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Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi by Jussi Angesleva
Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi by Jussi Angesleva
Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi by Jussi Angesleva
Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi by Jussi Angesleva
Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi by Jussi Angesleva

Igolide Ukufakwa · 2024

Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi

by Jussi Angesleva

  • Umklomelo Wegolide we-A' Design Award 2024 in Ukufakwa
  • Estimated Number of Design Views: 193,244
  • Verification code 1508D7C503 · Verify this award
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About Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi

Umbukiso womfanekiso oncibilikayo kancane kancane, lapho irobhothi yezimboni ibaza ibhulokhi elikhulu leqhwa libe yilense yekhompyutha ephambukisa ukukhanya okugxile kube yimidwebo odongeni, ebhala plus amasu amabili celsius, okuyisexwayiso esinomngcwabo sokukhula kwezinga lokushisa lomhlaba wonke. Lo msebenzi wobuciko ubekela eduze ithemba lobuchwepheshe obuphakeme nezinselelo zomhlaba wonke ezingemi okwesikhashana ezingenamingcele. Ukungenelela kusheshisa inqubo kuphela.

About the Umklomelo Wegolide we-A' Design Award

Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi iwinile uMklomelo Wegolide we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo yeklasi yokuqala, emangalisayo nephawulekile. Abawinile beGolide yimiklamo emisha kakhulu, enombono ongaphambili futhi egqamile ebonisa ubuhlakani, ukuhlakanipha nobuchule babaklami babo. Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi ilindeleke ukuba ibe yinto entsha edunyiswe kakhulu, ebeka isitayela futhi ebalulekile elethe inani elingakaze libonwe. Lo mklamo owinile uMklomelo Wegolide we-A' Design Award ungumgomo omangalisayo nohlonishwayo osiza kakhulu futhi osunduza imingcele yobuciko, isayensi, ukuklama nobuchwepheshe. Pinnannousu Umbukiso Womfanekiso Weqhwa Wenziwa Yirobhothi idala imizwa ejulile yesifiso, ivuse intshiseko, ikhuthaze ukudala futhi iyasiheha.

Press Kit

Unique Properties
A slowly melting sculpture performance, where an industrial robot carves a large ice block to a computational lens that refracts spotlight to graphics on the wall, spelling “+2℃”, an ominous warning of global temperature rise. The artwork juxtaposes the high tech optimism with transient global challenges that know no bounds. The intervention only speeds up the process.
Dimensions & Packaging
Universal Robots UR5 robotic arm
High power LED flashlights
100 x 50 x 25 cm clear ice blocks.
Raspberry pi 5 timelapse capture and projection display.
Tags
performance, computational design, robotics, new media, caustics, sculpture
Production Technology
An industrial robot equipped with a drill and a flashlight alternates between carving the ice block and illuminating it from different angles. The target geometry for the CNC milling is design algorithmically so that when the spotlight is placed on a specific location, the ice refracts lightrays to a predefined caustic image: “+2℃” on the wall. A timelapse camera records the few weeks of melting, and the slowly unfolding morph.
Design Challenge
Where the artwork was inherently a physical and material process, the team was distributed across the world. Working virtually with experimental physical research posed a major challenge. Also, when the work was unfolding, capturing it on film was also a challenge: every moment was unique, and there was no way of replaying anything due to the living material.
Research
Where the intent of the artwork was to leverage the innate qualities of melting ice as the messenger, it was challenging to find a balance between the "idealised" use of technology with this amorphous material. The computational design of the lens geometry expects perfect planar surfaces, but melting ice is never planar, and the carved surface keeps changing. Loosing control, and embracing the accidental lead to the elegant result.
Inspiration
I use advanced technologies to design bespoke experiences, in this case industrial robot and computational design. The aesthetics and the urgent metaphorical meaning of melting ice embodies the qualities I wanted to communicate with the work. I try to celebrate the beauty of nature, but also the human ingenuity in art that makes people think. The spectacular high tech performance, and the resulting melting sculpture should stop us to think where we stand together in facing the near future.
Project Duration
The project was developed and exhibited at Sapporo International Art Festival between January 20 and February 11 in the Snow Storage of the Glass Pyramid at Moerenuma Park, Sapporo, Japan.
Operation Flow
The artwork unfolds in two stages: First, a robotic performance carves the block of ice, occasionally illuminating the block from different angles with the flashlight. After completion, the block slowly melts, and is captured with a timelapse camera.
Patents
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton
Image Credits
IMAGE CREDITS:
Image #1: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #2: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #3: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #4: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Image #5: ©Sapporo International Art Festival 2024, Photo by KUSUMI Erika
Video Credits: ©Sapporo International Art Festival 2024,

PATENTS/COPYRIGHTS:
Computational Caustics: Rayform & EPFL Geometric Computing Laboratory
Robotics: AATB
Technical Planning: Arsaffix
Supported by: Sapporo International Art Festival 2024
Research support: Part of the research Project “A Third Hand – Creative Applications for Robotics”, ECAL/University of Art and Design Lausanne, Switzerland
Funding Support: ProHelvetia
Ice Field recording: Jonna Jinton

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