Mobius Pendant Lamp 吊燈 by Nhi Ton is a highly esteemed winner of the very prestigious 2020 A' Design Award 銅獎 in 照明產品及燈具設計 Competition Category.

銅照明· 2020

Mobius Pendant Lamp 吊燈

by Nhi Ton

Client: Nhi Ton

A' Design Award 銅獎 Winner in 照明 Category

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The Design

About Mobius Pendant Lamp 吊燈

這種可重配置的燈是Nhi Ton對山區和山谷摺紙褶皺進行研究和應用的設計結果，這些褶皺表明了運動，結構和靈活性。通過該結構，它允許用戶進行交互並轉換形狀以適合其環境和需求。燈罩還採用了莫比烏斯帶的特定形式，其中通過空間扭曲的簡單權宜方式，使上表面和下表面連續，作為我們人類體驗的有意識和無意識維度的藝術表現。

The Recognition

About the A' Design Award 銅獎

Mobius Pendant Lamp 吊燈是 A' Design Award 銅獎得主，這是授予以創造力、獨創性和敏銳見長的傑出設計的極具聲望的認可。銅獎得主是技藝嫻熟、創意驚人的作品，印證了其設計師豐富的經驗、想像力與機智。預計Mobius Pendant Lamp 吊燈將成為一件備受推崇、令人欽佩且被珍愛的物品，兼具顯著的專業性與創新性。這件贏得 A' Design Award 銅獎的設計融入藝術、科學、設計和技術領域的最佳實踐，並因注重細節而出類拔萃。Mobius Pendant Lamp 吊燈出色地滿足需求，觸動渴望，迷住情感，並吸引好奇心。

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This reconfigurable lamp is an applied design result of my research and study on the mountain and valley origami folds which suggest motion, structure, and flexibility. Structure as form, form as structure. The lampshade furthermore takes on the specific form of the Mobius Strip in which top and bottom surfaces are made continuous through the simple expedient of a twist in space as the artistic representation of the conscious and unconscious dimensions of our human experience. Thanks to the structure that the folds created, the lamp can transform the shape to engage user interaction.
Dimensions & Packaging: 610 mm x 305 mm x 1270 mm
Tags: lighting, reconfiguredesign, moebiuspendant, origamilamp, Origamidesign, motionlamp , motiondesign
Production Technology: The lampshade was made out of a folded single flat sheet of paper covered in linen fabric. The mechanism of the lamp was designed with a combination of simple existing hardware and CNC cut brass plates and discs for containing electrical parts. All parts designed for disassembly, a simple manufacturing process.
Design Challenge: Since this is a research about the methodology of origami folds, It was difficult to navigate and plan out specific steps for study at the beginning. However, after getting started, I was driven into this deeply and started to generate testing and testing. It was a very exciting moment and very emotional. Also, designing with several values that I had such as lean manufacturer is also a challenge. However, working with the manufacturer to figure out cost and process helped me to clarify and execute my work.
Research: My project pushes origami capacities beyond the traditional decorative arts. If we use origami principles at a different scale, we can generate geometric forms that are structural, flexible, and dynamic from one flat sheet of material. In this project, I combined the unique qualities of origami, specifically mountain and valley folds, with the concept of lean manufacturing to create a series of meaningful products.
Starting with generating shapes and exploring patterns for creating the structures for strength test, I came up with three seating objects out of 6 pieces of scored and folded papers that could hold 230 lbs. This exploration helped me to learn about the personality of the folds and materials, the ratio between thickness and length of the fold and how it affected the strength of shape. The area that folds converged was the strongest and how I could make use of the density later on in the design ideation phase.
After the exploration, I started finding ways to apply my origami understanding to design new products focusing on using origami properties at a larger scale, in the creation of a product that utilizes minimal material and a single, refined manufacturing process.
I collaborated with Weber, packaging, and display design company, to gain insights about the manufacturing process including materials, cost, production time, energy efficiency, zero to minimal waste.
Inspiration: As in the Taoist principle of dynamic reconciliation of opposites we know as yin yang, my pleated work of paper and fabric elegantly folds together solid and void, surface and depth, light and dark, strong and fragile, perhaps male and female and Eastern and Western, to create beautiful yet practical pieces of furniture. This project emphasizes the value of such basic mountain and valley origami folds and applies its fundamental to design products.
Project Duration: The project started from August 2018 to April 2019 at the University of the Arts, and was exhibited in AIA Architecture and Design Center in May 2019.
Operation Flow: Used as a pendant light or decorative statement piece. Users can easily adjust the shape of the lampshade to fit their environment and interest by rotating two triangle plates.
Team Members: Nhi Ton
Image Credits: Nhi Ton
Matt Kullman