Aaron Leppanen and Gabriela Anker 嘅作品 MareNostrum 住宅大廈

由設計師 Aaron Leppanen and Gabriela Anker 創作嘅 MareNostrum 住宅大廈係備受推崇嘅 2020 A' Design Award 銀獎得獎作品，獲獎類別為建築、樓宇及結構設計。

銀建築· 2020

MareNostrum 住宅大廈

由 Aaron Leppanen and Gabriela Anker

客戶: Romero & Pazmiño Ingeniería Inmobilaria

建築類別嘅 A' Design Award 銀獎得獎者

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經驗證嘅獲獎者

驗證設計 #104748 嘅獲獎狀態

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色彩

設計

關於 MareNostrum 住宅大廈

MareNostrum係一幢位於厄瓜多爾基多嘅八層住宅大廈。個名源自拉丁文「我哋嘅海」，而立面設計重新演繹咗古羅馬艦隊船槳嘅律動。弧形立面形成咗寬闊嘅露台，將室內空間延伸至戶外。切角設計橫跨兩層樓，既可遮擋陽光，又營造出鄰里相聚嘅空間。大廈設有套房、兩房及三房單位，以及複式閣樓，天台仲有休憩室同綠化區域。被動式設計策略提供自然採光同通風。

榮譽認可

關於A' Design Award 銀獎

MareNostrum 住宅大廈是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計MareNostrum 住宅大廈將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。MareNostrum 住宅大廈是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Throughout the 8 story residential building, the movement of the facade generates large balconies, which extends the interior space to the exterior. The form has passive sustainability strategies, such as ventilation and natural light. The volume of the building allows different types of apartments, suites, 2 bedrooms, 3 bedrooms and lofts. In addition, social spaces are created inside the building, such as a lounge and green areas on the terrace, to take advantage of the urban context.
尺寸同包裝: The building has 8 stories and 3 underground levels in a 1250 square meters lot. The total construction area is 8,800 square meters. The building has a reinforced concrete structure with steel deck floor plates.
標籤: Sea , Waves , Urban , Facade , Residential
生產技術: The facade and the lobby have the same language in their design. However the facade was constructed with conventional masonry blocks and mortar. The lobby in contrast was built with a combination of digital fabrication and artisan work. The unique lobby forms were made with a cnc cut mdf structure and colorado wood panels cut by hand. The use of complementary digital and artisan construction techniques was key to attain such unconventional forms in a setting like Ecuador.
設計挑戰: The historical connection that the site of the project had with the sea inspired the form. The local construction technology however gave limitations on how this form would be attained. After evaluating different materials , the conventional masonry blocks and cement materials were used in a sculpted work with the local artisans to build the wave inspired facade. The combination of these curved walls and wooden accents below the cantilevered floor plate extensions created the desired volume.
研究: Our office research primarily focuses on form finding through organic efficiencies. Specifically varied repetition is of interest, looking for models of difference through a similar design process. The objective behind this research is to identify potential insights and techniques that can be implemented in our iterative design process. Methods include digital sketching in rhino and grasshopper and physical printed models. In the iterative process, experimentation is the most important aspect in the search for potential architectural solutions. These experiments are tested against the various project parameters, which could include; zoning, context, client preferences, marketing strategies, constructability and other conceptual criteria. The result of this process is constructible yet experimental design that has movement, emotion, repetition and a physical presence in our community.
靈感: The site of the project was named Mare Nostrum after an existing restaurant, whose latin meaning is our sea. The ancient Romans baptized what is now the Mediterranean Sea with this name. Inspired in this context, the movement that the oars of the fleets of the Roman Empire used centuries ago to protect their territories is reinterpreted on its facade. Reinforcing this concept an experience of movement is created for the users inside and outside the spaces.
項目時長: The project started in 2016 and was completed in 2019 in Quito, Ecuador.
操作流程: The characteristic cutout corners, spanning over two levels, give the building a softer attitude. They also create spaces and opportunities for neighbors to interact with each other, between the balconies of differing depth.
The cutout corners also provide shade protecting from the hot Andean sun.
團隊成員: Aaron Leppanen
Gabriela Anker
Sofía Chávez
Caroline Dieden
José Silva
Gabriela Valdéz Mena
圖片來源: BICUBIK