Bronze Textile, Fabric, Textures, Patterns and Cloth Design · 2020
Flower Power Fabric Pattern Design
- A' Design Award 2020 Bronze Winner in Textile, Fabric, Textures, Patterns and Cloth Design
- Awarded April 15, 2020
- CLIENT: Zeinab Ichme
- Estimated Number of Design Views: 26,257
- Verification code C3314BA6C9 · Verify this award
About Flower Power Fabric Pattern Design
The explorations of shapes and colors where the contrast and harmony play an eye-catching rule by itself. The mix of organic natural forms accompanied by bright and sharp colors which gave the refreshment and pleasant look to the piece. The delicate line art which is juxtaposed on colored surfaces that creates the floral compositions, which flows with total freedom between each other and where each part has its space to breathe, grow and going forward.
Press Kit
- Unique Properties
- A seamless pattern design which is created as the first step by hand sketching different type of flowers, building up the composition of the first sketch and colorizing it with color pencils and markers. Then They are scanned and taken into the computer as a digital file where the color modification, adding background and the final composition and repeating has to take a place. The darkest part contrast represents the negative subjects in the world but the whole design composition has more bright and vivid colors which represent the positivity that will conquer finally and will grow even more with newborn flowers. The floral theme by itself also is one of the trends of SS 2020, as the fabric pattern piece is designed for fashion services, it suits well with the fashion trends. Also, the colors are inspired and adjusted respecting fashion trend colors SS2020.
- Dimensions & Packaging
- 148mm × 210mm
- Tags
- Textile, Design, Pattern, Fashion, floral, peace
- Production Technology
- Hand sketching, Color pencil, markers, Adobe Photoshop, Digital printing sample, Poplin Organic Cotton
- Design Challenge
- A challenge was about expressing myself through my piece and because of that, I spent time in my own head to figure out how do I link my emotions and feelings with the final result.
- Project Duration
- The project started in December 2019 in Naples and finished in January 2020 in Naples.
- Operation Flow
- The Pattern design by itself is dedicated to fashion sectors. The sample print presented, is printed on Poplin Organic Cotton which is a lightweight fabric and suitable for SS 2020 use. Since the fabric material by itself is a natural fiber, it is biodegradable, and it doesn’t fill up waterways or contribute to other forms of pollution.
- Research
- The first part of research began through searching among the floral tendency of 1960-1970 trough the history lectures to understand and going even more deeply into those years conditions and then comparing the situation with today’s world. The second part comes from the SS 2020 Fashion theme and color trend which I found a common theme that was the symbol of my inspiration. Finally, I completed it by creating an inspirational mood board where I tried to mix some related sketches with my inspiration images beside my color palette to have a clear vision for the final result.
- Inspiration
- The inspiration comes from an emblematic photograph by Bernie Boston taken during an anti-war demonstration in 1967, showing a young man placing flowers in the barrels of riot policeman’s rifles. 1967 was also the year of the Summer of Love, flowers were omnipresent symbols of love and peace, worn in the hair and painted on faces and bodies. Nowadays there is a lot of negativity in the world where they got different subjects. So I took my inspiration from the flowers as a symbol to express that idea that even with all the today’s negative emotions, there are more beauties, those come from nature and I think with bringing them in everyday life, it gives us more positive energy and encourages us to be peaceful, love each other as well as respect each other.
- Image Credits
- Main Image: Adobe Photoshop
Optional Image #1: Adobe Photoshop
Optional Image 2 Photographer: Zeinab Iranzadeh Ichme
Optional Image 3: Adobe Photoshop
Optional Image 4: Adobe Photoshop
Creator: Zeinab Iranzadeh Ichme, Name of work: Flower Power,
Year of Image: 2020 - Patents
- Copyrights belong to Zeinab Ichme, 2020
Colors of Flower Power Fabric Pattern Design
Design Interview about Flower Power Fabric Pattern Design
The inspiration comes from an emblematic photograph by Bernie Boston taken during an anti-war demonstration in 1967, showing a young man placing flowers in the barrels of riot policeman’s rifles. 1967 was also the year of the Summer of Love, flowers were omnipresent symbols of love and peace, worn in the hair and painted on faces and bodies. I took my inspiration from the flowers as a symbol to express the idea that even with all today’s negative emotions, there are more beauties to see.
