由設計師 Yiru Wang 創作嘅 Elysium Echoes 可移動當代藝術裝置係備受推崇嘅 2025 A' Design Award 銅獎得獎作品，獲獎類別為美術設計。

銅美術· 2025

Elysium Echoes 可移動當代藝術裝置

由 Yiru Wang

客戶: SaturnVII Studio

美術類別嘅 A' Design Award 銅獎得獎者

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設計

關於 Elysium Echoes 可移動當代藝術裝置

《極樂迴響》係一件旋轉藝術裝置作品，探討環境變遷同人類存續之間嘅關係。作品以樹脂、金屬同壓克力製成，配以三維打印部件同旋轉馬達，尺寸為45x45x50厘米。作品分為三個部分，分別代表人類、過渡同後人類形態。持續嘅旋轉令呢啲階段不斷被打散同重組，暗示進化嘅轉變過程。呢件裝置作品邀請觀者反思科技、生態同人類嘅未來。

榮譽認可

關於A' Design Award 銅獎

Elysium Echoes 可移動當代藝術裝置是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Elysium Echoes 可移動當代藝術裝置將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Elysium Echoes 可移動當代藝術裝置出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

設計背後

新聞資料包

由設計師提供嘅製作人員名單、團隊成員同技術詳情。

獨特屬性: Elysium Echoes explores the complex relationship between environmental change and human survival in a post-humanist era. It examines how humanity's evolving bond with the environment is influenced by the balance between technological progress and ecological sustainability.
尺寸同包裝: 45*45*50cm
標籤: 3D Printing, Art Installation, Interdisciplinary Art, FutureEcology, ContemporaryTechArt
生產技術: Rotating Motor, 3D Printing, Resin, Metal, Acrylic
設計挑戰: Elysium Echoes deconstructs the complex bond between humans and nature, prompting reflection on technological progress and its impact on life and evolution. As humanity's influence grows, a crucial question arises: should we reshape nature in the name of technology? Though the "post-human era" remains uncertain, it echoes a warning—our pursuit to replace the Creator may not unfold as envisioned.
研究: This research uses a speculative, practice-led approach to explore how technological progress reshapes humanity’s relationship with nature in the Anthropocene. Grounded in post-humanist theory, it critiques ethical ambiguities of ecological intervention and envisions alternative evolutionary paths. Through immersive installation art, kinetic prototyping, and participatory observation, a rotating structure (human/transitional/post-human) simulates evolutionary disruption. Data from 87 interviews, audience analytics, and impact simulations reveal a tension between techno-optimism and ecological humility, with 73% reconsidering humanity’s stewardship. The work advocates for ethical, interdisciplinary governance and positions design as a mediator between science and societal values.
靈感: In the post-human era, I explore how shifting environments and productivity levels shape human gene selection. Technological progress aids adaptation, yet sudden ecological upheaval risks collapsing our systems, regressing productivity and forcing genetic adaptation to dominate survival. Here, mutation emerges as life’s most reliable tool.
項目時長: London Design Week 14–21 September 2024
Dutch Design Week 19–27 October 2024
操作流程: This dynamic installation explores biodiversity and evolution in the transition from humans to post-humans. Comprising three parts—human, transitional forms, and post-human—it rotates continuously, disrupting and recombining stages to simulate evolutionary shifts and new species. The work challenges biological boundaries and provokes thought on evolution, technology, and humanity’s future.
團隊成員: YIRU WANG