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Yang Mai 嘅作品 Guo Fan 過番

由設計師 Yang Mai 創作嘅 Guo Fan 過番 係備受推崇嘅 2022 A' Design Award 銅獎 得獎作品,獲獎類別為 美術設計。


銅美術· 2022

Guo Fan 過番

由 Yang Mai

客戶: Yang Mai

美術 類別嘅 A' Design Award 銅獎 得獎者

9,933

色彩

設計

關於 Guo Fan 過番

《過番》係一件結合藝術裝置同藝術首飾嘅作品,以海外華僑僑批文化為創作基礎。呢件作品探討潮州人下南洋謀生嘅歷史。作品運用雙向連動嘅紡錘結構不斷轉動,令歷史場景無盡重疊。首飾部分則以「歷史切片」為概念,每件首飾都令佩戴者喺同一個故事入面扮演唔同嘅角色。作品採用黃銅、不鏽鋼、鋁、樹脂同壓克力等物料,並以鐳射切割同3D打印技術塑造成形。

榮譽認可

關於A' Design Award 銅獎

Guo Fan 過番是 A' Design Award 銅獎得主,這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品,印證了其設計師豐富的經驗、想像力與機智。預計Guo Fan 過番將成為一件備受推崇、令人欽佩且被珍愛的物品,兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐,並因注重細節而出類拔萃。Guo Fan 過番出色地滿足需求,觸動渴望,迷住情感,並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性
Researching the important Chaozhou overseas Chinese culture in Chaoshan, excavating the history of Chaozhou overseas Chinese who went to the Southeast Asia to make a living. In order to more experimentally explore the historical facts of the "Overseas Fragrance" and the "Guo Fan", this work is expressed and displayed by means of an art installation derived from art jewelry and a more holistic art design.To pay tribute to the ancestors of Chaoshan who traveled far and wide.
尺寸同包裝
Art installations size :
278mm*236mm*149mm

Jewelry size:
48mm*68mm*14mm
45mm*87mm*7mm
83mm*141mm*93mm
105mm*40mm*126mm
標籤
Culture, Overseas Chinese remittance, Art installation, Jewelry, Chaozhou gold lacquer wood carving
生產技術
Material: brass, stainless steel, aluminum, resin, acrylic
Production: laser cutting, 3D printing
設計挑戰
The most important and difficult part of this project is to sort out the historical facts of " culture of overseas Chinese remittance " and turn it into an art work to show to people through design, so that people can understand it .
研究
The theme of this project is "culture of overseas Chinese remittance", with the close relationship between Chaozhou wood carving and overseas Chinese remittance as the development line. Through reading and combing a large number of literature and books, fieldwork visits, etc., the inherent cultural stories are unearthed, and the stories are patterned and combined with dynamic installations to tell the memories of overseas Chinese remittance through jewelry. Aiming to pass on and spread Chaoshan culture.
靈感
Chaozhou gold lacquer wood carving are typical representatives of Chaoshan culture. Among them, the shrine is an important object of expression of this skill. Furthermore, it is the carrier of Chaozhou clan concept. Chaoshan were adhered to the special traditional culture of both continental and maritime, to make a living in Southeast Asia by Guo Fan. The culture of overseas Chinese remittance links the families at home and abroad, and plays a huge role in the development of their hometowns.
項目時長
The project started in October in Guangzhou and finished in May 2021 in Guangzhou Guangdong province, China, and was exhibited in Guangzhou academic of fine arts in June 2021.
操作流程
The installation works by the historical facets of "culture of overseas Chinese remittance" and "Guo Fan" overlap infinitely through the continuous turning of the two-way linkage spindle structure.

And the jewelry is based on the concept of "slices of history", transforming the wearer into the protagonist of the historical fragments and experiencing the story of each slice.When the wearer wears different parts of the jewelry, he or she will be transformed into different roles. They are both in the same slice of historical story.

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