Nowadays there is a lot of negativity in the world where they got different subjects. The flowers, as a natural element, gives us more positive energy, and encourages us to be peaceful, love each other as well as respect each other. That's why I decided to incorporate them even more in everyday life.
Making samples and pieces for the home sector as well as the fashion.
Around a month, cause this design its one of the pieces of a bigger fabric collection with the same concept.
It was just an inspiration that came to my mind and I felt good about it, at that moment there's no hesitation to bring it into life.
I only have done the sample printing for myself and I need to think more about it, but I will be open to any kind of offer.
It could be the main idea and concept, accompanied by other designs aspects such a composition, colors…etc and the way those aspects are interacting between themselves.
Absolutely unaffected.
The home sector as well as fashion.
It's the message and the feeling transmitted by design itself.
The name also comes from the source of inspiration and it was a slogan used during the 1960s.
Sketchbook, pencil, color pencil, markers, Adobe Photoshop
The way that design represents itself through the main idea. The contrast of the darkest part represents the negative subjects in the world but the whole design composition has more bright and vivid colors, which represent the positivity that will conquer finally and will grow even more with newborn flowers.
I did it without any collaboration.
As I used adobe Photoshop, it gave me the ability to modify colors, layers, repeating style, and the composition easier and quicker. If not, doing all those processes by hand could be very time-consuming.
The first part of research began through searching among the floral tendency of 1960-1970 trough the history lectures to understand and going even more deeply into those years conditions and then comparing the situation with today’s world. The second part comes from the SS 2020 Fashion theme and color trend which I found a common theme that was the symbol of my inspiration.
The challenge came in the early stages when I wanted to decide about how to express my emotions and transmit my idea through the piece.
Honestly, they reach me through my personal website and their Email encouraged me to submit for the competition.
Through the challenges that I had for expressing myself and my emotions, I needed to analyze many things and break down even the smallest part of the design to get clarity of what I wanted to show and the best way to achieve that.
Grand Interview about Flower Power Fabric Pattern Design
Thank you for such a thoughtful observation! I wanted to capture the energy and symbolism of the original photograph while translating it into something that speaks to today's fashion and cultural aesthetics. I started by focusing on motifs like flowers and peace symbols, reinterpreting them in a way that felt fresh and relevant. From there, I worked with color and form to blend historical references with modern design sensibilities, creating a pattern that reflects both past values and present style trends. This process allowed me to explore how art and fashion can continue to carry powerful messages, even as the context around them evolves.
I started by researching colors associated with protest art and the 1960s era, particularly those tied to peace and resilience. Darker tones were chosen to represent the weight of global challenges, serving as a grounding layer, while the bright hues—like vivid oranges, greens, and yellows—symbolize hope, growth, and the energy of change. The balance comes from layering these colors thoughtfully, so that while the darker shades anchor the design, the brighter tones rise through, reflecting a message of optimism and resilience. This approach helped me create a visual dialogue between the struggles of the past and a hopeful outlook for the future.
For this piece, I wanted to capture the warmth and authenticity of hand-drawn lines, which I felt would best convey the organic nature of the 'flower power' theme and the spirit of 1960s art. I started by sketching the core floral and symbolic elements by hand, allowing for slight imperfections and textures that give a more human, tactile feel. Once I had these foundational sketches, I moved to digital tools to refine, layer, and adjust the design’s structure and colors. The digital aspect allowed me to experiment with scale, repetition, and vibrant color contrasts that wouldn’t have been as flexible by hand alone. This combination of techniques felt like the ideal way to blend historical resonance with a polished, modern finish.
