设计师 Lei Dong 的作品 Zhongjiao Tianjun 销售中心荣获了极具声望的 2022 A' Design Award 银奖，竞赛类别为室内空间与展览设计。

银室内· 2022

Zhongjiao Tianjun 销售中心

设计师： Lei Dong

客户: Serendipper Design

室内类别A' Design Award 银奖获奖者

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关于 Zhongjiao Tianjun 销售中心

中交天鉴是一处位于中国天津蓟州山景之畔的房地产销售中心。中国古代的民间传说与寓言故事,在展示空间中被重新演绎为沉浸式装置与雕塑作品。柔和的大地色调与定制家具营造出宁静的氛围,彰显东方美学意蕴。主要材料为实木、石材、金属与树脂。其中一处墙面装置令人联想到海岸边层叠堆积的礁石,而一件悬吊式机械装置则在大堂成排座椅的上方缓缓律动。

荣誉认可

关于A' Design Award 银奖

Zhongjiao Tianjun 销售中心是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Zhongjiao Tianjun 销售中心将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Zhongjiao Tianjun 销售中心是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

设计幕后

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Near the mountainous landscape of Jizhou, one of the northernmost districts of Tianjin in China, the designer has reinterpreted ancient Chinese folklore and fables into immersive installations and sculptures placed within a real estate exhibition space.
尺寸与包装: An interactive mechanical art installation, dubbed Future Paddle, adorns the pitched ceiling of the lobby in the negotiation area. Resembling the skeletal form of a monster swimming the depths of an ocean, this element draws from mythical Chinese creatures called Kun-Peng, often depicted as massive hybrids of birds and fish, that are able to interchange between the capabilities of both classes of organisms. Suspended from the ceiling by means of wires, the device-consisting of ribbed, transparent elements-ebbs and weaves above the rows of seating in the lobby.
标签: Classic of Mountains and Seas , Sales-office, Serendipper, Lei Dong, Tianjing
生产技术: All furniture is custom designed, other main materials are solid wood, stone, metal, resin. A wall installation within the space replicates the texture of rocks piled up along the edge of the sea, highlighting the design scheme's adroit combination of material qualities. On the other hand, a separate wall installation within a more enclosed seating space echoes the rhythmic overlapping of fish scales, to create a strong visual focal point for the zone it decorates. To one side of the negotiation area is a micro-landscape installation consisting of a small table, decorated with wheat to represent the harvest. On the wall behind it is a textured 3D-relief which emulates the mountainous terrain of Jizhou, serving as a tribute to Yu the Great's fabled taming of the floods.
设计挑战: An interactive mechanical art installation, dubbed Future Paddle, adorns the pitched ceiling of the lobby in the negotiation area. Resembling the skeletal form of a monster swimming the depths of an ocean, this element draws from mythical Chinese creatures called Kun-Peng, often depicted as massive hybrids of birds and fish, that are able to interchange between the capabilities of both classes of organisms. Suspended from the ceiling by means of wires, the device-consisting of ribbed, transparent elements-ebbs and weaves above the rows of seating in the lobby. The mechanical interactive art device, Future Paddle was among the most challenging aspects of the project, both in the early design stages and later on during its installation and debugging, the exact duration for which this dynamic device alternates between running and staying still, is controlled as per the time set in the operating program.
研究: The practice of dredging holds special reverence in China, dating back to the 3rd Millennium BCE with the legend of Emperor Yu the Great. Founder of the Xia Dynasty, Yu is said to be the first ruler to implement systems of flood control in the country. Hence, by means of their mythologically-themed intervention, Serendipper Design attempted to infuse a calming ambience into the space, using soft, earthy tones and custom furniture design to reflect an eastern sensibility and sense of historical reverence in the interior design. Organised around a square courtyard, the exhibition space's main program areas comprise an enterprise exhibition hall, a negotiation area, a sand table exhibition area, and an activity space for children.
灵感: The practice of dredging holds special reverence in China, dating back to the 3rd Millennium BCE with the legend of Emperor Yu the Great. Yu is said to be the first ruler to implement systems of flood control in the country. By means of the mythologically-themed intervention, we attempted to infuse a calming ambience into the space, using soft, earthy tones and custom furniture design to reflect an eastern sensibility and sense of historical reverence in the interior design.
项目周期: The project started in March 2021 and finished in June 2021 in Tianjing, China
操作流程: There is a dynamic sculpture, titled the Blue Sea. Inspired by the story of Jingwei-a shipwrecked girl who was transformed into a bird upon her demise, the experimental artwork combines a bench featuring a gradient of blue and white hues, with a parabolic mass of twigs and pebbles erupting from one of its edges. As per the legend, Jingwei despised the Eastern Sea-the site of the shipwreck-to such an extent that the brave little bird decided to fill it up by carrying twigs and pebbles towards it each day. This tale has since become the source of the Chinese idiom Jingwei tries to fill the sea-an expression of unyielding determination in the face of insurmountable odds. The polished marble floor around the sculpture serves as a representation of the sea, with the reflections on its surface completing the visual narrative.
团队成员: Duan Mingnan, Feng Lili, Fan Yajuan
图片版权: Photos by Sean