Xu Wei 美術館室內設計 by U a D is a highly esteemed winner of the very prestigious 2023 A' Design Award 銀獎 in 室內空間及展覽設計 Competition Category.

銀室內· 2023

Xu Wei 美術館室內設計

by U a D

Client: Uad

A' Design Award 銀獎 Winner in 室內 Category

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Colors

The Design

About Xu Wei 美術館室內設計

徐渭係一個位於中國浙江省紹興市嘅美術館室內設計項目,面積達8,000平方米。設計將建築、室內同展示空間統一於一個方案之中。通透嘅地面層將兩側嘅展覽廳同南北廣場連繫起嚟。內部庭院劃分咗各個展覽區域,並增強咗空間嘅通透感。所有元素都簡化成白色幾何形態,令光影同景觀視野成為焦點。飾面板喺現場經過打磨同塗層處理,以獲得類似傳統宣紙嘅潔白表面。

The Recognition

About the A' Design Award 銀獎

Xu Wei 美術館室內設計是 A' Design Award 銀獎得主，這是授予頂級、華美而令人印象深刻的設計的極為崇高的認可。銀獎得主是極其卓越、極具創造力的作品，展現出其設計師傑出的專業技能、才華與敏銳。預計Xu Wei 美術館室內設計將成為一件出色的典範之作，兼具非凡的專業性與深刻的創新性。這件贏得 A' Design Award 銀獎的設計是一項備受矚目、令人欽佩的發明，造福並拓展藝術、科學、設計和技術的界限。Xu Wei 美術館室內設計是一件令人羨慕的創作，它喚起渴望，帶來積極的情感，並激發驚嘆與讚嘆。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: As for the distribution and functions of the areas, the overall design is as free and refreshing as Xu Wei's art works, in quest of a flowing atmosphere rather than meaningless and strange forms. The transparent ground floor connects exhibition halls on both sides and the north and south squares. Thanks to the changing light and shadows, as well as the huge transparent glass, the whole space is connected in harmony. Here, a splendid picture is unfolding, bringing our memory back to the past.
Dimensions & Packaging: Project area: 8,000 square meters
Type: Art Museum
Tags: UAD, Xu Wei, Art Museum, herringbone slope, Qingteng Bookstore
Production Technology: Taking inspiration from Xu Wei's paintings, the designers set up an internal courtyard on both sides, respectively, reasonably dividing exhibition halls, enhancing interior transparency and adhering to the design idea of "merging courtyards with the interior". For example, landscaped structures are introduced into the interior framework system, providing visitors with more opportunities to explore the beauty of nature.
Design Challenge: Many attempts were made to select main materials for the veneers. At the beginning, the materials chose by the designers appeared gray and dark, far from the desired effect. Later, in response, the veneers were re-polished on the site and re-clad with coatings, with the purpose of producing a visual effect as pure, clean and white as Chinese traditional rice papers.
Research: As for the whole space, the design team implements the holistic design philosophy of integrating architecture, the interior, and display space. Along the stairs, the rough plain-white textures on the surface extend to the second floor. The long, narrow hallway and the double-pitched roof are combined to create a framed view which encompasses both tourists and landscapes, and create a setting with various uses, including resting, gathering, viewing and taking pictures.
Inspiration: In order to achieve the aesthetic aim of "though made by man, it seems to be created by nature," the project takes cues from the essence of Oriental aesthetics of "unity of man and nature." The designers convert all elements into simple, white geometric ones, so as to highlight various scenes. The design not only responds to Xu Wei's artistic idea of "adopting basic colors," but incorporates into the local historical context and renders an ethereal art world with "blank" as a carrier.
Project Duration: Design Cycle: April 2020-April 2021
Completion time: October 2021
Locayion: No. 33, Houguan Lane, Yuecheng District, Shaoxing City, Zhejiang Province
Operation Flow: The museum and the surrounding landscapes are intertwined, creating a number of gray spaces that embody the Oriental aesthetic functions of "hiding, resting, self-cultivating and wandering" that are specific to Chinese traditional architecture. The designers create a complete and coherent spatial experience related with the architecture and landscapes for tourists, with the aid of the spatial construction technique known as "viewpoint transformation."
Team Members: Chu Ran
Liu Wanlin
Wang Junzheng
Mei Wenbin
Image Credits: Zhao Qiang