Hsiao-Wen Hu 的作品 Craft as Time Capsule 书

设计师 Hsiao-Wen Hu 的作品 Craft as Time Capsule 书荣获了极具声望的 2021 A' Design Award 银奖，竞赛类别为印刷与出版媒体设计。

银印刷· 2021

Craft as Time Capsule 书

设计师： Hsiao-Wen Hu

客户: Pratt Institute

印刷类别A' Design Award 银奖获奖者

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验证 #121747 的获奖状态

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设计作品

关于 Craft as Time Capsule 书

该项目是 Hsiao-Wen 关于工艺制作作为当前数字时代的保存方法的论文研究的最终文档。本书由三部分组成，从工艺制作和保存的角度审视物理与虚拟、材料与数据、用户参与与体验之间的转换。随着世界从物理活动过渡到虚拟交互，催生了与周围环境的新需求和参与形式。这种变化不仅表现在物体和技术上，而且表现在整个文化上。

荣誉认可

关于A' Design Award 银奖

Craft as Time Capsule 书是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Craft as Time Capsule 书将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Craft as Time Capsule 书是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: This project is a documentation of Hsiao-Wen's thesis research on craft making as a preservation methodology in the current digital age. The book consists of three parts, examining the intertranslation between the physical and the digital from the perspectives of crafts. The typographic choices in this book are a combination of Serif, Sans Serif, and Script typefaces, symbolic of the longevity of crafts and human’s use of technology.
尺寸与包装: The dimension of the book is in US letter size: 216 mm x 279 mm.
标签: design research, book design, editorial design, graphic design, typography, print, craft, technology, archive, postdigital, preservation
生产技术: The book was intended to be printed on newsprint papers and have debossing on the cover. Unfortunately, the plan was postponed due to the pandemic.
研究: This research aims to look at the transition between the physical and virtual, material and data, user engagement and experience from the perspective of craft making and preservation. Craft has always been a reflection of culture and identity. As our lives transitioned from physical activities to virtual interactions, new needs and forms of engagement with our surroundings were prompted. And such change not only exhibits via the object and the technology, but also the whole culture at large.

As craft and preservation being the two main cores of this research, it is important to explore different ways to archive the research process. In addition to this book, the designer had also built a website to document the research in another format. It is also interesting to compare the same content on two different mediums.
灵感: This book can be seen as an archive that not only documents the designer's research in writing but also organizes several other design projects, experiments, and references in a clear structure that supports the main thesis. The grid and the rigid layout of the book are inspired by letterpress, which plays a key role in my research on technology and web interface design.
项目周期: This research started in 2019 and was finalized in May 2020. The book was designed after the completion of the research, from June to August 2020.