ʻO Santos Hale na Fernando Abelleyro he mea lanakila hanohano loa o ka 2020 A' Design Award Kala ma ka Māhele Hoʻokūkū Hoʻolālā Hale, Kūkulu a me Hōʻuluʻulu.

KalaHoʻolālā Hale· 2020

Santos Hale

na Fernando Abelleyro

Mea Kūʻai: Fernando Abelleyro, architect

Mea Lanakila A' Design Award Kala ma ka Māhele Hoʻolālā Hale

48,920

Mea Lanakila i Hōʻoia ʻIa

Hōʻoia i ke Kūlana Makana no #104440

Kipa i ka Pūnaewele Nānā ma A' Design Award Hoʻolaha Nūhou Hōʻailona Makana

Nā Waihoʻoluʻu

Ka Hoʻolālā

E Pili Ana iā Santos Hale

Ke hoʻohana nei i ka lāʻau ma ke ʻano he mea nui i hana ʻia, ka neʻe i ka hale i ʻelua mau ʻāpana ma ka ʻāpana, e hoʻomohala ana i ka hale aniani e hoʻopili me ka ʻili a waiho i ke kukui kūlohelohe e komo. Hoʻomaopopo ka wahi kiʻekiʻe pālua i kēlā pili ma waena o ka papahele, ka papa ma luna a me ke ʻano. Pahu ka hale keleawe ma luna o ke aniani lele, pale iā ia mai ka ulu ʻana o ka lā komohana a hana hou i ka leo nui, e kulu ana i ka ʻike o ka kūlohelohe. Hoʻomaopopo ʻia ka papahana e ka ʻike ʻana i ka hoʻohana nui ʻana ma ka papahele a me ka hoʻohana pilikino ma ka papa o luna.

Ka Hoʻomaikai

E Pili Ana i ka A' Design Award Kala

Ua lanakila ka hoʻolālā Santos Hale i ka A' Design Award Kala, he ʻike hoʻohanohano nui loa i hāʻawi ʻia i nā hoʻolālā kiʻekiʻe loa, nani a kupaianaha. He mau hana ʻālohilohi loa a hana noʻeau nui nā lanakila Kala e hōʻike ana i ka loea, ka makakoho a me ka ʻoi aku o ka noʻonoʻo o kā lākou poʻe hoʻolālā. Manaʻo ʻia ʻo ka hoʻolālā Santos Hale he hana kupaianaha, kūlana ʻoi aku, ʻoihana kiʻekiʻe a hou loa. ʻO kēia hoʻolālā i lanakila i ka A' Design Award Kala he mea hoʻokumu kūpono loa, mahalo ʻia e hāʻawi i ka pōmaikaʻi a hoʻoneʻe i nā palena o ka hana noʻeau, ka ʻepekema, ka hoʻolālā a me ka ʻenehana. He mea i ʻeleu ʻia e nā mea he nui ka hoʻolālā Santos Hale e hoʻāla i ka makemake, lawe mai i nā manaʻo maikaʻi a hoʻāla i ka kamahaʻo a me ka mahalo.

Ma Hope o ka Hoʻolālā

ʻEke Nūhou

Nā hōʻoia, nā lālā hui a me nā kikoʻī ʻenehana i hāʻawi ʻia e ka mea hoʻolālā.

Nā ʻAno Kūʻokoʻa: The project seeks to establish a relationship between the house and the context,to enable maximum natural light. Moving the floors in section, creating a double-height space with a glazed ceiling, which allows the interior of the house on its two floors to be visually and spatially integrated with the surroundings, favoring the entry of light. In turn, a metal roof with a wooden structure that flies over skylight, protects it from the incidence of the west sun.
Nā Ana a me ka Hoʻopili: Specifications Unifamiliar house Year of the Architectural project: 2001 Construction:2001/2002 Type of construction: Dry Construction System - Non traditional Main material : Wood Surface: 110 m2 Location: Ing. Maschwitz - Escobar - Province of Buenos Aires
Nā Lepili: wood house, dimensional coordination, exterior interior spatial fluidity, light, context, spatiality
ʻEnehana Hana: Specific wood sheet Structure: Columns composed of ropes and eucalyptus straps free of knots and kiln dry - interior varnish with cedar tint - exterior lasur treatment and polyurethane lacquer with cedar tint. Exterior :Siding of knot-free eucalyptus and oven dry - lasur treatment and polyurethane lacquer Interior : Floor 18 mm eucalyptus phenolic multi-laminate plates - hydro-lacquer with cedar tint. Outdoor deck not-free and kiln-dried eucalyptus boards - lasur treatment and cedar-stained polyurethane lacquer.
Pilikia Hoʻolālā: Materialization of this house crossed by various negative aspects that I had to face at the time of its concretion: first, the current legislation that required obtaining a technical aptitude certificate, which translates into the preparation of a manual of the procedures and construction and assembly details that I had to develop in record time. On the other hand, construction times and costs were altered and affected by a strong economic crisis that affected my country in late 2001; finally, a complex stumbling block, subject to the difficulty of obtaining qualified manpower to erect the house, considering technology , project and scarce implementation of this construction system in the region where the project is implanted, which forced us to train highly amount of staff to carry out the house before and during the construction process. All obstacles were successfully drawn.
Noiʻi: Type of research: -Wooden architecture, project and purpose development. Originality. Research objectives: -Achieve an innovative project from its wooden construction. -To deepen the development and scope of wood technology in the field of our architecture. -Generate a rational construction system that meets technical conditions for its normalization. -Manage light and visuals, and the relationship between architecture and environment. Methodology, data collection and research tools used, participants or experiments: -Research and project development. -Rationalization, cutting and purposeful scheme based on the availability and commercialization of wood, sections, dimensions and squares. -Experimenting with the development of construction parts assembled in the workshop and assembled on site. Results, perceptions and impacts: The Santos house was a trigger for later wooden projects. From its dissemination, we design and build new works with this technology, protected by our growth and professional expertise. One of the most outstanding aspects was the projection of the house as an Architectural fact. A Work that consolidated our studio and allowed us to continue developing new works with this technology. It obtained prizes, evaluations and publications, and was used as a referential study and analysis project in the UBA's Faculty of Architecture. Without hesitation, the potential and projection of Casa Santos was pleasantly unexpected for us.
Hoʻoulu Manaʻo: The need to promote a typological construction that enhances versatility and constructive possibility that wood offers; in our country it was never widely accepted as a reliable and noble construction material. It was necessary to generate a project wich expresses the potential of this wonderful material.The inspiration was given by the context itself, given the search to articulate a fluid relationship between the interior and the exterior.
Ka Lōʻihi o ka Papahana: The project started in december 2001 and finished on 2002. it is located in Escobar, Province of Buenos Aires.
Kaʻina Hana: The essential search to generate a fluid and harmonious relationship with the natural environment. Occupy the space rising from it, generating an object materialized with a natural and simple reading material.
Nā Lālā Hui: F. Abelleyro
Collaborator P.Coles
Nā Kuleana Kiʻi: all the images are property of Fernando Abelleyro