Hyeonjeong Woo 嘅作品 Proof of Existence 女裝

由設計師 Hyeonjeong Woo 創作嘅 Proof of Existence 女裝係備受推崇嘅 2022 A' Design Award 銅獎得獎作品，獲獎類別為時裝、服飾及成衣設計。

銅時裝· 2022

Proof of Existence 女裝

由 Hyeonjeong Woo

客戶: Hyeonjeong Woo

時裝類別嘅 A' Design Award 銅獎得獎者

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驗證設計 #136492 嘅獲獎狀態

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色彩

設計

關於 Proof of Existence 女裝

彩虹旗的顏色和象徵意義是這個成衣系列的靈感來源。除了箱形褶襉和抽褶等設計細節外，每一種強大的造型還配有手工製作的吊墜和珠子，附著在織物上，創造出紋理。這種強烈的單色和獨特的古怪輪廓由結構細節支撐，提供有趣的視覺印象。關鍵在於如何創造性地將設計語言轉化為服裝，同時又不犧牲結構細節或美學，從而呈現出全新的外觀。

榮譽認可

關於A' Design Award 銅獎

Proof of Existence 女裝是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Proof of Existence 女裝將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Proof of Existence 女裝出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: The rainbow flag serves as an inspiration for this streetwear-inspired collection, with each of the colors denoting a different aspect of what we hold dear in life. Handcrafted resin jewelry depicting nature-inspired designs adorns the monochromatic. I investigated ways to realize traditional two-dimensional repeated prints on fabrics into three-dimensional work to create exciting textures, each look holding different meanings. I concentrated on the thoughts and feelings while visualizing and tactilely experiencing each color and linked them to its purpose. Red represents life; Yellow means the sunlight, which reminds me of Atlanta, with great pine pollen in the springtime, which led me to use yellow durag. Green reflects nature, but it also means poison. To imply that, I painted the deadstock poly fabric with acrylic paint. Blue represents harmony. Finally, I used purple taffeta to achieve this effect by reflecting sun rays, creating the illusion of Venus or the Statue of Liberty.
尺寸同包裝: Industry-standard size of S/M for women.
標籤: Monochrome, Womenswear, Street Fashion, Rainbow, Wearable Art, Clothing, Textile Design
生產技術: Utilizing my deadstock fabrics was the key. Initially, I had no intention of creating monochrome looks, but after doing some research, it became clear that this was the best option. I wanted to add dynamics to the eyes, I decided to make my own embellishments to add interplay and exciting textures to the design while staying true to its concept. I applied hand-drawn, molded, colored, ground, coated, and hand-stitched resin embellishments. I experimented with as many fabrics as I could find around, when I couldn't find the right color, I dyed, painted, or printed them since I wanted to maximize the use of fabric and buy less. I also sought to accomplish fruitful design details and structures and offer intricate designs and silhouettes, shirring, unbalanced cutting, pleating, and draping techniques to give organic and geometric aesthetics while having fun with small design details. The more the audience looked closer, the more details they could find.
設計挑戰: In this collection, five different fabrics had to be utilized and placed correctly, which was the most challenging part of the project because using deadstock could mean a limited choice. Each material has its unique characteristics and quality; unexpected accidents always occur. Besides, I was desperate for industrial sewing machines and sergers. It also was my first time working with epoxy resin; producing hundreds of tiny pieces, casting, and grinding was such a time-consuming process. Everything was well-assembled and provided enjoyment in discovering small details, so it was worthwhile.
研究: Designers and artists should each have their own values and principles that guide their work. To make the world a better place, they must put in the time and effort and offer their skills to it. I use fashion as a platform because I believe the wearer can be a great exhibition with mobility; I frequently use it as a chance to discuss mental health with social issues; The rainbow flag's origins can be traced back to that place because it symbolizes acceptance and love, two things we desperately need.
靈感: As a result of the rise in hate crimes against the socially marginalized, I've found it increasingly difficult to deal with the issues. This collection was created in response to it, and it was inspired by rainbow flags, which intuitively represent the harmony, peace, and love we so desperately need right now. The collection's key is in how imaginatively it interprets the meaning of rainbow-hued clothing.
項目時長: It was produced in South Korea from April 2021 to January 2022.
操作流程: The primary and monochromatic hues give the clothes distinct energy of their own. With a wide range of fabric and garment construction techniques, it is Ready-To-Wear; however, the unique fabrications and decorative elements allow it to provide an elevated atmosphere to the wearers and viewers. Most garments are light to midweight; the wearer can perform without hassles and not lose the aesthetics. It can be worn in various settings, from business to a night on the town. Its traditional patternmaking method comforts the wearers, but its intense colors and unique surface design will make a difference. Equipped with both straight and curved harmony, softness, and solidity, this collection is faithful to the role of clothes yet aesthetical.
專利: Copyrights to Hyeonjeong Woo, 2022
圖片來源: Image #1: Hyeonjeong Woo, Proof of Existence, 2022
Image #2: Hyeonjeong Woo, Proof of Existence, 2022
Image #3: Hyeonjeong Woo, Proof of Existence, 2022
Image #4: Hyeonjeong Woo, Proof of Existence, 2022
Image #5: Hyeonjeong Woo, Proof of Existence, 2022