Maldivian Fishermen Prif Swyddogaeth: Fideo by Aishath Naajila

Maldivian Fishermen Prif Swyddogaeth: Fideo by Aishath Naajila is a highly esteemed winner of the very prestigious 2026 Gwobr Arian A' Design Award in Ffilm Competition Category.

ArianFfilm· 2026

Maldivian Fishermen Prif Swyddogaeth: Fideo

by Aishath Naajila

Client: Two Thousand Isles

Gwobr Arian A' Design Award Winner in Ffilm Category

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Colors

The Design

About Maldivian Fishermen Prif Swyddogaeth: Fideo

Testun y Llyfr: Mae'r ffilm Pysgotwyr y Maldives yn cyflwyno'r dull traddodiadol o bysgota tiwna ag un polyn a llinell yn y Maldives, dull cynaliadwy a ddisgrifir yn aml fel calon guro'r genedl ynysol. Ers cenedlaethau, mae tiwna wedi bod yn fwyd sylfaenol sy'n cynnal bywyd bob dydd ar draws yr ynysoedd. Gan fabwysiadu dull adrodd straeon gyda delweddau sinematig a chynllun sain trochol, mae'r prosiect yn dal pysgotwyr medrus wrth iddynt weithio mewn rhythm cydgysylltiedig ar fwrdd Dhoni traddodiadol, gan ddod â'r profiad i lwyfan byd-eang.

The Recognition

About the Gwobr Arian A' Design Award

Mae Maldivian Fishermen Prif Swyddogaeth: Fideo yn enillydd Gwobr Arian A' Design Award, cydnabyddiaeth hynod fawreddog a roddir i ddyluniadau o'r radd uchaf, hardd a thrawiadol. Mae enillwyr Arian yn weithiau tra disglair a hynod greadigol sydd yn darlunio arbenigedd, dawn a chraffter rhagorol eu dylunwyr. Disgwylir i Maldivian Fishermen Prif Swyddogaeth: Fideo fod yn waith gwych ac esiampl, yn nodedig o broffesiynol ac yn ddwfn arloesol. Mae'r dyluniad buddugol hwn o Wobr Arian A' Design Award yn ddyfais hynod nodedig a edmygir sydd yn elwa ac yn symud ymlaen ffiniau celf, gwyddoniaeth, dylunio a thechnoleg. Mae Maldivian Fishermen Prif Swyddogaeth: Fideo yn greadigaeth y cenfigennir wrthi yn eang, sydd yn deffro dyheadau, yn cyflwyno teimladau cadarnhaol ac yn cynnau rhyfeddod a syndod.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: This is an independently produced documentary visual project capturing the traditional pole-and-line fishing practice in the Maldives. Created during COVID-19 while in isolation at sea, it combines cinematography, sound design, and immersive storytelling. Its strength lies in its authenticity, produced within real conditions of isolation, offering an intimate, unfiltered portrayal of Maldivian fishermen. The work stands out for its experiential approach, blending heritage, resilience, and cinematic realism.
Dimensions & Packaging: Shot aboard a 100-foot pole-and-line fishing dhoni, the project documents Maldivian fishermen working at sea with precise, coordinated movements resembling a disciplined system. Through aerial perspectives, it captures the ocean’s food chain in motion, sharks, skipjack tuna, and fishermen, framing these moments to reflect the deep connection between this traditional practice and the Maldives’ identity and way of life.
Tags: sustainable, fishing, pole and line, Maldives, tuna, ocean, documentry
Production Technology: Filmed on a Sony A7 III with 35mm, 85mm, and 70–200mm lenses, with aerials via DJI Phantom 4 and underwater footage on a GoPro during freediving, the project was produced independently,covering planning, real-time filming, editing, sound design, and colour grading. An unobtrusive approach allowed fishermen to work naturally, ensuring an authentic, unstaged portrayal without direction.
Design Challenge: The project faced logistical constraints, including limited equipment, a single drone battery requiring precise planning, and long waits for unpredictable moments at sea. The first four days saw no catch due to bait shortages, and underwater footage relied solely on a GoPro. Adapting strategically, key moments were captured to form an authentic narrative of the fishermen’s practice and the ocean’s food chain.
Research: Documentary visual research on sustainable pole-and-line fishing in the Maldives. Field-based observation and immersive filming were conducted over 8 days in March 2020 aboard a local fishing vessel during the COVID-19 period. Data was collected through photography, film, aerial, and underwater footage. Participants included local fishermen. The results highlight ecological balance, resilience, and coordination. The impact emphasizes cultural preservation and awareness of sustainable fishing practices.
Inspiration: Inspired by a lifelong curiosity about fishing in the Maldives, the project evolved through Two Thousand Isles, where travel deepened an interest in storytelling and lived experience. While learning freediving, the filmmaker joined an eight-day trip on a local boat, living at sea, waking before dawn and at midnight, eating the catch, and observing the ocean’s food chain in motion.
Project Duration: Filmed over eight days aboard a fishing vessel in March 2020, during the early stages of COVID-19, the project was later completed with full post-production, editing, sound design, and colour grading, independently carried out later that year.
Operation Flow: Operated on a traditional pole-and-line dhoni, the method relies on coordinated teamwork and timing rather than machinery. Fishermen attract skipjack tuna with live bait, triggering a feeding response where fish are hooked individually. Key moments, bait release, surface frenzy, precise catching, transform ocean activity into a sustainable harvest, reducing bycatch and ensuring quality, rooted in skill, patience, and harmony with marine life.
Patents: All the copyrights belong to Aishath Naajila, 2023.
Image Credits: Videography & Photography: Aishath Naajila