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Shany Abdallah Naji Sraith Ealaíne Grafaí by Shany Dvora

Shany Abdallah Naji Sraith Ealaíne Grafaí by Shany Dvora is a highly esteemed winner of the very prestigious 2021 Duais Airgid A' Design Award in Dearadh Grafach Competition Category.


AirgeadGrafaic· 2021

Shany Abdallah Naji Sraith Ealaíne Grafaí

by Shany Dvora

Duais Airgid A' Design Award Winner in Grafaic Category

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Verified Award Winner

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Colors

The Design

About Shany Abdallah Naji Sraith Ealaíne Grafaí

Sraith saothar grafach is ea Shany Abdallah Naji a athbheochan traidisiún ainmnithe teaghlaigh. Chuir an traidisiún seo, a tháinig chun deiridh nuair a bhog an teaghlach ón Iaráic go hIosrael, céadainm ar leanbh nuabheirthe agus ainmneacha an athar agus an tseanathar ina dhiaidh. Cruthaíodh an tsraith tar éis do sheanpháipéir inimirce an teaghlaigh a bheith aimsithe. Fíonn cúig shaothar meáin mheasctha, ceithre cinn a thomhaiseann 50 ar 70 ceintiméadar agus ceann amháin a thomhaiseann 75 ar 70 ceintiméadar, íomháineachas isteach i gcaligrafaíocht Eabhrach atá spreagtha ag lámhscríbhinní Eabhraise ón Iaráic, ón Éimin agus ó Mharacó a rinneadh idir an 12ú agus an 15ú haois.

The Recognition

About the Duais Airgid A' Design Award

Bhuaigh an dearadh Shany Abdallah Naji Sraith Ealaíne Grafaí Duais Airgid A' Design Award, aitheantas an-ghradamach a bhronntar ar dhearaí ardchaighdeáin, álainn agus drámatach. Is saothair thar a bheith drithleacha agus an-chruthaitheach iad buaiteoirí Airgid a léiríonn saineolas, tallann agus géarchúis shármhaith a ndearthóirí. Táthar ag súil go mbeidh an dearadh Shany Abdallah Naji Sraith Ealaíne Grafaí ina shaothar iontach, ina léiriú sampla, thar a bheith gairmiúil agus go domhain nuálach. Is aireagán an-suntasach, ionadmhuirthe é an dearadh seo a bhuaigh Duais Airgid A' Design Award a dhéanann leas do theorainneacha na healaíne, na heolaíochta, an deartha agus na teicneolaíochta agus a chuireann chun cinn iad. Is cruthú é an dearadh Shany Abdallah Naji Sraith Ealaíne Grafaí a bhfuil formad mór leis, a mhúsclaíonn mianta, a thugann mothúcháin dhearfacha agus a adhnann iontas agus ionadh.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties
Shany Abdalla Naji is a series of Graphic works attempting to revive the name giving tradition in the designer’s family.
This tradition that broke upon arriving to Israel from Iraq, consists of naming a new born and adding the names of his father and grandfather. Dvora learned all this recently after finding her family's immigration papers. This discovery left her excited thinking names can encompass within them the changes of tradition and culture and it made her question how her own name fits in her family’s ancestry
Dimensions & Packaging
4 works 50*70 cm
1 work 75*70 cm
Tags
Calligraphy, Typography, Hebrew, Eastern
Production Technology
Mixed Media
Design Challenge
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Research
For ages, the Middle East has been a meeting point for eastern and western cultures. This region has seen empires rise and fall, ever changing borders and frequent migrations of people looking for a fresh start. But not only the people journeyed across the land, with them came their family history, their stories, ideas, ideals and traditions.

This is the story of Dvora’s grandmother - Juliette Abdallah Moshe.

Juliette immigrated to Israel from Iraq in 1951 with her husband and three young sons. Her birth given name, Juliette Abdallah Moshe, as were the names of her ancestors, consisted of her first name followed by the names of her father and grandfather. When she arrived in Israel her name was changed to “Juliette Dvora” as part of the process of integration. Thus, the tradition linking the children’s names to those of their ancestors was broken. Dvora learned all this only in recent years after finding her grandmother’s original immigration papers. This discovery left her very excited thinking that a name of a man can encompass within it the changes of tradition and culture as it consists of the names of the previous family generations. The excitement was followed by a few questions though. Why is Shany’s name so different from the traditional and deeply rooted names in her family’s ancestry? Where and how does her name fit in there?
In this project She seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Inspiration
In this project Dvora seeks to revive the name giving tradition that still lived on in the time of her grandmother’s birth. She does so through imagery woven into Hebrew calligraphy inspired by 12th-15th century Hebrew manuscripts from Iraq, Yemen and Morocco
Project Duration
2018-2019, Israel
Operation Flow
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Patents
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Team Members
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Image Credits
Shany Dvora

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