Throbbing Stillness 容器 by Maru Meleniou is a highly esteemed winner of the very prestigious 2022 A' Design Award 銅獎 in 美術設計 Competition Category.

銅美術· 2022

Throbbing Stillness 容器

by Maru Meleniou

Client: Maru Meleniou Ceramic art &design lab

A' Design Award 銅獎 Winner in 美術 Category

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Colors

The Design

About Throbbing Stillness 容器

《悸動的靜止》是一系列探索抽象思想、概念和存在問題的船隻的一部分。《悸動的靜止》的悖論在於，它並不是花瓶的預期功能，而是意味著存在一個能夠容納與觀看者進一步交流的空間。通過其有機的形式，它成功地超越了媒介的剛性，並且似乎充滿了生命能量的振動。它的形狀和顏色突出了諸如空、潛力、擴展等概念。

The Recognition

About the A' Design Award 銅獎

Throbbing Stillness 容器是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Throbbing Stillness 容器將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Throbbing Stillness 容器出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: Throbbing Stillness is not the vessel that flowers will be beautifully arranged in. Throbbing Stillness is a vessel that aims to contain abstract ideas, thoughts and images. A vessel that contemplates the concept of "vessility".
Dimensions & Packaging: Height 40cm
Tags: Sculptural vessel, Naked ceramics, Contemporary Ceramics, Handbuilt ceramics, Raw minimalism, Slow design
Production Technology: It is a hand-build ceramic vessel, with the coiling technique, an ancient technique that involves creating forms without a pottery wheel, using the hands, fingers, and simple tools. That way small details, differences imperfections and qualities mirror the honesty of the creative process. A slow almost meditative process that after years of practise creates a unique relationship between artist and medium.
I used stoneware clay and painted it with porcelain slip, glazed and fired at 1220C
Design Challenge: The most challenging part was to work on the piece as much as I would not manipulate clay to the point that it would lose its properties and its own life and substance. To create an object that carries the message powerfully. An object simple in form and yet not simplistic.
Research: I am interested in the materiality of my medium and I wish to highlight its raw nature and properties. After practising with a variety of colors and glazes I realised that all this would be a kind of cover up, making it hard for the medium to carry its message. So I decided to move forward with my material being almost naked.
Inspiration: My inspiration comes from the book White by Kenya Hara, Zen Buddhism and the human body.
In the field of ceramics, one creates forms to contain the emptiness. The purpose of a vessel is to hold nothingness within, a purpose greater than its function. White is delicate, fragile and from the moment of its birth it is destined to be “polluted”. My vessel is not trying to be a perfect white, rather it carries a layering, in an attempt to search for a way to feel whiteness.
A vessel, a human heart, a vital organ, or a musical instrument always inhaling/exhaling, pulsating in a space of closeness and familiarity yet distant and unknown. A space out of time, far from personal feelings and agendas that is dedicated to personal contemplation.
Project Duration: Throbbing Stillness was created in 2020 in Athens, and was exhibited in Milan Design Week 2021 at 1000Vases
Operation Flow: Human beings are designed to communicate.
We define ourselves through relationships and interactions with our environment, with others, with the objects that surrounds us.
Throbbing Stillness is a unique object that aims to offer a space for connection, an invitation to interact.
Image Credits: Image No1, No2, No3 No4 Nikos Koustenis
Image No5 Maru Meleniou