Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching 的作品 Reborn 木花瓶

设计师 Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching 的作品 Reborn 木花瓶荣获了极具声望的 2023 A' Design Award 铁奖，竞赛类别为美术与艺术装置设计。

铁美术· 2023

Reborn 木花瓶

设计师： Chu Jou, Yu Hsuan, Fan Xuan and Ching Ching

客户: Tainan University of Technology/Product Design Deparment

美术类别A' Design Award 铁奖获奖者

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关于 Reborn 木花瓶

通过在有机球形木材表面上使用金属镶嵌技术，为家具行业废弃和剩余的木材创造价值。受到生长种子的生命形式的启发，黄铜丝嵌入木纹上，并延伸出根部的形状，支撑着木花瓶。该图案具有实用用途，因为木材边角料被制成用于种植的容器，类似于发芽的种子，象征着生命的循环。流动的金属根部造型给人一种生机勃勃的感觉，犹如一个会动的有机体。

荣誉认可

关于A' Design Award 铁奖

Reborn 木花瓶是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Reborn 木花瓶将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Reborn 木花瓶因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: The pattern on this wooden vase artwork is inlaid on a three-dimensional spherical wood surface. Inspired by growing seeds, brass wire is embedded on the wood following the wood grain, with some extending out as the shape of seed roots to support the wooden vase. The pattern has functional uses as wood leftovers are made into a container for planting, resembling a sprouting seed, symbolizing the cycle of life. The flowing metal root shape gives a sense of vitality, resembling a moving organism.
尺寸与包装: Material: teak wood, brass, glass.
Dimensions: Round seed: Length 15cm x Width 9cm x Height 14cm, Gourd-shaped seed: Length 20cm x Width 11cm x Height 17cm, Eggplant-shaped seed: Length 23cm x Width 8.5cm x Height 22.5m, Elliptical seed: Length 30cm x Width 9cm x Height 10cm.
标签: Wooden, Vase, Metal, Inlaid Technique, Art Craft, Brass, Leftover
生产技术: Material: teak, brass, glass.
Production technology: lathe turning out of the basic shape of wood, hand-polished wood appearance,hand-welded metal, inlaid metal, hand-dyed spray
painting.
Surface treatment: spray transparent protective paint after dyeing and then polish and trim the surface to smooth, this process is repeated 2-3 times after polishing the metal, and finally spray a laver of transparent protective paint to prevent brass oxidation.
设计挑战: To support the wood above, a thicker and harder brass wire was used for the extended structure. However, the ends of the wire tended to curl up when embedded on the curved surface. To enhance the metal's stability on the wood, eight types of glue were tested and the problem was resolved by referencing riveting techniques. When grinding the pointed end of the wire, it tended to become too thin and curl up, but after trying various methods, the issue was resolved.
研究: Type of study: technology, art.
Goal: Apply planar tessellation techniques to surface tessellation.
Methods: Technical application analysis, process technology analysis, material analysis, practical operation experiment.
Data collection: self-observation experience, books, online work observation.
Research tools:
metalworking tools,
woodworking tools, all kinds of drills, all kinds of grinding tools.
灵感: We discovered leftover wood from furniture making and decided to utilize our metalworking skills to combine it with metal through inlaying techniques. After observing that metal inlaying on wood is often flat and purely decorative, we aimed to create something different. We used our craft skill to create new value from the leftover material by combining the gentle nature and unique wood grain of the wood with the idea of the cycle of life, resulting in this artistic piece.
项目周期: The project began in June 2021 and was completed in Tainan, Taiwan in March 2022.
操作流程: The holes on the flower vessel contain glass containers that can be filled with water to grow aquatic plants, resembling a germinating seed from a distance. Other items can be inserted into the container for decoration, or it can be used as a standalone art piece.
团队成员: Instructor: ChungSheng Chen
Designer：ChuJou Chen
Designer: YuHsuan Chen
Designer: FanXuan Yang
Designer: ChingChing Weng
Tainan University of Technology Product Design Dept
图片版权: Image#1~#5: ChuJou Chen/ YuHsuan Chen/ FanXuan Yang/ ChingChing Weng