Choosing organic cotton poplin for Flower Power Fabric Pattern Design was essential to my goal of aligning the project with environmental responsibility. Organic cotton requires fewer resources and no harmful chemicals, reducing its environmental impact, which felt in harmony with the pattern’s message of peace and renewal. Beyond material selection, these considerations influenced the design itself, with motifs and colors chosen to reflect nature's resilience and vibrancy. The result is a piece where both the material and design speak to a mindful, sustainable approach that honors the values of the original 'flower power' movement while resonating with today's focus on environmental stewardship.
Thank you for noticing that detail! In Flower Power Fabric Pattern Design, I wanted each floral element to have its own ‘breathing space’ to evoke a sense of openness and individuality, similar to the diverse, free-spirited energy of the flower power movement. This approach was inspired by vintage posters from the 1960s that often used open compositions to create a relaxed, harmonious feeling. By using delicate line art alongside colored surfaces, I aimed to establish a visual rhythm that allows each element to stand out while remaining part of the larger pattern. This balance reflects the idea that individual voices can come together to form a cohesive, powerful message—a concept central to both the historical roots and modern interpretation of flower power.
Spending time in my own head was a key part of creating a piece that felt authentic and resonant. I wanted to capture the underlying emotions of hope, resilience, and unity that the flower power movement represents. This introspection helped me identify specific emotions and memories tied to nature, peace, and social change, which I then translated into visual elements like open floral shapes and vibrant colors. It also influenced the flow and spacing within the pattern, as I aimed to create a design that feels calm yet impactful. This process of connecting with my emotions allowed me to shape a pattern that isn't just decorative but carries a personal, meaningful narrative.
Balancing commercial viability with the artistic message in Flower Power Fabric Pattern Design was both challenging and rewarding. I wanted the design to feel fresh and relevant for SS 2020, so I looked at trends like bold colors, retro motifs, and sustainable fabrics, ensuring it could resonate in a contemporary fashion context. At the same time, I kept the design rooted in its message of peace and resilience by preserving the symbolic elements and careful use of space. The balance came from weaving these motifs into a modern aesthetic that could appeal to today’s audience while staying true to the spirit of the 'flower power' movement. This approach allowed me to create a design that feels meaningful yet wearable, bringing a sense of purpose to fashion.
I studied the bold, free-form shapes and earthy, vibrant color palettes typical of that era, capturing their sense of spontaneity and optimism. To make the pattern relevant for today, I paired these retro-inspired forms with a more refined, minimalist composition, giving each floral element space and balance that reflects contemporary design sensibilities. This dual perspective allowed me to create a pattern that honors the flower power movement’s original energy while adapting it to a fresh, versatile look that speaks to today’s aesthetics and values.
Creating a seamless repeat for Flower Power Fabric Pattern Design was definitely a rewarding challenge. One of the biggest obstacles was ensuring that the hand-drawn elements retained their organic quality without creating visual interruptions in the pattern. I spent a lot of time adjusting the placement and scaling of each element to keep the flow harmonious, making sure that no lines or shapes felt too dominant or lost in the repeat. Additionally, translating the texture and subtle imperfections of the hand-drawn lines into a digital format required careful adjustments to avoid any ‘jumps’ or inconsistencies in the final layout. Balancing the natural, free-flowing look with technical precision was key to achieving a seamless repeat that feels fluid and cohesive.
Thank you! Winning the Bronze A' Design Award for Flower Power Fabric Pattern Design is incredibly inspiring and affirming for me. This recognition reinforces my commitment to creating designs that carry both aesthetic and meaningful messages, and it encourages me to continue exploring themes like sustainability, social awareness, and historical inspiration in my work. Moving forward, I envision pushing boundaries even further by experimenting with new materials, techniques, and color palettes, while still grounding my designs in purpose and storytelling. This award has given me a boost of confidence to take creative risks and pursue projects that align with my vision of thoughtful, impactful textile design,