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Blessing from the Sea 裝置藝術 by Chih Kang Chu

Blessing from the Sea 裝置藝術 by Chih Kang Chu is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅獎 in 美術設計 Competition Category.


銅美術· 2022

Blessing from the Sea 裝置藝術

by Chih Kang Chu

Client: Information and International Affairs Department Pingtung

A' Design Award 銅獎 Winner in 美術 Category

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The Design

About Blessing from the Sea 裝置藝術

書本文字:《來自海洋的祝福》是一件戶外藝術裝置作品,坐落於台灣屏東海灘與海洋之間。作品呈教堂形態,由金屬結構、金屬板底座及白色布條構成。風平浪靜之時,結構靜立無聲;當季節性山風吹起,布條隨風飄動,展現出風的力量。底座中央特意鏤空,讓作品能隨潮汐移動,避免被沙土掩埋。入夜後,八盞聚光燈為作品打光,照亮全場。

The Recognition

About the A' Design Award 銅獎

Blessing from the Sea 裝置藝術是 A' Design Award 銅獎得主,這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品,印證了其設計師豐富的經驗、想像力與機智。預計Blessing from the Sea 裝置藝術將成為一件備受推崇、令人欽佩且被珍愛的物品,兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐,並因注重細節而出類拔萃。Blessing from the Sea 裝置藝術出色地滿足需求,觸動渴望,迷住情感,並吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Where the wind and the sea meet, a church rises from the sea.
Here, we can hear the wave and see the wind. When the wind is calm, the church is quiet, tranquil and peaceful. When the win roars, the fabrics strips dance wildly, flying madly, the church shows the dynamic of the wind.
Dimensions & Packaging
Width 490 cm x Length 1000 cm x Hight 800 cm.
The base of the project was made with metal panel. The center was cut out to keep the project to move slight with the tide.
Tags
art, installation, wind, nature, taiwan
Production Technology
There three kinds of element were used in this project: metal structure, metal panel, and fabric strips.
8 spotlights were used to light up the project at night.
Design Challenge
The first challenge is related with the folklore. Many people would associate white tents with funeral hall, which is an ominous symbol. To avoid this impression, the structure is shape like a church. Church represents an image of faith, love and happiness. Coincidentally a couple took wedding photos in front of the artwork when it was just built. The beautiful wedding photos were posted on social media, everyone sees the couple were happy and be blessed in front of the artwork. Since then, no one questioned about impression of the artwork.
The second challenge is the environment. The artwork is set up between the beach and the sea. Water and sand come and go with tide, the base of the artwork moves a bit with it. The artwork has to stand on the sand firmly, not to be washed away by sea and not to be buried in the sand. And, most important, not to be blow away by the powerful chinook. Not only the structure has been strengthened, also the base of the artwork is precision calculated.
The fabric of stripes has to be chosen carefully. Different weight and length will make different effect. The strips have to fly with the wind but also have to withstand the power of chinook. They need to look like dancing elegantly in the wind but not messy and disorganized.
During the 3 months exhibition, the artwork never looked the same everyday. Also it was not always stand straight, the fabric strips are not always flying beautifully. But the naturally posture of the artwork attracted thousands of visitors. People feel the power of the wind, see the beauty of nature via the church. They can feel the mood of nature.
Research
Winter is the chinook season in Hengchun Peninsula. The strong and powerful wind and sand make people cannot bear to stay for long time on the beach, resulting in a low season for sightseeing. We hope people would be willing to experience the power of the chinook wind through the artwork, and turn it into a tourist attraction.
Church represents an image of faith and love. People are willing to come close to a church, willing to open their mind in a church.
The church is placed between the beach and the sea, it would be immersed in the sea couple of hours everyday. The wave, the wind, the light of the sun make the artwork alive. It seems the church has its own mood. Every day, every second, the church never in the same posture.
Inspiration
From October to April of the following year, the powerful chinook wind (Lou Shan Feng) blows down from the mountains in Hengchun Peninsula, Pingtung. This installation art piece《Blessing From The Sea》by Chih-Kang Chu is to reveal the characteristic of Luo Shan Feng.
People can hear the wave and see the wind through the church that standing on the seaside.
Project Duration
The project production started in December 2021 in Pingdong, and finished in 2 weeks. It was exhibited in Luo Shan Feng Art Festival from 25th December 2021 to 1st March 2022.
Operation Flow
Instead of solid wall, white fabric strips are tied up on the church shape structure, the church looks lighter and more welcoming people to walk in. And most important, when the wind blows, the fabric strips will fly with the wind, the posture of the church changes with the wind, it shows the mood of the wind.
The base of the church structure is an iron panel, cut out in the center. The weight of the panel helps the structure to stand in the sand more firmly. However, the wave would bring lots of sand from the sea everyday. The cutting out of the base would help the structure to move up and down with the tide, to avoid to be buried in the beach.
Team Members
Chih-Kang Chu
Meng-Hung Tsai
u-Tang Tseng.
Image Credits
All Images : Photographer / Kuo-Min Lee, Blessing From The Sea, 2021

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