Wuhan Diary Visuaalne päevik by Yu Chen is a highly esteemed winner of the very prestigious 2021 Hõbeauhind A' Design Award in Graafika, illustratsiooni ja visuaalse kommunikatsiooni disain Competition Category.

HõbeGraafika· 2021

Wuhan Diary Visuaalne päevik

by Yu Chen

Client: Hubei University of Technology

Hõbeauhind A' Design Award Winner in Graafika Category

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Colors

The Design

About Wuhan Diary Visuaalne päevik

Wuhani päevik on visuaalne päevik igapäevaelust Wuhanis pandeemia ajal. Projekt kasutab programmeerimist, et luua kogutud avaliku arvamuse ja kinnitatud haigusjuhtumite andmetest maastikupõhiseid visuaalseid keeli. Värv ning veerevate mäekujude tihedus väljendavad sotsiaalset keskkonda ja iga perioodi muutuvat meeleolu. Kolmemõõtmeline maakuju loodi parameetriliste andmete põhjal Unitys. Wuhani päevik on esitletud plakatina mõõtmetega 420 korda 594 millimeetrit koos liikuva graafika, liitreaalsuse ja interaktiivse projektsiooniga.

The Recognition

About the Hõbeauhind A' Design Award

Wuhan Diary Visuaalne päevik on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. Wuhan Diary Visuaalne päevik peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Wuhan Diary Visuaalne päevik on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: The Chinese people's concept of nature and world outlook are all firmly based on our land. I used programming to present a series of case studies on terrain-based visual languages and collected public opinions during the pandemic period. I used the color and density of rolling mountains to present the social environment and my emotions while under the pandemic situation, which creates a visual diary.
Dimensions & Packaging: Poster:420mm×594mm
Tags: Visual Diary, Motion Graphic, Mood, Program, Motion
Production Technology: Poster, AR , Motion Graphic, Interaction Projection
Design Challenge: I hope to combine the land elements with social data during the epidemic through visual design to create dynamic graphics that allow people to feel and reflect on what they experienced during the epidemic. A basic three-dimensional earth shape was built referencing the ubiquitous earth elements in Xu Bing's works, the collected public opinions, and confirmed case data of the epidemic. The data was then parameterized and with the combination of colours, they were imported to UNITY to realize a visual earth shape.
Research: In January, the city of Wuhan captured the world's attention overnight as COVID-19 swept the globe. At this special moment, I am in Wuhan, experiencing the whole process of Wuhan’s fight against the epidemic. In this difficult time, I recorded all the things that happened around during this period and showed the changes in personal mood during each period through visual diaries so that more people could understand the thoughts of people in this special city of Wuhan under the epidemic.
Wuhan is my hometown, and the land I love so much that I can't help but think of how close the poems of ancients’ homeland and national emotions are to my current feelings. This involuntarily makes me aware of the homeland feelings in my genes.
Inspiration: Due to the pandemic, I was quarantined at home for nearly three months, during which I had plenty of time to think about the modern relationship between humans and nature.
Project Duration: The project started in January 2020 in Wuhan and finished in April 2020.
Patents: Yu Chen
Team Members: Yu Chen
Titouan Millet
Image Credits: Yu Chen