I am Nesia 攝影系列 by Chris Slabber is a highly esteemed winner of the very prestigious 2021 A' Design Award 銀獎 in 攝影設計 Competition Category.

銀攝影· 2021

I am Nesia 攝影系列

by Chris Slabber

Client: Chris Slabber

A' Design Award 銀獎 Winner in 攝影 Category

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Colors

The Design

About I am Nesia 攝影系列

I am Nesia 係一個攝影系列，講述 2020 年封城對人類精神嘅影響。每一幅作品都係將鏡頭焦點刻意扭去錯誤方向而拍成，令風景變成柔和嘅色彩區域，恍如水彩畫一般。跟住喺每一個場景加入一個暗黑人影，作為恐懼同焦慮嘅隱喻，再配以顆粒質感完成整個構圖。呢個系列以 1200 乘 2000 毫米嘅大幅面燈箱形式製作。創作意圖係記錄一段充滿不確定嘅時期，並展現人類能夠適應同戰勝逆境。

The Recognition

About the A' Design Award 銀獎

I am Nesia 攝影系列是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計I am Nesia 攝影系列將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。I am Nesia 攝影系列是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This series of images is an interpretation of the effects that the recent lockdown had on the human spirit. It documents how loneliness effected human behaviour. The big uncertainty produced by the pandemic has seen a spike in anxiety and depression on a global scale. There was a blanket of fear draped across society. This is represented by the out of focus images and emphasised by the dark figure looming in the background.
Dimensions & Packaging: The end product will be produced as large format light boxes. Width 1200mm x Height 2000mm. The light box will enhance the emotional value of the pieces.
Tags: colour scapes, landscape photography, lockdown, pandemic, out of focus, fear, challenge,
Production Technology: The idea was to create water colour scapes using photography. This was achieved by turning the focus completely in the wrong direction in order to manipulate pixels. While looking through the viewfinder, the idea was to find a good composition of colours instead of background, foreground and background elements. Afterwards the dark figure was inserted into the selected colour scapes in photoshop. Each piece was then finished with a grain texture to boost the emotional value of the pieces.
Design Challenge: The biggest challenge was to make a rather ominous theme come across as aesthetically pleasing. This was resolved by using well balanced colour palettes along with the right composition for each image. In most of the images there is a lot of sky. This gives the idea of space or the unknown. The dark figure is a metaphor for the fear and anxiety aspect of the lockdown, but this poses the question to the viewer. Will you run in fear or will you walk towards the figure and engage with your fear? To finish off the work, the light box will create movement and dynamics in the compositions.
Research: To create these colour scapes I had to shift my focus from looking at landscapes in terms of foreground, middle ground and background. Instead the I had to find colour scapes. This meant that the compositions were dictated by the right balance of colours within the viewfinder. The end result should be a completely abstract interpretation of the actual landscapes. Each image should have its own emotional value, achieved by the colour palettes. This started to incorporate colour theory on a psychological level. Once produced as a light box, the work will reach a higher level of engagement on an emotional and visual level.
Inspiration: The moment of inspiration came when trying to photograph a moth against a dirty window. The actual photo of the moth didn't look great, but the out of focus background really evoked emotion. Using this as inspiration, I photographed various landscapes by opening up the aperture and cranking the focus all the way in the wrong direction. The end result was a photograph that looked like a blurry water colour painting. Instead of landscape photography, the exercise became colours cape photography.
Project Duration: The was created in June 2020 during hard lockdown. I had to sneak out during curfew to take the photos.
Operation Flow: The series was created as a reminder of the 2020 lockdown during the Covid 19 pandemic. The images is firstly meant to remind us of how uncertain our future became in a matter of months. It is a reminder of the fear felt on a global scale. Most important, it is there to remind us that we can prevail and adapt in order to survive and ultimately overcome the damage done by the pandemic. So even though the images might come across as dark, they are in fact a celebration of the human spirit.
Image Credits: Image #1: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #2: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #3: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #4: Photographer Chris Slabber, Manipulation Chris Slabber, 2020
Image #5: Photographer Chris Slabber, Manipulation Chris Slabber, 2020