Peregrina 历史舞台戏服 by Kimberly Phipps-Nichol is a highly esteemed winner of the very prestigious 2026 A' Design Award 铁奖 in 戏服与传统服饰设计 Competition Category.
铁戏服设计· 2026
Peregrina 历史舞台戏服
Client: Kimberly Phipps-Nichol, RoKi Design
A' Design Award 铁奖 Winner in 戏服设计 Category
- 7,023
- Verified Award Winner
- Verify Award Status for #182020
The Design
About Peregrina 历史舞台戏服
《Peregrina》是一套1900年代的女式舞台戏服,配有饰品及一件爱德华时期的衬裙。这些服装采用再利用、升级改造的古董面料及符合时代特征的材料制成,包括棉、麻、丝、亚麻、羊毛、草编、羽毛和金属配件。版型简洁,体现了1900年前后家庭裁缝所应具备的技艺水平。套装的主要部件均可两面穿着,因此一套衣片便可搭配出多种造型。隐藏式或双重功能的五金配件,包括纽扣与风纪扣,既能保持各部件对齐,又能承托厚重面料的重量。
The Recognition
About the A' Design Award 铁奖
Peregrina 历史舞台戏服是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Peregrina 历史舞台戏服将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Peregrina 历史舞台戏服因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Peregrina is a 1900 era ladies stage costume with accessories and an Edwardian slip made from repurposed, upcycled, antique and era appropriate materials. The pattern for the suit is simple to reflect the level of design and construction capability that would have been expected of a home sewist circa 1900. What is truly innovative about this suit is that it is reversible. This flexibility provides a series of outfits from just one setup, in a nod to the tailor mades of the time.
- Dimensions & Packaging
- Suit fits a US women size 4, and dimensions vary due to wrap style.
Bust up to 105 cm
Waist up to 76 cm
Hips up to 115 cm
Submission Materials Contents include Cotton, Hemp, Silk, Linen, Wool, Straw, Feather, and Metal Hardware. - Tags
- Costume, Stage wear, Theater wear, Historic costume, Suffragette, Travel, Wearable art, Traditional craft culture, Creative design, Historic reenactment
- Production Technology
- Research, pattern drafting, mockups and production took over 500 hours. Only era available contemporary fabrics were used where antique materials could not be sourced. Antique hardware and silk were used where feasible. While a basic sewing machine was used for main construction, only straight and zig zag stitches were employed to maintain era consistency. Most of the suit and all mockups were made from repurposed drapes saved from a now closed natural fibers boutique.
- Design Challenge
- There were two main challenges for this costume. First was sourcing antique and era-appropriate materials on a very small budget. Second was making the main costume components completely reversible while still preserving modesty and a correct silhouette. The reversibility required mockups with significant trial and error to ensure true era appropriate design and construction.
- Research
- Historical references for design, construction, fabric patterns, colors and fibers include photos of 1900 era ancestors, plus online and print resources. Online resources included US Census Bulletin of era available fibers, as well as database searches of museums with era relevant clothing archives. Print Resources included reference books published by museums with era relevant clothing archives, along with numerous fashion and dressmaker magazines from the years 1900 through 1910.
- Inspiration
- Created in response to a call for a 1900 era historic costume for actors portraying suffragettes and women traveling across North America. The suit was inspired by inherited heirlooms and documents of a true free spirited Muse who embodied the independent characters to be depicted. The Muse had traveled extensively in this time and is a distant relative of the designer. The name is a nod to the family maritime roots and boat name at that time, Peregrinator, hence the nautical details.
- Project Duration
- The project started in June 2024 in Houston, Texas and finished in January 2025 in Houston, Texas.
- Operation Flow
- The reversible components use hardware that is either dual purpose or hidden to ensure a sleek form. Buttons at inner and outer skirt waist sides are both used as closures and shirtwaist connection to support the skirt. This keeps individual pieces from shifting out of alignment while elegantly transferring and distributing the weight of heavy materials. Hooks and eyes ensure critical components retain points of contact important for appearance and flow while moving on stage.
- Image Credits
- Image #1: Photographer Andy Phan, Main, 2026
Image #2: Photographer Andy Phan, Optional 1, 2026
Image #3: Photographer Andy Phan, Optional 2, 2026
Image #4: Photographer Andy Phan, Optional 3, 2026
Image #5: Photographer Andy Phan, Optional 4, 2026
Sponsored
Explore Beyond Designers.org
Discover products, services and opportunities from our advertising partners.
More to Explore
Related Designs
Explore more award-winning designs from the same category, selected by merit.
