设计师 Yuko Ishikawa Okuhara 的作品 Tsuzumi 双坂月荣获了极具声望的 2023 A' Design Award 银奖，竞赛类别为烘焙用具、餐具、饮具与炊具设计。

银厨具· 2023

Tsuzumi 双坂月

设计师： Yuko Ishikawa Okuhara

客户: Authentic Japan Shunme

厨具类别A' Design Award 银奖获奖者

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设计作品

关于 Tsuzumi 双坂月

Tsuzumi 具有对称的形状，两端有两个杯子，每个杯子都有不同的颜色。你可以用Tsuzumi来盛放清酒、某种烈性酒或美味佳肴，但仅仅将其作为一件艺术品展示就可以满足你的需求，因为它的高贵和优雅。它几乎可以与任何东西协调一致。通常，莳绘被涂在身体或内底上，但在 Tsuzumi 的例子中，它的位置就像从里面向外看一样。这就是日本美的精髓，低调但令人印象深刻。分层的漆（tamenuri）在杯中创造出优雅的色调。

荣誉认可

关于A' Design Award 银奖

Tsuzumi 双坂月是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Tsuzumi 双坂月将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Tsuzumi 双坂月是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: Tsuzumi has a symmetrical shape with two cups on either end, and each has a different color with makie on it. Normally, makie is applied to the body or the inside bottom, but in the case of Tsuzumi, it is positioned as if it looks peeking out from inside. This is the very essence of Japanese beauty - modest but impressive. You can choose either cup to use according to your preference on the day. Furthermore, the body is polished by a roiro specialist to represent the true black, shikkoku. Tsuzumi can be used to serve sake or delicacies, but just displaying it as a piece of art could satisfy you due to its nobility and gracefulness. It is easy to maintain because there is no angle between faces. Such angles would easily get dirty and deterioration tends to start with those angles.
尺寸与包装: Materials: Natural Wood, Diatomaceous Earth Powder, Urushi, Gold Powder
Dimensions: Width 65 mm x Depth 65 mm x Hight 100 mm
Package: Packed in a high-quality paulownia box with a piece of natural turmeric-dyed cotton cloth
标签: wood, lacquer, nature, japan, culture, decor, tableware, elegant, beautiful, sake, shunme
生产技术: Tsuzumi is handcrafted with totally natural materials, so it is light and has low thermal conductivity, and the curved surface is extremely smooth. Due to such characteristics, you feel pleasant to touch and use it as well as you can enjoy it as an objet d’art. Only the high-skilled turners can work on this item because the finished side, which has been finely carved, must be connected to the turning machine without being damaged. One of the cups is finished in tamenuri that enables you to enjoy not only graceful shades but also its aging with time making its color brighter. It is repairable, so it will always be with you.
设计挑战: Tsuzumi requires highly-skilled artisans through the entire process of production. The characteristic shape and glossy tamenuri finish of Tsuzumi make it laborious for the artisans to complete each of their procedures. They must be the ones who have experiences and intuition for their arts. However, the number of artisans who have skills high enough to be involved in the traditional production process of this kind of shikki has decreased due to the shrinking market. Such shikki will disappear unless the best effort is actively made to make people understand and enjoy the splendor of such shikki. Tsuzumi is designed to play one of the roles of items in the mission.
研究: Shikki is categorized as traditional craft in Japan and part of them are protected in some ways mainly under one of the ministries of the government - METI. However, the manufacturers and artisans dealing with a certain kind of shikki - 100% from nature - have, in a sense, certain kinds of difficulties. Tools and materials needed for traditional production process tend to have poor distribution, manufacturers and artisans of that kind feel unrewarded with chemical-blended urushi also allowed to be displayed as urushi, for example, and, even in Japan, people generally don’t know true beauty of shikki partly because they don’t have opportunity to appreciate it - such shikki is light and feel pleasant to handle. Materials from nature and artisans’ skills should be in a perfect harmony to produce the beauty in the items for use. Whether in Japan or across the world, such beauty could be one of the examples that are persuasive enough to make people believe that nature, tradition, sustainability and beauty are altogether part of something we love.
In the 1900s, the number of experts and workers involved in the industry has decreased to about one-third from approx. 22,000 at its peak (Yukiharu Yasujima, 'The Decline and Development of Traditional Industries as Seen in Case Studies Focusing on Wajima Lacquerware', Koyo Shobo, 2020).
灵感: I believe that aesthetics of things you use as well as their quality is the crucial element for you to enjoy everyday life and that such aesthetics of shikki requires careful manufacturing with natural materials. That’s the key to the unique gloss of Tsuzumi and the way it feels. With its characteristic shape, Tsuzumi harmonizes with almost any style beyond its origin. It is repairable and sustainable, which means it will always be with you. You would know the beauty and values of shikki when you actually see and touch it. Tsuzumi could be a rising star to spread the splendor of traditional handcrafted items.
项目周期: The project started in October 2019 in Toyama and finished in April 2021 in Ishikawa, and was exhibited at National Art Center, Tokyo, in December 2021.
操作流程: This design enables people to enjoy the item for a lifetime because the more urushi ages, the more transparent it becomes, and because the item is repairable by re-applying urushi or by mending with gold powder and urushi, adding another taste to the item. The item is made with totally natural materials, so it has high affinity with nature, i.e. eco-friendly.