Yu Lung Lee 的作品 Yearning for Home 住宅室内设计

设计师 Yu Lung Lee 的作品 Yearning for Home 住宅室内设计荣获了极具声望的 2022 A' Design Award 铁奖，竞赛类别为室内空间与展览设计。

铁室内· 2022

Yearning for Home 住宅室内设计

设计师： Yu Lung Lee

客户: HOLY Design

室内类别A' Design Award 铁奖获奖者

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验证 #130542 的获奖状态

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关于 Yearning for Home 住宅室内设计

《归心》是一处兼具办公功能的住宅室内空间。原有格局被打开，仅保留一间主卧与次间相连，令空间更显开阔。灰色水泥漆覆盖电视墙以及卧室、储藏间与客用卫浴的隐形门，呈现出光影层次的微妙变化。弧形造型柔化了梁柱的生硬感，其中嵌入线性灯带，为夜晚提供照明。吧台与斜向布置的餐桌可兼作工作台面。保留下来的墙面则用于陈列业主的艺术收藏。

荣誉认可

关于A' Design Award 铁奖

Yearning for Home 住宅室内设计是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Yearning for Home 住宅室内设计将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Yearning for Home 住宅室内设计因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: The overall spatial broke the rules of traditional residences by knocking through the initial base; only one bedroom area that connects the secondary bedroom is built, allowing the stricture to be more expansive. The private area applied a trap door and cement paints in shades of grey to reflect the television wall of the living room. This space is required for commercial use; therefore, the public area is planned using diagonal methods and placed with counters and dining tables as working tables, allowing the user to maintain a private area within the open-end space.
尺寸与包装: Applied with curve designs in many ways to soften beam-columns and area division; also, the mottled grey cement paints are used on the television wall towards the trap doors of the bedroom, the storage room, and the guest bathroom. The cement paint also shows different layers of lights and shadows according to the angle of the sunlight. The sofa wall is intermediated with a semi wooden cabinet that embedded wires and electric sockets to satisfy storage needs. Curved designs are applied and extended throughout the television wall and the beam columns.
标签: Cement paints, lighting transparent, rust-imitated bricks, trap door designs, curved-shape decorating.
生产技术: Hardware elements, cement paints, wooden pieces, lightings, dimming roller shades, double-layered sheers, melamine overlay plywood, rust-imitated bricks, hexagonal bricks, through methods, laminate hard plastic sheet in grey tones.
设计挑战: To perfectly match the client beloved 20-times-20 sized tiles, the height of the counter is designed to be 80 centimeters. This ingenuity has perfectly fit the sizes of most imported tiles, while the appropriate height has balanced the public area visually without creating abrupt and towering feelings.
研究: The entryway is embedded with wooden and hardware-made shelves to hang up outer clothes, helmets, and others; a low wooden stool is placed aside to make the shoe-wearing progress more comfortable. Commercial demands are required; therefore, the public area is equipped with two working areas. Embedded electric sockets on the floor have allowed users to work more freely and conveniently. A hallowed area is designed below the counter side; it is specially planned for the client to place the robot vacuum. The ingenuity has allowed the robot to clean the public area without being restricted freely.
灵感: Instead of the traditional ways for spatial arrangements, this design is made as an open-end space. The preserved walls, the trap door design, the curves, and the color contrast echo each other; meanwhile, the expansive window has brought in sunlight that outlines the pureness of white, grey, and tones of wood. The designer has given back simplicity to this gallery-like residence, allowing each vista and corner to be appreciated and enjoyed by users.
项目周期: The project started in April 2020 and finished in August 2020 in Daxi Township, Taoyuan City.
操作流程: The public area is designed as an open-end area, while a counter and a diagonal dining table slash working table are placed as the center of the room. The walls of the space are also preserved for the client art collection to be hung up. Arc-shaped designs have prevented the dull feeling of right angles, and linear lightings are embedded to create a lively atmosphere during the night. Furthermore, cabinets are placed along the traffic flow behind the sofa to develop spatial transparency; the cabinet is an intermediary and a container to store books.
团队成员: Yu-Lung Lee, Szu-Hui Wang
图片版权: Chuang-Chieh Chiu