Shiroyama 主要功能：餐厅 by Ivan Krupin is a highly esteemed winner of the very prestigious 2025 A' Design Award 银奖 in 室内空间与展览设计 Competition Category.

银室内· 2025

Shiroyama 主要功能：餐厅

by Ivan Krupin

Client: Shiroyama

A' Design Award 银奖 Winner in 室内 Category

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The Design

About Shiroyama 主要功能：餐厅

该项目的主题是相互渗透与相互连接。设计融合了哈萨克与日本文化的隐喻和文化符号。龙安寺石庭与侘寂的主题，与神圣的白桦树（Baiterek）和风格化的博兹吉拉山脉和谐地交织在一起。周围的自然以取自岸边的石头、被塑造成巨石形态的沙发等形式渗透进室内，并以金属天花板反射的光线以及天然质感的材料充盈整个空间。

The Recognition

About the A' Design Award 银奖

Shiroyama 主要功能：餐厅是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Shiroyama 主要功能：餐厅将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Shiroyama 主要功能：餐厅是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The main theme of the project is interpenetration and interconnection. Starting with the name, Japanese translation of the name of the location, through the relationship with the nature of the rocky seashore on which the restaurant is located and ending with the interpenetration of Japanese and Kazakh culture, expressed in metaphors, colors and selection of materials and author’s elements. Each element in the interior has its own meaning and contribution to the overall harmony and atmosphere.
Dimensions & Packaging: Total area of the restaurant is 286 sqm.
Tags: Shiroyama, Uniting, Culture, Nature, Restaurant
Production Technology: An interesting point is that to save money, CBPB slabs were used to imitate concrete panels in wall decoration. Characteristic local materials were also used, such as tabletops made of local Elm, and stones were taken from the shore under the windows of the restaurant. A podium in the center of the room allows patrons behind the bar to use regular chairs, eliminating the difference in height.
Design Challenge: The main challenge when creating the project was the construction budget, as well as the remoteness and isolation of the city. The search for cost reduction and the need to use local possibilities and materials were the main problems when creating the interior
Research: An important point in the creation of the project was the task of immersing visitors in a harmonious atmosphere of the environment and showing how local nature and culture can subtly resonate with another culture. My goal was to give visitors a sense of harmony between Japanese cuisine and their familiar surroundings and cultural symbols, without going into design for the sake of design in the form of just a good impersonal interior.
Inspiration: I found inspiration in the nature of the Caspian Sea coast, on the shore of which the restaurant is located, and panoramic glazing allows us to strengthen this connection. I looked for themes in Japanese and Kazakh culture to combine them. Thus, the central composition personifies the sacred Baiterek tree, uniting the past, present and future in Kazakh culture, which is reflected in the stylized inverted sea, while other elements gently lead into the atmosphere of Japanese contemplation
Project Duration: The project started in January 2023 and was completed in March 2024. Located in Aktau, Kazakhstan.
Operation Flow: The interior was created taking into account changes in natural light throughout the day. In the morning it is filled with sunlight and becomes light, thanks to the reflective property of the metal ceiling, in the evening the reflection of the sunset fills it with its own shades, and at night the restaurant is immersed in a cozy atmosphere created by accent lighting and a variety of backlights that highlight the architecture and interior elements.
Image Credits: Image #1 : Photographer Rauf Ismailov
Optional image #1 : Photographer Rauf Ismailov
Optional image #2 : Photographer Rauf Ismailov
Optional image #3 : Photographer Rauf Ismailov
Optional image #4 : Photographer Ivan Krupin