Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol by Chou Lien - YI.ng Lighting Design is a highly esteemed winner of the very prestigious 2021 Gwobr Haearn A' Design Award in Treftadaeth Ddiwylliannol Competition Category.
HaearnTreftadaeth Ddiwylliannol· 2021
Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol
by Chou Lien - YI.ng Lighting Design
Client: Taiwan Power Company
Gwobr Haearn A' Design Award Winner in Treftadaeth Ddiwylliannol Category
Verified Award Winner
Verify Award Status for #118969The Design
About Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol
Mae Goleuo 13 Haen o Weddillion yn brosiect goleuo celf gyhoeddus ar gyfer hen burady copr yng ngogledd Taiwan. Caeodd y safle mwyngloddio ym 1973, a chadwyd ei strwythur sylfaenol. Dewiswyd tymheredd lliw o 2100K i gyd-fynd â chramen allanol y strwythur. Mae'r golau ambr y tu mewn yn atgoffa rhywun o'r tân a ddefnyddiwyd yn ystod y broses buro. Mae'r llewyrch yn cynyddu gyda phob lefel, o 1 nit ar y gwaelod i 6 nit ar yr haenau uchaf, fel bod modd darllen yr haenau'n glir. Goleuir llystyfiant cyfagos ar 3000K. Yn gyfanswm, gosodwyd 365 o oleuadau mewn 15 gwahanol ongl a wattedd.
The Recognition
About the Gwobr Haearn A' Design Award
Mae Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol yn enillydd Gwobr Haearn A' Design Award, cydnabyddiaeth fawreddog a roddir i ddyluniadau da sydd yn bodloni'r gofynion proffesiynol a diwydiannol a ddisgwylir gan greadigaethau wedi'u dylunio'n dda. Mae enillwyr Haearn yn dangos medrusrwydd mawr, arbenigedd uchel, dealltwriaeth arbenigol a gallu creadigol eu crewyr. Disgwylir i Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol fod yn greadigaeth uchel ei bri, a edmygir ac a anwylir, sydd yn ymarferol ac yn arloesol. Mae'r dyluniad buddugol hwn o Wobr Haearn A' Design Award yn integreiddio arferion gorau'r diwydiant ac mae ganddo nodweddion technegol cymwys wedi'u cysylltu â gwybodaeth ymarferol a dawn. Parchir Light Up 13 Layer Remains Cynllunio Goleuadau Pensaernïol am ei drylwyredd ac fe'i dyluniwyd i ddarparu gwelliannau ansawdd bywyd sydd yn helpu i wneud y byd yn lle gwell.
Behind the Design
Press Kit
Credits, team members and technical details provided by the designer.
- Unique Properties
- Taiwan Power Company integrated its arts and cultural assets in the "Shua Jin Jiu" area. Through art, they tried to subvert the "Shau Nan Dong Refinery" , which is classified as a pollution control site. At the same time, combining many good causes with people who care about this land and have aspirations. Also, the company has appointed international lighting masters Lien Chou along with YI.ng Lighting Design Consultants working together to launch the "13 Layer Remains" lighting project.
- Dimensions & Packaging
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits, presenting and highlighting the quality of "layer" . Low color temperature was employed to highlight the architectural landscape while outlining the silhouette of the refinery. We used 3000K burnishing to bring out the strength of the vegetation there. The entire project use of 15 different angles and wattage, with 365 sets of luminaire in total, in accordance with the topological features.
- Tags
- Refinery, Lighting Design, Shau Nan Dong, 13-Layer Remains, Taiwan, Taipei, Chou Lien
- Production Technology
- From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure. Amber light was also adopted as internal lighting for the structure to represent a setting of using fire during the refining process.
- Design Challenge
- At night, the light not only perpetuates the human spirit of the site but also awakens people's understanding of the golden age of Shau Nan Dong area; the light revitalizes the cultural artistry of the area, such as the combination of performing arts and cultural landscapes, the prototype of the 2020 Bright Sea Island Festival...etc.
- Research
- The reuse of historical architectural space is not only a direct way to involve commercial activities, but also a large-scale public art project to revitalize cultural assets and polluted land, which not only attracts people to see the magnificent nighttime beauty of the "13 Layer Remains", but also becomes a venue to nurture arts and cultural activities.
- Inspiration
- The mining site is no longer in use since 1973 due to the exhaustion of copper and gold. The basic structure is retained and it preserves the traces of mining for a hundred years. It had been sealed for over 30 years before the rejuvenation. From the outset, we has wished to rejuvenate the site as our Mother Earth and would be all-encompassing and incorporated with its neighboring villages. In view of this, 2100K color temperature was chosen to go with the outer crust of the structure.
- Project Duration
- "Light up 13 Layer Remains" Public Art Lighting Project was officially lit on the night of the Moon Festival on September 13, 2019, and 90 seconds of dynamic lighting was planned in response to the lighting ceremony. However, the lighting design team does not want the light movement changes to be meaningless. Even with dynamic lighting, they still want it to be in line with the original design concept, expressing the inclusive power of nature.
- Operation Flow
- The luminance was devised in such a way that it went up in accord with the rise of each level. Thus the foundation of the structure was lit up with 1 Nit luminance and the higher levels with 6 Nits , presenting and highlighting the quality of "layer".
- Patents
- Taiwan Power Company Public Art
- Team Members
- Client: Taiwan Power Company
Lighting Design: Chou Lien, Wen Ying Chu, Ping Yi Liu, Joyce Ho
Manufacturers: Luxmen Technical Lighting
Products: Grand Canyon LED Lighting Systems
Photographer: Yu Chen Cha - Image Credits
- Photographer: Yu Chen Cha
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