Silhouette 多功能变形椅 by Jonah Rappaport is a highly esteemed winner of the very prestigious 2026 A' Design Award 银奖 in 家具设计 Competition Category.

银家具· 2026

Silhouette 多功能变形椅

by Jonah Rappaport

Client: Jonah Rappaport

A' Design Award 银奖 Winner in 家具 Category

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The Design

About Silhouette 多功能变形椅

Silhouette是一款多功能变形椅，通过重新组合其主要构件，可在扶手椅、休闲椅和贵妃椅之间自由转换。它不依赖外露的机械装置或隐藏在软包之下的五金件，而是通过重新定义那些在每种形态中都可见的相同构件的功能来实现变形。凭借其简洁流畅的雕塑感造型与清晰的结构表达，Silhouette为传统的多功能座椅提供了一种富有当代气息的全新选择。

The Recognition

About the A' Design Award 银奖

Silhouette 多功能变形椅是 A' Design Award 银奖得主，这是授予顶级、华美而令人印象深刻的设计的极为崇高的认可。银奖得主是极其卓越、极具创造力的作品，展现出其设计师杰出的专业技能、才华与敏锐。预计Silhouette 多功能变形椅将成为一件出色的典范之作，兼具非凡的专业性与深刻的创新性。这件赢得 A' Design Award 银奖的设计是一项备受瞩目、令人钦佩的发明，造福并拓展艺术、科学、设计和技术的边界。Silhouette 多功能变形椅是一件令人羡慕的创作，它唤起渴望，带来积极的情感，并激发惊叹与赞叹。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Silhouette is a transformable chair that shifts between an armchair, lounge chair and chaise lounge. Its defining feature is that the structure itself performs the transformation. In the chaise, the suspended headrest and legrest rotate to become load-bearing supports in the armchair, and vice versa. The chair changes function through structural reconfiguration rather than added mechanisms, and in each state the form reads as complete and resolved.
Dimensions & Packaging: Approx. 545 mm x 900 mm x 860 mm (armchair configuration) and 545 mm x 1400 mm x 780 mm (chaise lounge configuration).

Materials: Baltic birch plywood; steel sheet metal; steel rods; aluminum tubing; custom mechanical locking components; rubber gaskets; black powder-coated steel washers and elongated hex nuts; and leather-upholstered cushions.

Finished with a true black stain and clear polyurethane coating.

All moving connections are metal to metal, with no glue or permanent bonds between joints, allowing the chair to be fully disassembled, repaired, and reassembled without degrading the wood elements.
Tags: convertible chair, transformable furniture, adaptive design, experimental furniture, contemporary chair design, multifunctional seating, sculptural minimalism, craftsmanship, human-centered design
Production Technology: Developed through multiple full-scale prototypes, the geometry, proportions, and biomechanics were refined so that each configuration provides appropriate seat depth, height, and support, rather than functioning as a compromise between positions. After extensive hand drawings and scale models, a precise digital twin was developed before fabrication. The chair’s wood components were laser-cut, hand-routed, sanded, and stained, while custom sheet-metal components and steel rods were cut, manually threaded, welded and finished by hand.
Design Challenge: Three main challenges defined the project. Conceptually, the chair had to function and appear resolved in multiple configurations while allowing elements such as the headrest and legrest to shift structural roles. Mechanically, suspended components required the development of a concealed locking system capable of resisting human load without visible hardware or auxiliary mechanisms. Fabrication demanded precise tolerances, extensive prototyping and iterative refinement to reconcile structural performance with formal clarity.
Research: This project is an experimental study on adaptable seating. The objective was to create a single chair that can be transformed to support multiple postures without relying on exposed mechanisms or hiding them beneath upholstery. The methodology combined precedent analysis, including measuring and cataloguing existing chairs and chaise lounges, with hand drawing, digital and physical modeling, and full-scale prototyping. Peers participated in use tests of successive prototypes to analyse and help improve comfort, balance and proportion. The research demonstrates that adaptability in furniture can be achieved without compromising structural clarity or formal integrity, expanding the possibilities for how seating is conceived and produced.
Inspiration: Silhouette emerged from a long-standing interest in transformation in furniture: how an object might adapt to different ways of sitting without compromising formal clarity. It was inspired by the tension between movement and structure, and by the question of whether transformation could emerge from the form itself rather than from added mechanisms. Formally, it draws from the disciplined geometries and material restraint of modernist design while pursuing a distinctly contemporary expression.
Project Duration: The project was conceived at the Yale School of Architecture in New Haven, Connecticut, USA. Designed and fabricated entirely in the school’s wood and metal shops, the chair was completed in June 2024 following a four-month independent design-and-build process.
Operation Flow: The chair transforms through a fluid rotation of its headrest and legrest: when shifting from chaise lounge to armchair, the headrest becomes the rear legs and the legrest the front legs. Concealed locking mechanisms within the base guide and secure each movement, allowing each position to be locked or released smoothly as needed. Adjustable armrests and an infinitely variable backrest support natural transitions in posture, from reclined to upright, with minimal effort and no external tools.
Patents: United Kingdom Design Registration Nos. 6450716, 6450717, 6450718.
European Union Design Registration Nos. 015106528-0001, 015106528-0002, 015106528-0003.
Canadian Design Application No. 241084.
United States Design Patent Application No. 29/979,089.
United States Utility Patent Application No. 19/419,859.
Image Credits: All photography, video, and images by Jonah Rappaport, 2024-26.