Xu Wei 艺术馆室内设计 by U a D is a highly esteemed winner of the very prestigious 2023 A' Design Award 银奖 in 室内空间与展览设计 Competition Category.

银室内· 2023

Xu Wei 艺术馆室内设计

by U a D

Client: Uad

A' Design Award 银奖 Winner in 室内 Category

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Colors

The Design

About Xu Wei 艺术馆室内设计

徐渭艺术馆是位于中国浙江省绍兴市的一处艺术馆室内空间,面积达8000平方米。该设计将建筑、室内与展陈空间统一于同一整体方案之中。通透的底层将两侧展厅与南北广场相互串联。内庭院划分展区,同时提升空间的通透性。各类元素被简化为纯白的几何形体,使光影与景观视野成为空间的主角。饰面板经现场打磨与涂装处理,呈现出洁净的白色表面,近似于传统宣纸的质感。

The Recognition

About the A' Design Award 银奖

Xu Wei 艺术馆室内设计是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Xu Wei 艺术馆室内设计将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Xu Wei 艺术馆室内设计是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
Dimensions & Packaging: Project area: 8,000 square meters
Type: Art Museum
Tags: UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
Production Technology: Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
Design Challenge: Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
Research: As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
Inspiration: In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
Project Duration: Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province
Operation Flow: The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
Team Members: Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin
Image Credits: Zhao Qiang