The Japanese Forest Tha Togail Dhealbhan by Masaru Eguchi

The Japanese Forest Tha Togail Dhealbhan by Masaru Eguchi is a highly esteemed winner of the very prestigious 2020 Duais Airgid A' Design Award in Dealbhadh Dealbhadaireachd agus Atharrachadh Dhealbhan Competition Category.

AirgeadDealbhadaireachd· 2020

The Japanese Forest Tha Togail Dhealbhan

by Masaru Eguchi

Client: Sunpono

Duais Airgid A' Design Award Winner in Dealbhadaireachd Category

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Colors

The Design

About The Japanese Forest Tha Togail Dhealbhan

Tha Coille Iapan air a toirt bho shealladh creideimh Iapanach. Is e aon de na seann chreideamhan Iapanach Beothalachd. Tha beothalachd na chreideas gu bheil rùn aig creutairean neo-dhaonna, beatha fhathast (mèinnirean, artifacts, msaa) agus rudan do-fhaicsinneach. Tha dealbhan coltach ri seo. Tha Masaru Eguchi a ’losgadh rudeigin a tha a’ dèanamh faireachdainn anns a ’chuspair. Bidh craobhan, feur agus mèinnirean a ’faireachdainn toil na beatha. Agus tha eadhon artifacts leithid damaichean a dh ’fhàg ann an nàdar airson ùine mhòr a’ faireachdainn an toil. Dìreach mar a chì thu an nàdur gun ghluasad, chì an àm ri teachd na seallaidhean a tha ann.

The Recognition

About the Duais Airgid A' Design Award

Tha The Japanese Forest Tha Togail Dhealbhan air Duais Airgid A' Design Award a bhuannachadh, aithneachadh gu math urramach a bheirear do dhealbhaidhean den chiad ìre, àlainn agus drùidhteach. Tha buannaichean Airgid nan obraichean anabarrach boillsgeach agus gu math cruthachail a nochdas sàr-eòlas, tàlant agus geurchuis an luchd-dealbhaidh. Thathar an dùil gum bi The Japanese Forest Tha Togail Dhealbhan na obair mhìorbhaileach, na sàr-eisimpleir a tha gu sònraichte proifeiseanta agus gu domhainn ùr-ghnàthach. Tha an dealbhadh seo a bhuannaich Duais Airgid A' Design Award na innleachd glè fhaicsinneach, ion-mholta a bhrosnaicheas crìochan ealain, saidheans, dealbhaidh agus teicneolais. Tha The Japanese Forest Tha Togail Dhealbhan na chruthachadh air a bheil mòran eud, a dhùisgeas miannan, a bheir faireachdainnean math agus a thogas iongnadh is miorbhail.

Behind the Design

Press Kit

Credits, team members and technical details provided by the designer.

Unique Properties: "The Japanese Forest" is taken from a Japanese religious perspective.
In addition, the more it explores the unique perspectives of Japan, the more universal and true nature appears.
The nature in this work is the scenery seen by ancient people, modern people, and future people.
Dimensions & Packaging: The camera used in "The Japanese Forest" is NIKON Df. Retouch uses Adobe CC.
Tags: Japan, Photo, Nature, Mountain, Forest, Tree, Green, Landscape, Sustainable, Ecology
Production Technology: The technology required for "The Japanese Forest" is digital retouching. Digital retouching has made it possible to achieve both nostalgia and newness. With this work, He was able to create colors that could not be achieved with film.
Design Challenge: The difficulty with this project is that forests are decreasing in Japan. Japanese forests were destroyed by economic growth in the 1960s. Replanted with fast-growing trees, Japanese forests have become similar.
Research: Type of study: animism, eight million gods. Research purpose: To preserve the existing landscape in the future. Methodology: photography. Tools: Japanese classic books. Influence of design: The more unique the country landscape, the more universal the beauty.
Inspiration: One of the beginnings of Japanese religion is the "Yaoyorozu-no-kami". "Yaoyorozu-no-kami" is the belief that there is a god in all things in nature, and it is introduced in foreign countries as "Animism" or "Shinto". Shooting is similar to "Animism". Trees, minerals, and dead grass feel the will of life, and even if an artifact like a dam is left in nature for a long time, it will feel the will of life. Just as we see untouched nature, the future people see the current scenery.
Project Duration: The project was created between 2013 and 2015. And it was released on eguchimasaru.com.
Operation Flow: This work reminds the user of the view of nature stored in the gene. This work suggest a discussion about what is needed for the future art. This is the role of the work.
Patents: Copyright: Masaru Eguchi
Image Credits: Image #1: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #2: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #3: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #4: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020. Image #5: Photographer Masaru Eguchi, The Japanese Forest, 2013-2020.