设计师 Tiger ChongSheng Guo 的作品 Venus 饮水杯荣获了极具声望的 2020 A' Design Award 铁奖，竞赛类别为烘焙用具、餐具、饮具与炊具设计。

铁厨具· 2020

Venus 饮水杯

设计师： Tiger ChongSheng Guo

客户: Victoria University of Wellington

厨具类别A' Design Award 铁奖获奖者

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验证 #97961 的获奖状态

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关于 Venus 饮水杯

Venus 是一款配有独立底座的饮水杯，专为家居使用而设计。这套器皿由两个彼此支撑的简约形体构成，杯身可用手从底座上取下。得益于陶瓷的造型与重量，杯子在放回底座时会自动滑入正确的位置。杯体采用陶瓷与聚合物混合材料3D打印成型，随后经窑炉烧制、打磨与抛光；底座则以木粉与PLA混合材料3D打印，再进行打磨与着色处理。选择增材制造工艺，是为了在成型两个部件的同时避免材料浪费。

荣誉认可

关于A' Design Award 铁奖

Venus 饮水杯是 A' Design Award 铁奖得主，这是授予满足人们对设计精良的创作所期待的专业与工业要求的优良设计的声望认可。铁奖得主展现出其创作者的高超技艺、高度专业化、专家级的理解力和创造能力。预计Venus 饮水杯将成为一件备受推崇、令人钦佩且被珍爱的创作，既实用又创新。这件赢得 A' Design Award 铁奖的设计整合了行业最佳实践，并拥有与专业知识和才华相结合的称职技术特性。Venus 饮水杯因其严谨而受到尊重，旨在提供有助于让世界变得更美好的生活品质改善。

设计幕后

媒体资料包

由设计师提供的致谢、团队成员及技术详情。

独特属性: Venus is a luxury homeware set designed to encapsulate the symbiosis between two forms, and the unique qualities of 3D printed geometries. Similar products traditionally implement subtractive manufacturing methods (taking away material through cutting, sanding, and thinning). These processes are imprecise, and produce immense waste, and lack any quality from the original material. 3D printing Venus allows the unique qualities of the 3D filament (mixes of materials) to be captured serendipitously, with no waste.
尺寸与包装: 137 x 154 x 109
Cup alone: 112 x 125 x 101
Base alone: 137 x 154 x 35
标签: venus, homeware, cup, 3d print, wood filament, luxury, victoria, vuw, design
生产技术: The design was 3D printed at an external industry partner in a ceramic and polymer mix. The print was then fired in a kiln to finish the ceramic. The ceramic was then lightly sanded and polished. The wood base was 3D printed in a PLA and wood mix. The print was then sanded and stained.
设计挑战: The most challenging aspect of this project were the restraints. The design needed to be simple, sleek, and elegant, comprising of no more than 2 independent forms. The symbiosis between the forms was critical. I aimed to make it a mutually beneficial one, with one supporting the other in radial forms, much like the celestial entities within a solar system. The requirement to use 3D printing and explore materials previously not printed was also challenging. I had never worked with ceramics before, let alone 3D print them.
研究: The project began by undergoing rapid concept ideation, aiming to explore as many forms as possible. This initially took the form of abstract form ideation, followed by iterative design, and finally volumetric design. These were all done via traditional mediums, but soon moved to digital ones. Ergonomics and anthropometric studies were undertaken with early prototypes to refine form, surface, and scale.
灵感: Venus was inspired by the alignment of the planets of the Solar System, and the age old notion of "the stars aligning". Celestial entities often create unique and beautiful visages, with many becoming constellations, lights, or other phenomenons captured in human history. These visages are often no more than a few simple forms in perfect symbiosis, celebrated by the serendipitous surface qualities of stars and moons. Venus was inspired by this and aims to capture the beauty of forms complementing one another in a manner of purity that also honours the serendipity of material quality.
To achieve this, digital fabrication was implemented. Venus takes additive manufacturing methods - such as 3D printing - and combines them with contemporary industrial design to celebrate the purity of materials reconstructed; much like celestial bodies.

Traditional manufactured methods we found, were not up to the degree of quality we pursued to achieve this goal.
For thousands of years; since the invention of the lathe in ancient Egypt; subtractive manufacturing methods have been implemented as the industry standard. Even today, many products are still manufactured by taking away material through cutting, sanding, and thinning. These processes are imprecise, often requiring multiple passes to compensate for flaws produced by the previous; and consequently, produce immense quantities of waste; many times the size of their products.

Venus aims to break this trend.
Digital fabrication introduces a new possibility; additive manufacturing; the means of production by adding material rather than subtracting. Chiefly amongst these means stands 3D printing. Whilst traditionally a prototyping tool, recent innovations in 3D printing have permitted it to become a fully-fledged manufacturing method. When combined with highly precise material quality control through a digital interface, allowing complex heterogenous forms to be created perfectly with no waste; 3D printing can produce marvels of geometry and interaction. Seizing this opportunity, Venus was designed to both captivate minimalistic contemporary industrial design, and celebrate the raw material quality through such a pure manufacturing method. After all, these same materials came from the stars millions of years ago.

Venus was designed by Tiger ChongSheng Guo at Victoria University of Wellington’s School of Design.
项目周期: The project started in July 2017 and finished in January 2018.
Project was exhibited at Victoria University of Wellington's RNDR 2018 Exhibition.
Reproductions have been since made using local industry, most recently in early 2020.
操作流程: The cup element can be lifted from the base. Due to the shape, the cup can be put on the base and itself will slide into the correct alignment due to the weight of the ceramic.
专利: Copyrights belong to ChongSheng Guo, 2018.
团队成员: Tiger ChongSheng Guo - Designer
Zach Challies - Tutor/Lecturer
Joshua Felizardo - Assistant Photographer/Model
图片版权: [ Example: Image #1: Photographer ChongSheng Guo, Venus 1, 2017. ]
[ Example: Image #2: Photographer ChongSheng Guo, Venus 2, 2017. ]
[ Example: Image #3: Photographer ChongSheng Guo, Venus 3, 2017. ]
[ Example: Image #4: Photographer ChongSheng Guo, Venus 4, 2017. ]
[ Example: Image #5: Photographer Joshua Felizardo, Venus 5, 2017. ]