Fujifilm Clay Studio2 办公空间室内设计 by Koji Aoki, Lin Su and Atsushi Fujita

Fujifilm Clay Studio2 办公空间室内设计 by Koji Aoki, Lin Su and Atsushi Fujita is a highly esteemed winner of the very prestigious 2022 A' Design Award 铜奖 in 室内空间与展览设计 Competition Category.

铜室内· 2022

Fujifilm Clay Studio2 办公空间室内设计

by Koji Aoki, Lin Su and Atsushi Fujita

Client: Fujifilm Corporation

A' Design Award 铜奖 Winner in 室内 Category

10,402

Verified Award Winner

Verify Award Status for #131321

Visit Site View at A' Design Award Press Release Award Badge

Colors

The Design

About Fujifilm Clay Studio2 办公空间室内设计

Clay Studio 2 是位于东京、为产品设计与视觉设计工作而打造的办公空间。这处约300平方米的场所被规划为宁静的专注之所，与以沟通交流为主导的办公空间形成鲜明对比。混凝土、涂料与木丝水泥板均保留未加工的原始状态，使室内看似仅由梁与柱构成。庭园景观与自然风景成为空间的背景，将四季变化引入室内。办公桌朝向外侧布置，一张七米长桌可供简短会议使用，同时在人与人之间保留了适度的距离感。

The Recognition

About the A' Design Award 铜奖

Fujifilm Clay Studio2 办公空间室内设计是 A' Design Award 铜奖得主，这是授予以创造力、独创性和敏锐见长的杰出设计的极具声望的认可。铜奖得主是技艺娴熟、创意惊人的作品，印证了其设计师丰富的经验、想象力与机智。预计Fujifilm Clay Studio2 办公空间室内设计将成为一件备受推崇、令人钦佩且被珍爱的物品，兼具显著的专业性与创新性。这件赢得 A' Design Award 铜奖的设计融入艺术、科学、设计和技术领域的最佳实践，并因注重细节而出类拔萃。Fujifilm Clay Studio2 办公空间室内设计出色地满足需求，触动渴望，迷住情感，并吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: It goes against the "dynamic" offices that exist today, where communication is the main focus. However, on the contrary, a place where people can gather and immerse themselves in friendly competition is the antithesis of the current office. Natural scenery used as the background for the landscaping of a garden adds seasonal changes to the space and enriches the experience of working while immersed.
Dimensions & Packaging: The space is made of only unprocessed materials and has the appearance of being made up of only beams and pillars. While creating an environment where everyone can face outward to design, the ability to turn around and have a quick meeting at a big table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without acrylic panels, droplet infection can be controlled.
Tags: a place for immersion, dynamic, feel of material unprocessed material, natural scenery used as the background for the landscaping of a garden, 7m big table, To have nothing is to have plenty, Work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful, Length 7m large table
Production Technology: concrete, painting, wood cement board
Design Challenge: It was difficult to unite concentration and communication.
It was planned with the hope that people would immerse themselves in the designs they create. This is contrary to the many "dynamic" offices that exist today. This is contrary to the many "dynamic" offices that exist today, where the main focus is on communication. On the contrary, however, believe that it is the antithesis of the current office, where people can gather together and immerse themselves in friendly competition.
Research: This is the office for Fujifilm's product and visual design. As a place to practice design management, have created a new base, "Clay Studio 2" in addition to the current office. If the current office is a "dynamic" space, the new office is planned with immersion as a "static" space in mind.
Leased area: 300㎡, use: office, building location: Tokyo, Move-in department: Fujifilm Design Center, Number of residents: 26
Inspiration: The office was designed with the hope that people would work while cultivating the sensitivity to see the fragility and preciousness of the natural world as beautiful and to immerse themselves in the designs they create. The office was designed with this in mind. Space itself is used as a "guide" for immersion.
Used the original landscape of the building to promote immersion in a calm state of mind, as if visiting a temple or shrine.
Project Duration: Start of design in November 2020, completion in April 2021
Nishi-Azabu, Minato-ku, Tokyo　
Operation Flow: While creating an environment where employees can look outward to design, the ability to turn around and have a quick meeting at a BIG table adds flexibility and adaptability to the "immersion. This layout is not face-to-face, and also allows for social distance, so even without the acrylic panels, droplet infection can be controlled.
Team Members: Director:Koji Aoki
Design:Lin Su
Design:Atsushi Fujita