The Metamorphosis 服裝 by Yingyi Chen is a highly esteemed winner of the very prestigious 2021 A' Design Award 鐵獎 in 時裝、服飾及成衣設計 Competition Category.
鐵時裝· 2021
The Metamorphosis 服裝
by Yingyi Chen
Client: Sculpture studio
A' Design Award 鐵獎 Winner in 時裝 Category
Verified Award Winner
Verify Award Status for #106017The Design
About The Metamorphosis 服裝
《蛻變》係一件手工製作嘅服裝,靈感嚟自變異同進化嘅概念。設計以誇張化嘅動物骨骼為基礎,經過塑形以貼合人體。所形成嘅造型帶出人類同動物交融嘅意象。呢件服裝以可生物降解塑膠、皮革同毛髮製成。塑膠部分係用廢料熱壓毛髮而成嘅物料。皮革同毛髮則回收自工作室剩餘物料同理髮店廢棄物。手臂、手部、前身、後身同腳部部件均可拆除同重新組合,方便穿著同日後替換。
The Recognition
About the A' Design Award 鐵獎
The Metamorphosis 服裝是 A' Design Award 鐵獎得主,這是授予滿足人們對設計精良的創作所期待的專業與工業要求的優良設計的聲望認可。鐵獎得主展現出其創作者的高超技藝、高度專業化、專家級的理解力和創造能力。預計The Metamorphosis 服裝將成為一件備受推崇、令人欽佩且被珍愛的創作,既實用又創新。這件贏得 A' Design Award 鐵獎的設計整合了行業最佳實踐,並擁有與專業知識和才華相結合的稱職技術特性。The Metamorphosis 服裝因其嚴謹而受到尊重,旨在提供有助於讓世界變得更美好的生活品質改善。
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- In concepts of mutation and evolution,this design are based on exaggerated animal skeletons and designed to fit the body which is grounded in a unique visual interpretation of animal anatomy, building upon existing skeleton structures to create it that appear as natural properties of the human body, suggesting strength, power and sensuality—a cross-image of human and animal, an atemporal, supreme creature, beyond past and future.The design was handcrafted with degradable plastic, leather, hair.
- Dimensions & Packaging
- 520mm Width x450mm Depth x 1200mm Height
- Tags
- Mutation, Metamorphosis, Leather, Plastics, Body
- Production Technology
- The metamorphosis of human was made of degradable plastic, leather and hair. Biodegradable plastics are scrap materials provided by relevant manufacturers.Then apply the hot pressing technique and add the hair to form the fabric; Leather is the leftover material in the daily use of the studio, which is stitched after recycling. Hair comes from barbershop waste. As time went by, the work was finally broken down completely.
- Design Challenge
- First, how to express the texture of human skin in the future is an important problem. Second, the joints of the fingers, the part of the tail, the bulging part of the back, these details are a polyhedron, the model is more difficult to make.
- Research
- The production process of this work is just like that of sculpture. In the process of human birth-development-metamorphosis, it is continuously ground, bent and processed. This process is the transformation from the original ape-man to the "synthetic material" of modern man. I have studied the medical aspects of the human body, and I have learned about the evolution of human beings in various ways in ancient times, such as the stage from crawling to standing upright. These studies and experiments laid the foundation for the project.
- Inspiration
- "What began as such a simple form has evolved, and continues to evolve, into the most beautiful and wonderful of infinitely many forms." Charles Darwin said.Concepts of mutation and evolution are explored in order to develop a contemporary cross-image of human and animal, an atemporal, supreme creature, beyond past and future.All of the objects were handcrafted.Leather and hair are form recycling. Eventually this design was broken down into a new cycle.
- Project Duration
- The project started in January 2020 and finished in March 2020 in China.
- Operation Flow
- Each part of The metamorphosis of human could be disassembled and reassembled, for example, The arms, hands, front, back, and foot ornaments. This is for ease of wear and tear, freedom of movement, and the ability to replace or add parts in the future, thus achieving a process of constant renewal and evolution.
- Patents
- Copyright to Yingyi Chen
- Image Credits
- Image #1: photographer Zhiming Li, Model Quansi Liu, 2020
Image #2: photographer Zhiming Li, Model Quansi Liu, 2020
Image #3: photographer Zhiming Li, Model Quansi Liu, 2020
Image #4: photographer Zhiming Li, Model Quansi Liu, 2020
Image #5: photographer Zhiming Li, Model Quansi Liu, 2020
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