in July. 2019 in Tianjin Municipality, China and was completed in March 2020.
Operation Flow
The building does not have a clear main entrance. Three exposed diagonal wooden posts are used to define the entrance space at the front.

To enter the exhibition space from the front, visitors will enter a lower transitional space under the eaves, and then gradually move to the space under the leaf-shaped skylight, which is covered with light. We deliberately control the interference of excessive direct light through the size of the skylight, so as to ensure the soft and quiet space atmosphere inside.
Image Credits
Photo Credits: Hu Yijie

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