设计师 Keiji Ishikawa 的作品 Spiral of Life 玻璃餐具荣获了极具声望的 2026 A' Design Award 金奖，竞赛类别为烘焙用具、餐具、饮具与炊具设计。

金厨具· 2026

Spiral of Life 玻璃餐具

设计师： Keiji Ishikawa

客户: KJ studio

厨具类别A' Design Award 金奖获奖者

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已验证的获奖者

验证 #181198 的获奖状态

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色彩

设计作品

关于 Spiral of Life 玻璃餐具

在数学结构与动态艺术的融合中，"生命螺旋"项目为切子玻璃器皿呈现了全新的方向。这件作品在玻璃介质中捕捉了自然界有机的律动。此设计的发展源于设计师与色彩舞者Ree的合作。通过将斐波那契数列转化为动作，Ree为设计提供了概念框架。工匠以8比13和13比21的螺旋比例，将传统工艺与生物数学相连接。由此形成的和谐，带来一种映照世界自然脉动的韵律体验。

荣誉认可

关于A' Design Award 金奖

Spiral of Life 玻璃餐具是 A' Design Award 金奖得主，这是授予一流、绝妙而杰出设计的极为崇高的认可。金奖得主是极具创新、极富远见且璀璨夺目的创作，反映出其设计师的天才、智慧与才干。预计Spiral of Life 玻璃餐具将成为一项备受赞誉、引领潮流、气势恢宏的发明，带来前所未有的价值。这件赢得 A' Design Award 金奖的设计是一个壮观而受人敬重的项目，极大地造福并拓展艺术、科学、设计和技术的边界。Spiral of Life 玻璃餐具激起强烈的渴望，唤起激情，鼓励创造力，令我们着迷。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Fibonacci spirals follow strict mathematical laws yet appear organic and asymmetrical, resisting simple geometric repetition. Traditional Kiriko requires precise vertical and horizontal guidelines before cutting; however, standard grids cannot capture this natural fluctuation while ensuring reproducibility. To solve this, I developed a hybrid approach: maintaining the Fibonacci count with guidelines while manually adjusting each cut to ensure a smooth, living trajectory.
尺寸与包装: The product dimensions are as follows: The rock glass is 77mm in diameter and 92mm in height, as shown in the main image. In optional image #1, the wine glass is 58mm in diameter and 150mm in height. In optional image #2, the soba cups are 81mm in diameter and 62mm in height. In optional image #3, the sake cup is 60mm in diameter and 60mm in height. Finally, the top views of the sake cup and soba cup filled with water are shown in optional image #4.
标签: kiriko, cutglass, japaneseglassware, glassart
生产技术: The double-layered glassware is carefully ground and polished by hand using Japanese Kiriko cut glass technology.
设计挑战: Through rigorous prototyping, I established a specialized system. Smaller vessels like sake cups use an 8 to 13 spiral ratio, while larger items like wine and rock glasses employ a 13 to 21 ratio to maintain proportion. For vessels with decorative bases, such as a soba cup, I meticulously integrated an 8 to 13 spiral on the bottom to enhance aesthetic coherence. This precise scaling was essential to capturing the Spiral of Life across the entire collection.
研究: A true Fibonacci spiral requires clockwise and counterclockwise counts to be adjacent numbers in the sequence. To ensure visual balance and mathematical integrity, I conducted extensive research to determine the optimal pairings, such as 8 to 13 or 13 to 21, based on specific glass diameters and curvatures. This study ensured that the mathematical beauty remains consistent.
灵感: I initially struggled to translate the relationship between the sun and the sunflower into glass. The breakthrough came via my daughter Ree, an artist and paint dancer, who shared my fascination with the sunflower Fibonacci spiral. This pattern blends mathematical law with organic asymmetry. Ree physicalized this sequence by synchronizing her leg drawn spiral counts with Fibonacci numbers. Witnessing this kinetic manifestation inspired me to transpose these complex spirals onto Kiriko glass.
项目周期: The project started in December 2025 in Tokushima, Japan, and finished in February 2026.
操作流程: The streamline motifs are executed with wide-angle V cuts. When viewed from the side, patterns on the far surface refract through the front, creating complex layered intersections that evoke the mystery of life. From a top-down perspective, the precise Fibonacci sequence achieves a profound, harmonious balance. The design invokes a rhythmic and engaging experience, mimicking a living pulse. This interaction between light and geometry brings dynamic vitality to the glassware.
专利: The design is being applied for design registration and will receive copyright protection for registered designs in December 2026 in Japan.
图片版权: Video Credits:
To demonstrate the rhythmic harmony and life-like pulse of the design, the video showcases the glassware in rotation. This highlights how the patterns shift and intersect dynamically as the perspective changes, illustrating the Spiral of Life concept through the interaction of light, shadow, and the intricate Kiriko hand cuts.