Disainilahendus Shany Abdallah Naji Graafiline kunstisari, mille autor on Shany Dvora, on kõrgelt hinnatud 2021 auhinna Hõbeauhind A' Design Award võitja konkursi kategoorias Graafika, illustratsiooni ja visuaalse kommunikatsiooni disain.
HõbeGraafika· 2021
Shany Abdallah Naji Graafiline kunstisari
disainer: Shany Dvora
Auhind Hõbeauhind A' Design Award kategoorias Graafika
Kinnitatud auhinna võitja
Kinnita auhinna staatus disainile #121320Disain
Teosest Shany Abdallah Naji Graafiline kunstisari
Shany Abdallah Naji on graafiliste tööde sari, mis taaselustab perekondliku nimepaneku traditsiooni. Traditsioon, mis lõppes, kui perekond kolis Iraagist Iisraeli, andis vastsündinule eesnime, millele järgnesid isa ja vanaisa nimed. Sari loodi pärast seda, kui leiti vanad perekonna immigratsioonidokumendid. Viis segatehnikas tööd, millest neli mõõtudega 50 korda 70 sentimeetrit ja üks mõõtudega 75 korda 70 sentimeetrit, põimivad kujutised heebrea kalligraafiasse, mis on inspireeritud 12. kuni 15. sajandi vahel Iraagis, Jeemenis ja Marokos valminud heebrea käsikirjadest.
Tunnustus
Auhinnast Hõbeauhind A' Design Award
Shany Abdallah Naji Graafiline kunstisari on Hõbeauhinna A' Design Award võitja, ülimalt prestiižikas tunnustus, mis antakse tipptasemel, suurepärastele ja muljetavaldavatele disainidele. Hõbevõitjad on ülimalt säravad ja erakordselt loovad tööd, mis illustreerivad oma disainerite silmapaistvat kogemust, annet ja teravmeelsust. Shany Abdallah Naji Graafiline kunstisari peaks olema imeline, eeskujulik töö, mis on märkimisväärselt professionaalne ja sügavalt uuenduslik. See Hõbeauhinna A' Design Award võidudisain on väga tähelepanuväärne, imetletud leiutis, mis toob kasu ning nihutab kunsti, teaduse, disaini ja tehnoloogia piire. Shany Abdallah Naji Graafiline kunstisari on laialdaselt kadestatud looming, mis äratab soove, tekitab positiivseid tundeid ning süütab hämmastust ja imestust.
Disaini taustal
Pressimaterjalid
Disaineri esitatud autorid, meeskonnaliikmed ja tehnilised andmed.
- Unikaalsed omadused
- Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry - Mõõtmed ja pakend
- 4 works 50*70 cm
1 work 75*70 cm - Sildid
- Calligraphy, Typography, Hebrew, Eastern
- Tootmistehnoloogia
- Mixed Media
- Disainiülesanne
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- Uurimistöö
- For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.
This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.
Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco - Inspiratsioon
- In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
- Projekti kestus
- 2018-2019, Israel
- Tööprotsess
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- Patendid
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- Meeskonnaliikmed
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- Piltide autorid
- Shany Dvora
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