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Pavavalung Etan 的作品 Circle Origin Source 公共艺术

设计师 Pavavalung Etan 的作品 Circle Origin Source 公共艺术 荣获了极具声望的 2022 A' Design Award 铁奖,竞赛类别为景观规划与园林设计。


铁景观设计· 2022

Circle Origin Source 公共艺术

设计师: Pavavalung Etan

客户: Maolin National Scenic Area Administration, Tourism Bureau, MOTC.

景观设计类别A' Design Award 铁奖获奖者

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验证 #127321 的获奖状态

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设计作品

关于 Circle Origin Source 公共艺术

《圆源》是一件坐落于台湾礼纳里部落地区的公共艺术作品。作品面积约16平方米,涵盖广场地面艺术、停车场旁的装饰栏杆,以及游客中心入口处的两根立柱。层层同心圆承载着源自排湾族文化的图腾纹样。石材、铜、不锈钢、黄铜与砖材相互结合,使作品得以恒久留存。该设计向2009年风灾后重建家园的三个部落致敬,并为社区提供了一处共享的聚会与仪典场所。

荣誉认可

关于A' Design Award 铁奖

Circle Origin Source 公共艺术是 A' Design Award 铁奖得主,这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Circle Origin Source 公共艺术将成为一件备受推崇、令人钦佩且被珍爱的创作,既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践,并拥有与专业知识和才华相结合的称职技术特性。Circle Origin Source 公共艺术因其严谨而受到尊重,旨在提供有助于让世界变得更美好的生活品质改善。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性
This work can be divided into the plaza floor art, the parking lot railing beautification, columns on both sides of the visitor center, and the exterior beautification. These elements are stacked and wrapped around the concentric circle in layers to show the cultural and living belonging. The artist tried to transform the spiritual blessing and encouragement to his works by using dialogue between the space environment and the work as the main idea.
尺寸与包装
The total area of design is around 16 square meters, including the circular ground of the square with inlaid totems, the creative lining railing of wood, stone, and iron in the parking lot opposite to the center of the Tourism Service Center, and the two columns at the entrance of the Tourist Service Center as spatial beautification and floor artwork.
标签
Circle, Origin, Source, cultural, art
生产技术
Original stone combined with copper, stainless steel, brick, etc., to create long-lasting works and serve as the basis for setting materials. The bottom layer of PC pavement is then installed with stainless steel and brass as totem patterns on the floor, then inlaid with different elements and colors of stone on the floor to create an intimate visual artwork that brings the community together.
设计挑战
During the development of the work, the culture, traditions, myths, and totems of the entire Rinari tribe and Aboriginal people were used as the starting point. Therefore, it took quite some time to study and refine the totems. It has experienced several challenges and problems in the process, which has overcome one after another to present the complete totem of Circle, Origin, Source.
研究
In the summer of August 8th, 2009, Taiwan has suffered from a painful memory. Six hundred eighty-one people lost their lives in the storm, and 18 people were unaccounted for. After experiencing the pain and sorrow of being displaced, three different tribes united to build a home in Rinari, Majia Township, Pingtung County. The designers used the culture of the Paiwan tribe to create heart-warming public artworks to help the tribe members understand, support each other and overcome the pain together.
灵感
This project, Circle, Origin, Source, takes the meaning of the origin of aboriginal life and speaks of the cultural commonalities among different tribes. The Rinari tribe is located in Majia Township, Pingtung County; the Majia, Haocha, and Dashe tribe relocated here after the Morakot disaster in 2009. The tribesmen experienced the pain of the typhoon disaster and worked hard to rebuild their homes. The work was born within the expectation of accompanying the tribesmen to start a new life and encouraging each other.
项目周期
The project finished in December 2019 in Taiwan.
操作流程
As for the square in front of the visitor center, many artists and artisans were gathered at the center to the concentric circles, where clan members readjust to each other in the new environment. A festival is also a place to participate in rituals and dances to communicate and open our hearts, evoking the feeling of origin.
团队成员
Ethan Pavavalung
图片版权
Maolin National Scenic Area Administration, Tourism Bureau, MOTC.

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