设计师 Marius Mateika 的作品 Clay Moulded 剧院室内设计荣获了极具声望的 2025 A' Design Award 金奖，竞赛类别为室内空间与展览设计。

金室内· 2025

Clay Moulded 剧院室内设计

设计师： Marius Mateika

客户: Mama architects

室内类别A' Design Award 金奖获奖者

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关于 Clay Moulded 剧院室内设计

《黏土塑形》是立陶宛克莱佩达一座音乐剧院的室内设计作品。黏土覆盖了墙面与天花板，超过30吨的材料均由手工涂抹完成。主厅的肌理图案连绵不断，从空间的一端一直延伸至另一端。项目专门研发了七道工序的涂层工艺，包括喷涂、塑纹、干燥、打磨、上釉和养护。墙面与天花板可以开合，以调控声音反射，使空间能够适应音乐会、戏剧演出和会议等多种用途。观众厅可容纳700人。

荣誉认可

关于A' Design Award 金奖

Clay Moulded 剧院室内设计是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Clay Moulded 剧院室内设计将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Clay Moulded 剧院室内设计激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: For the interior décor, we chose an archaic material - clay. It is probably the largest interior in the world made of natural clay. The pattern and technology of the hall is unique and continuous throughout the space, created by one artist Mantas Petravičius. All planes are in motion. They open and close (as you can see in photo 3) depending on the nature of the concert and the acoustics required. And that's what makes this space even more unique.
尺寸与包装: The whole theater is 10 000m2 size. The auditorium has seating capacity of 700 people. We used over 30 tonnes of clay for wall decor.
标签: Klaipėdos muzikinis teatras, Klaipėda state musical theatre, MAMA architects
生产技术: We used over 30 tonnes of clay for the walls and ceilings of the entire interior. This work took nine months to complete using unique tools created exclusively for this work and was carried out by the hands. The clay coating process is also unique, developed exclusively for this theatre.The process itself consists of 7 stages (clay spraying, patterning, drying, scrubbing, re-spraying, glazing, conservation). It takes about 3 weeks to complete all the steps. The whole process was implemented on the construction site.
设计挑战: The decor of the main hall is a continuous pattern starting at one end of the hall and ending at the other. Meanwhile, the process required major interruptions and took 9 months. The hardest part was to bring everything together into a coherent picture. The rest of the public spaces (lobbies, passages, staircases) are also made of clay. Here, the pattern is different, but also handmade.
研究: Clay was used for wall and ceiling decor.
The whole process was done by hand in stages:
1.) First, the clay is sprayed, then swiped with special tools made just for this object to form waves.
2.) Waiting for everything to dry. Then the sharp corners are scrubbed.
3.) Repeat the spraying with a thinner layer. After spraying, the clay shall be brushed to distribute the clay evenly and to form a soft surface.
4.) Wait for everything to dry.
5.) Everything is impregnated and preserved.
灵感: The city of Klaipėda, where the theatre is located, is by the sea. We were inspired by the sandy coastline of the sea and the shores shaped by the waves. Klaipėda is an old city dominated by red clay brick buildings. For us, the sea and the clay became the basis for the idea. As this is a theatre, clay seemed to us to be the right material to create a dramatic mood.
项目周期: The project lasted 5 years. The clay decoration alone took 9 months. The theatre is realized in Klaipeda, Lithuania.
操作流程: This theatre has transformable walls and ceilings.
They open up. This controls sound reflections. The space adapts to the event. (Depending on whether it's a concert, a play, an meeting event).
团队成员: Architects: Marius Mateika
图片版权: Photographer: Leonas Garbačauskas