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Kaisa Yuebanshan 社区中心 by Shenzhen Tianhua and Kaisa Group Co.,Ltd.

Kaisa Yuebanshan 社区中心 by Shenzhen Tianhua and Kaisa Group Co.,Ltd. is a highly esteemed winner of the very prestigious 2022 A' Design Award 金奖 in 建筑与结构设计 Competition Category.


金建筑· 2022

Kaisa Yuebanshan 社区中心

by Shenzhen Tianhua and Kaisa Group Co.,Ltd.

Client: Shenzhen TIANHUA & Kaisa Group (Shenzhen) Co.,Ltd.

A' Design Award 金奖 Winner in 建筑 Category

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Verified Award Winner

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The Design

About Kaisa Yuebanshan 社区中心

佳兆业悦半山是位于中国中山的一座社区中心。建筑面积2100平方米,分为两层布局。一个三层高的体量连接了两处高差约四米的台地。设计汲取了岭南本土建筑的语汇,包括天井空间与曲面墙体。弧形白墙反复出现,赋予立面柔和且富有韵律的观感。12米的跨度与5米的悬挑保证了室内空间的开阔通透。两层的公共空间既服务于日常生活,又将南北两侧的山景纳入取景框中。

The Recognition

About the A' Design Award 金奖

Kaisa Yuebanshan 社区中心是 A' Design Award 金奖得主,这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作,反映出其设计师的天才、智慧与才干。预计Kaisa Yuebanshan 社区中心将成为一项备受赞誉、引领潮流、气势恢宏的发明,带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目,极大地造福并拓展艺术、科学、设计和技术的边界。Kaisa Yuebanshan 社区中心激起强烈的渴望,唤起激情,鼓励创造力,令我们着迷。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
According to the current situation of the site with a large elevation difference, a three-story volume is cleverly set up to connect two terraces with a height difference of about 4 meters horizontally, and the Community Center is defined as a two-story building. There is a public space on the two floors with different functions, giving it more life scenes.
Dimensions & Packaging
The project covers a total of 2100 square meters.
Tags
Architecture, Commercial, Community Center, Modern, Simple, Natural, Art
Production Technology
In order to ensure the comfort of the space, a 12-meter large span structure and a 5-meter cantilever structure are adopted to increase the number and strength of secondary beams to control the clear height. The structure and shape of the second floor are designed in an integrated manner to hide the structure from the shape. Inside the column.
Design Challenge
Zhongshan Kaisa Yuebanshan Community Center creates a new space in terms of space. The small area combines the height difference of the site to design a two-story living complex that can accommodate the real daily life of residents. Taking full advantage of the natural landscape, the mountain view is introduced into the life of the residents. The building is like a container of time, which locks the scenery and places the soul.
Research
The designers modernized the combination of the traditional Sishuiguitang patio space with the traditional elements of the Lingnan arc-shaped wok and translated it into the building to create the main shape element of the facade-the arc-shaped wall. The soft shape is in harmony with the mountains on the north and south sides. , And then arrange the array of arc-shaped walls to create a sense of rhythm in the space.
Inspiration
The designers have excavated the local culture of Zhongshan and absorbed the architectural layout and cultural connotation of the Chen Family Ancestral Hall. They hope that the Life Aesthetics Hall will also have a multi-dimensional space to accommodate the daily real public life of the crowd. Based on the warm climate of Lingnan, architecture and landscape are closely related.
Project Duration
The project started in March 2020 in Zhongshan and finished in April 2021 in Zhongshan.
Operation Flow
The simple arc-shaped white wall encloses an independent display interface, which makes the building soft, supplemented by the faint lighting design, so that the whole picture has a sense of space and depth, and gives the building agile vitality.
Patents
Copyrights belong to Jiuli Culture, 2021.
Team Members
Chief Designer: Zheng Jian
Assistant Designer: Li Shengpeng
Du Bangguo
Xu Yixiang
Xue Ming
Image Credits
Image #1: Photographer Jiuli Culture, Kaisa Yuebanshan, 2021.
Image #2: Photographer Jiuli Culture, Kaisa Yuebanshan, 2021.
Image #3: Photographer Jiuli Culture, Kaisa Yuebanshan, 2021.
Image #4: Photographer Jiuli Culture, Kaisa Yuebanshan, 2021.
Image #5: Photographer Jiuli Culture, Kaisa Yuebanshan, 2021.

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