Grace 休闲椅

设计师： Daniel Devadder

客户: Daniel Devadder Interior Design

家具类别A' Design Award 金奖获奖者

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关于 Grace 休闲椅

优雅是一种设计，可以翻译出一个词无法描述的感受。这与以下信念相结合：形式并不总是遵循功能，而应该能够遵循情感。其结果是由 3D 打印框架制成的雕塑般的设计，部分覆盖泡沫以增加舒适度和弹性而耐用的面料。从美学的角度来看，它的优雅和造型在某种程度上是永恒的。它可以匹配不同的饰面和材料，并融入不同的环境：从酒店大堂的高端用途到私人住宅的家具。

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关于A' Design Award 金奖

Grace 休闲椅是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Grace 休闲椅将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Grace 休闲椅激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Grace provides a certain wow factor and the way it is interpreted changes from person to person, from feeling to feeling, making it a unique experience.
An experience that will always be linked to your thoughts and how you feel.
尺寸与包装: Width 900mm x Depth 910mm x Height 680mm
标签: Furniture, chair, productdesign, lounge, seating, indoor, organic, 3Dprint, stereolithography, Belgium
生产技术: 3D printed structure. The material used is called Tusk SolidGrey3000 which is the world's first Stereolithography material that combines a high degree of stiffness with high impact resistance, available exclusively at Materialise.
The chair was tested from 2000N to 6000N. The displacement in the seating area ranges from 2mm to 5mm (for 2000N and 6000N respectively) and 3.5mm to 11mm at the top of the back rest.

The fabric used for the manual upholstery is Tonus 4, colour 0610, from Kvadrat because of its flexibility and durability. On the outsides of the design, high resilience foam is used for added comfort.
设计挑战: Finding a material that could follow the shapes while having the strength and rigidity to support the weight of an adult without deforming.

He wanted to use a fully recycled plastic to 3D print the design. However, this was not yet possible with the available materials, which at the same time had to meet the necessary strength requirements, etc.

He had the chair upholstered. Even though an elaboration without any upholstery would be perfectly conceivable.

If a pattern would be cut by machine, some details from the upholstery could be finished in a more refined way.
研究: The design arises as a reflection of emotions that you cannot capture with a simple word, but rather express through a movement, a certain flow. The spiritual, indescribable and mysterious is what resulted in the design.
灵感: Grace was a way to translate feelings and emotions a single word can not describe.

Inspired by nature with its complexity hidden behind elegant and flawless forms.

This in combination with the conviction that form doesn't and shouldn't always follow function, but rather should be able to follow emotion. They merge together. It's something you strongly see in dance. Ballet and tango for example. Translating emotions and feelings by transcending oneself in a form or movement.
项目周期: End of December 2020: First sketch.
January 2021: First digital plans.
June 17, 2021: 3D printed structure was delivered.
March 11, 2022: Collection of the fully upholstered and finished chair in Antwerp.
操作流程: As you walk around it, from every angle you discover something new that changes the interpretation of what you see. Some may recognise a bird, a plant, a child may think of a ghost. This gives the design a certain personality and soul.

It has an elegance and form that somehow is timeless. It could go with different finishes and materials and fit in different settings. From high-end use in the lobby of a hotel to furniture in a private home.
Even when not in use, the design leaves behind a kind of sculpture that enhances the space it resides in.
团队成员: Daniel Devadder
图片版权: Ypsilon Business Photography, 2022