Pingtung County Government and C.M.Chao 的作品 King Boat 文化博物馆

设计师 Pingtung County Government and C.M.Chao 的作品 King Boat 文化博物馆荣获了极具声望的 2026 A' Design Award 金奖，竞赛类别为建筑与结构设计。

金建筑· 2026

King Boat 文化博物馆

设计师： Pingtung County Government and C.M.Chao

客户: C.M.Chao. Architect & Planners

建筑类别A' Design Award 金奖获奖者

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关于 King Boat 文化博物馆

王船是一座专为「王船祭」而设的文化博物馆,坐落于台湾东港。建筑共五层,洁白的立面矗立于波浪形基座之上,唤起大海的意象。立面采用玻璃纤维增强混凝土饰面,既因其独特质感,亦因其抗盐蚀与耐潮湿的性能。折线造型与内凹式入口引导人们进入中央中庭,中庭以拉伸铝网围合,可过滤光线与声音。一艘等比例的王船复制品在自然光下展出,屋顶平台则可眺望港湾景色。

荣誉认可

关于A' Design Award 金奖

King Boat 文化博物馆是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计King Boat 文化博物馆将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。King Boat 文化博物馆激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。

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由设计师提供的致谢、团队成员及技术详情。

独特属性: The building's form is inspired by a traditional king boat, with a five-story white facade atop a wave-like base symbolizing the sea. Folded lines and recessed entries mimic ocean swells, leading to a central atrium with aluminum mesh panels that ripple like waves. Inside, a 1:1 King Boat replica is displayed, bathed in natural light. The rooftop observatory offers views of Donggang Harbor. The museum's five exhibitions invite visitors to explore marine beliefs, parades, and boatbuilding rituals, celebrating Taiwanese folk religion.
尺寸与包装: The five-story structure includes four levels of exhibition space arranged to follow the ceremonial procession of the King Boat Ceremony, with five permanent thematic galleries: Marine Beliefs, Divine Patrol, Regional Ceremonies, Sacred Boat Building, and The Donggang Festival. The third floor houses the museum's centerpiece 42-foot-long, 12-foot-wide King Boat replica, viewable from a 360-degree elevated viewing platform. The roof features a skylight and observation deck, reinforcing the building's vertical movement and layered storytelling.
标签: King Boat Culture, Donggang, Cultural Museum, Local Revitalization, King Boat Ceremony, Taiwanese Folk Ritual
生产技术: The facade is clad in glass fiber reinforced concrete, chosen for its textured finish, durability, and resistance to salinity and humidity, ideal for a coastal climate. Its surface reflects sunlight like shimmering waves, resonating with the harbor context. The atrium is enveloped by expanded aluminum mesh, offering both acoustic and light-filtering functions. A predominantly white color palette, paired with natural materials and glass windows, allows natural light to interact with surfaces, emphasizing the building's temporal and spiritual dimensions.
设计挑战: The biggest challenge was translating a deeply religious, ritual-based, and localized practice into an architectural language that modern audiences could understand and feel. The architect engaged in continuous dialogue with local elders and cultural scholars, extracting symbolic elements, such as the dragon's eye, wave lines, and procession routes, and converting them into spatial form and lighting gestures. The building had to be more than a container for culture; it had to be a bridge for cultural exchange, making that transformation the core design mission.
研究: The Pingtung King Boat Museum, Taiwan's first dedicated to the King Boat Ceremony, reinterprets maritime beliefs as a 'living museum.' Its exterior mimics a king's boat riding waves, with flowing walls and dragon-eye openings that tell spiritual stories day and night. The centerpiece is a 1:1 King Boat replica suspended in the atrium, bathed in natural light. The design blends light, materials, and acoustics with sustainable features like natural ventilation. It’s a cultural, educational, and tourism hub, honoring tradition while inspiring future heritage.
灵感: The design begins with the traditional maritime faiths of Asia. Located in Donggang, the Pingtung King Boat Museum is Taiwan's first cultural center for the King Boat Ceremony. Inspired by the triennial ritual, the architecture transforms spiritual and oceanic imagery into a vessel of history and faith, linking local identity with future vision. Embracing the idea that 'life is culture, and culture is life,' the museum serves as a living space that bridges religion and daily life, sparking cultural renewal and community vitality.
项目周期: The project finished in December 2024 in Taiwan.
操作流程: By transforming traditional culture into a modern space, the museum becomes a hub for education, community, and tourism. It welcomed over 200,000 visitors in its first month, becoming a Donggang landmark. Beyond exhibits, it preserves oral history, teaches traditional crafts, and trains festival guides, making culture tangible and engaging. More than design, it's a cultural movement, sparking heritage continuity and innovation rooted in place and tradition.
团队成员: Pingtung County Government, C.M.Chao. Architect & Planners
图片版权: C.M.Chao. Architect & Planners