Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana ngu-Yutao Chen and Yiwen Gu

Umdwebo Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana ngu-Yutao Chen and Yiwen Gu ungumnqobi ohlonishwa kakhulu womklomelo odumile we-2026 Umklomelo Webhulonzi we-A' Design Award Esigabeni Somncintiswano se-Umcimbi.

IbhulonziUmcimbi· 2026

Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana

ngu Yutao Chen and Yiwen Gu

Iklayenti: Studio WE

Umnqobi we-Umklomelo Webhulonzi we-A' Design Award Esigabeni se-Umcimbi

12,547

Umnqobi Womklomelo Oqinisekisiwe

Qinisekisa Isimo Somklomelo se-#176296

Vakashela Isayithi Buka ku-A' Design Award Isitatimende Sabezindaba Ibheji Yomklomelo

Imibala

Ukuklama

Mayelana ne-Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana

Umbhalo Wencwadi: "Ukukhwela Ileli, I-Party Amphitheatre" eAiyuan Town, eJiangsu, ihumusha kabusha ileli yokulima lendabuko njengophawu lokuzibandakanya komphakathi nokuqhubeka kwesiko. Ngohlelo lwama-module ezinhlaka zezingodo, amaleli, namabhande okudonsa, abahlali bedolobhana bakha futhi badilize ithiyetha yesikhashana ngokukhuthele. Njengendawo ehambayo, ebandakanya wonke umuntu yokwenza imibukiso, amafilimu, nokuhlangana, ithuthukisa ukuxhumana kwezenhlalo, iphilise kabusha insimu yezithelo, futhi ihlangane ngokuvumelana nendawo yasemakhaya.

Ukuqashelwa

Mayelana ne-Umklomelo Webhulonzi we-A' Design Award

Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana iwinile uMklomelo Webhulonzi we-A' Design Award, ukwaziswa okuhloniphekile kakhulu okunikezwa imiklamo ephawulekayo eyehlukaniswa ukudala, ubuhlakani nobukhali bengqondo. Abawinile beBhulonzi yimisebenzi enobuchule obukhulu nedala ngokumangalisayo eqinisekisa isipiliyoni esibanzi, umcabango nobuhlakani babaklami babo. Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana ilindeleke ukuba ibe yinto exatshwa kakhulu, edunyiswayo nethandwayo, enobungcweti obuphawulekayo nezinto ezintsha. Lo mklamo owinile uMklomelo Webhulonzi we-A' Design Award uhlanganisa izindlela ezinhle kakhulu ebuciko, esayensi, ekuklameni nasebuchwepheshe futhi uhamba phambili ngenxa yokunaka kwawo imininingwane. Climbing Amphitheatre Umsebenzi Oyinhloko: Ithiyetha Yesikhashana iyanelisa izidingo ngokumangalisayo, ithinta izifiso, iheha imizwa futhi ikhanga ukufuna ukwazi.

Ngemuva Kokuklama

Iphakheji Yabezindaba

Ama-credit, amalungu eqembu nemininingwane yobuchwepheshe ehlinzekwe ngumklami.

Izici Ezihlukile: Climbing the Ladder, Party Amphitheatre is a modular, community-assembled temporary theater made of timber frames, ladders, and tension straps. Designed for assembly by local villagers, it fosters participation as both audience and builders. The adaptable structure hosts performances and screenings, revitalizing the orchard into a social hub. This project merges architecture with rural life, turning tools into a spatial framework that strengthens community bonds.
Izilinganiso Nokupakisha: The modular amphitheatre consists of timber frame units measuring 2,400 mm x 1,200 mm x 2,500 mm. Ladders function as adjustable seating risers ranging from 500 mm to 1,500 mm in height, enabling flexible audience arrangements. Fully assembled, the structure spans up to 12 m x 8 m x 4 m and adapts easily to uneven orchard terrain.
Amathegi: Community Architecture, Modular Design, Participatory Design, Rural Innovation, Timber Structure, Mobile Amphitheatre, Cultural Heritage, Interactive Space, Adaptive Reuse, Festival Pavilion
Ubuchwepheshe Bokukhiqiza: The structure employs a modular timber frame system combined with locally sourced ladders and tension straps, enabling rapid assembly and disassembly without heavy machinery. Structural stability is achieved through interlocking joints and adjustable tensioning, while the modular system allows scalability and adaptation to orchard topography. Timber surfaces are treated for durability, ensuring both functional performance and visual harmony with the rural landscape.
Inselele Yokudweba: This design explores how participatory architecture can activate rural spaces and strengthen social cohesion through simple, adaptable systems. By transforming ladders - an everyday rural object - into a spatial and cultural framework, the project demonstrates how design can elevate ordinary tools into platforms for interaction, performance, and collective experience. The amphitheatre reveals the potential of low-tech, community-driven construction to create meaningful public spaces that are flexible, inclusive, and deeply connected to local culture.
Ucwaningo: This field research investigated the integration of vernacular farming tools into participatory rural architecture. The objective was to create a low-cost, modular theater system. Using qualitative observation and structural prototyping, the study engaged local villagers as active participants in the assembly process. Results showed that utilizing familiar ladders as core components reduced construction barriers and costs. This research impacts rural social cohesion by proving that community-driven, low-tech frameworks can successfully revitalize orchard landscapes into interactive cultural venues.
Ugqozi: Rooted in the centuries-old pear orchards of Aiyuan Town, Jiangsu, this project draws inspiration from the everyday ladder. Reimagined as a collective architectural element, the ladder, traditionally used for farming and labor, becomes a symbol of gathering and shared memory. By transforming this familiar object into a modular spatial system, the design celebrates local traditions while creating a contemporary platform for performance and communal life within the orchard landscape.
Ubude Bephrojekthi: The project was developed and constructed between March and September 2024 in Aiyuan Town, Jiangsu, China. Installed within the town's pear orchards, the amphitheatre was activated during seasonal festivals and community gatherings, reinforcing local participation and cultural engagement.
Ukuhamba Kokusebenza: The amphitheatre is assembled collaboratively by villagers through a simple system of interlocking timber frames, ladders, and straps. Audiences move freely between levels, sit on ladders or platforms, and engage with performances from multiple perspectives. The open, reconfigurable layout encourages informal interaction, flexibility, and immersion, allowing the space to adapt to different events while fostering a shared sense of ownership and participation.
Amalungu Eqembu: Yutao Chen and Yiwen Gu
Amakhredithi Ezithombe: Yutao Chen