Grace 休閒椅

由 Daniel Devadder

客戶: Daniel Devadder Interior Design

傢俱類別嘅 A' Design Award 金獎得獎者

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經驗證嘅獲獎者

驗證設計 #141711 嘅獲獎狀態

訪問網站喺 A' Design Award 查看新聞稿獎項徽章

色彩

設計

關於 Grace 休閒椅

優雅是一種設計，可以翻譯出一個字無法形容的感受。這與以下信念結合：形式並不總是遵循功能，而應該能夠遵循情感。其結果是由 3D 列印框架製成的雕塑般的設計，部分覆蓋泡沫以增加舒適度和彈性而耐用的面料。從美學的角度來看，它的優雅和造型在某種程度上是永恆的。它可以匹配不同的飾面和材料，並融入不同的環境：從酒店大廳的高端用途到私人住宅的家具。

榮譽認可

關於A' Design Award 金獎

Grace 休閒椅是 A' Design Award 金獎得主，這是授予一流、絕妙而傑出設計的極為崇高的認可。金獎得主是極具創新、極富遠見且璀璨奪目的創作，反映出其設計師的天才、智慧與才幹。預計Grace 休閒椅將成為一項備受讚譽、引領潮流、氣勢恢宏的發明，帶來前所未有的價值。這件贏得 A' Design Award 金獎的設計是一個壯觀而受人敬重的項目，極大地造福並拓展藝術、科學、設計和技術的界限。Grace 休閒椅激起強烈的渴望，喚起激情，鼓勵創造力，令我們著迷。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Grace provides a certain wow factor and the way it is interpreted changes from person to person, from feeling to feeling, making it a unique experience.
An experience that will always be linked to your thoughts and how you feel.
尺寸同包裝: Width 900mm x Depth 910mm x Height 680mm
標籤: Furniture, chair, productdesign, lounge, seating, indoor, organic, 3Dprint, stereolithography, Belgium
生產技術: 3D printed structure. The material used is called Tusk SolidGrey3000 which is the world's first Stereolithography material that combines a high degree of stiffness with high impact resistance, available exclusively at Materialise.
The chair was tested from 2000N to 6000N. The displacement in the seating area ranges from 2mm to 5mm (for 2000N and 6000N respectively) and 3.5mm to 11mm at the top of the back rest.

The fabric used for the manual upholstery is Tonus 4, colour 0610, from Kvadrat because of its flexibility and durability. On the outsides of the design, high resilience foam is used for added comfort.
設計挑戰: Finding a material that could follow the shapes while having the strength and rigidity to support the weight of an adult without deforming.

He wanted to use a fully recycled plastic to 3D print the design. However, this was not yet possible with the available materials, which at the same time had to meet the necessary strength requirements, etc.

He had the chair upholstered. Even though an elaboration without any upholstery would be perfectly conceivable.

If a pattern would be cut by machine, some details from the upholstery could be finished in a more refined way.
研究: The design arises as a reflection of emotions that you cannot capture with a simple word, but rather express through a movement, a certain flow. The spiritual, indescribable and mysterious is what resulted in the design.
靈感: Grace was a way to translate feelings and emotions a single word can not describe.

Inspired by nature with its complexity hidden behind elegant and flawless forms.

This in combination with the conviction that form doesn't and shouldn't always follow function, but rather should be able to follow emotion. They merge together. It's something you strongly see in dance. Ballet and tango for example. Translating emotions and feelings by transcending oneself in a form or movement.
項目時長: End of December 2020: First sketch.
January 2021: First digital plans.
June 17, 2021: 3D printed structure was delivered.
March 11, 2022: Collection of the fully upholstered and finished chair in Antwerp.
操作流程: As you walk around it, from every angle you discover something new that changes the interpretation of what you see. Some may recognise a bird, a plant, a child may think of a ghost. This gives the design a certain personality and soul.

It has an elegance and form that somehow is timeless. It could go with different finishes and materials and fit in different settings. From high-end use in the lobby of a hotel to furniture in a private home.
Even when not in use, the design leaves behind a kind of sculpture that enhances the space it resides in.
團隊成員: Daniel Devadder
圖片來源: Ypsilon Business Photography, 2022